The Television Genre Soap Opera and its Audience: the Role of Mass Media in Creating Gender ...
BASLAROVÁ, Iva. The Television Genre Soap Opera and its Audience: the Role of Mass Media in Creating Gender Identifications. 2007. |
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Základní údaje | |
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Originální název | The Television Genre Soap Opera and its Audience: the Role of Mass Media in Creating Gender Identifications |
Název česky | Televizní žánr soap opera a jeho publikum: role masových médií při vytváření genderových identifikací |
Název anglicky | The television genre soap opera and its audience: the role of mass media in creating gender identifications |
Autoři | BASLAROVÁ, Iva. |
Vydání | 2007. |
Další údaje | |
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Originální jazyk | čeština |
Typ výsledku | Konferenční abstrakt |
Obor | 50000 5. Social Sciences |
Stát vydavatele | Česká republika |
Utajení | není předmětem státního či obchodního tajemství |
Organizační jednotka | Fakulta sociálních studií |
Klíčová slova anglicky | gender studies; soap opera; telenovel |
Štítky | gender studies, soap opera, telenovel |
Změnil | Změnila: Mgr. Iva Baslarová, Ph.D., učo 65296. Změněno: 1. 7. 2009 21:32. |
Anotace |
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This television genre is marked as feminine in these days, in spite of the fact that men watch it (but they are as a rule ashamed to admit it in the public). Soap operas are, in the same way as romance in literature, considered as a lower form of popular culture (which is why, not only men, but women too do not like to admit watching these declined genres). In addition, soap operas are built on emotions and love affairs, that is in EuroAmerican culture connected to female identity, not male identity. My research questions are: How do the female spectators and the male spectators take a part in soap operas, and how do they form their identity by them? How do they organize their relationships in the family and in society by them? What attributes do women expect from this television genre and what attributes do men expect from it? What function (social, emotional or other) do soap operas fulfil by their spectators? |
Anotace anglicky |
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This television genre is marked as feminine in these days, in spite of the fact that men watch it (but they are as a rule ashamed to admit it in the public). Soap operas are, in the same way as romance in literature, considered as a lower form of popular culture (which is why, not only men, but women too do not like to admit watching these declined genres). In addition, soap operas are built on emotions and love affairs, that is in EuroAmerican culture connected to female identity, not male identity. My research questions are: How do the female spectators and the male spectators take a part in soap operas, and how do they form their identity by them? How do they organize their relationships in the family and in society by them? What attributes do women expect from this television genre and what attributes do men expect from it? What function (social, emotional or other) do soap operas fulfil by their spectators? |
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