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@inbook{786521, author = {Szczepanik, Petr}, address = {Chicago}, booktitle = {MLVs Cinema and other media / Versioni multiple Cinema e altri media}, keywords = {film history; media history; film sound; radio; film archive}, language = {eng}, location = {Chicago}, isbn = {978-0-252-07532-2}, pages = {87-104}, publisher = {University of Illinois Press}, title = {Sonic Imagination, or Film Sound as a Discursive Construct in Czech Culture of the Transitional Period}, year = {2008} }
TY - CHAP ID - 786521 AU - Szczepanik, Petr PY - 2008 TI - Sonic Imagination, or Film Sound as a Discursive Construct in Czech Culture of the Transitional Period VL - Film studies/Communication PB - University of Illinois Press CY - Chicago SN - 9780252075322 KW - film history KW - media history KW - film sound KW - radio KW - film archive N2 - The profound transformations which cinema underwent during the period 1927-1934 on all levels were defined not only by technological development but also by the discourses (comprised of reviews, theories, advertisements, business decisions, patents etc.), practices (different ways of creation and consumption) and institutions (established media, arts, sciences, legislation, and other social and economic structures) surrounding it and inserting it into the world of everyday life. Cinema s prospect as it stood on the crossroads of alternative possible futures implied different modes of social use and meaning which differed significantly from the institution of silent cinema. In this article I propose a description of five groups of arguments and tropes structuring the film-sound related discourses present in the Czech culture of the late 1920s and early 1930s. ER -
SZCZEPANIK, Petr. Sonic Imagination, or Film Sound as a Discursive Construct in Czech Culture of the Transitional Period. In \textit{MLVs Cinema and other media / Versioni multiple Cinema e altri media}. Chicago: University of Illinois Press, 2008, s.~87-104, 17 s. Film studies/Communication. ISBN~978-0-252-07532-2.
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