Bibliografie - správa publikací, které cituji
ZITA, Antonín. How We Understand the Beats. The Reception of the Beat Generation in the United States and the Czech Lands. Online. 1., elektronické vyd. Brno: Masarykova univerzita, 2018, 200 s. Spisy Filozofické fakulty Masarykovy univerzity, č. 482. ISBN 978-80-210-9049-1. Dostupné z: https://dx.doi.org/10.5817/CZ.MUNI.M210-9049-2018.
Podrobněji:
https://is.muni.cz/publication/1477720
Bibliografie |
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“A jak to dopadlo.” Literární noviny 2 May 1958: 12. |
Alan, Josef. “Alternativní kultura jako sociologické téma.” Alternativní kultura: Příběh české společnosti 1945–1989. Ed. Josef Alan. Prague: Lidové noviny, 2001. 9–59. |
Allen, Donald M. ed. The New American Poetry: 1945–1960. New York: Grove, 1960. |
“Allen Ginsberg.” Columbia250. Columbia University, 2004, Web. 20 Feb. 2018. http://c250.columbia.edu/c250_celebrates/remarkable_columbians/allen_ginsberg.html |
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Amburn, Ellis. Subterranean Kerouac: The Hidden Life of Jack Kerouac. New York: St. Martin’s, 1998. |
“Americký beatnický básník hostem pražského Festivalu spisovatelů.” Hospodářské noviny. Economia, 24 Apr. 1998. Web. 19 Feb. 2018. http://archiv.ihned.cz/c1–971111–americky-beatnicky-basnik-hostem-prazskeho-festivalu-spisovatelu |
Anna proletářka. Dir. Karel Steklý. Československý státní film, 1953. |
Asher, Levi. “Ringside Seat: Gerald Nicosia vs. Ann Charters at NYU.” Literary Kicks. Litkicks.com, 6 June 1995. Web. 19 Feb. 2018. http://www.litkicks.com/RingsideSeat |
Baker, Phil. William S. Burroughs. London: Reaktion, 2010. |
The Ballad of Greenwich Village. Dir. Karen Kramer. Karen Kramer Productions, 2005. |
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Barnett, David. “Visions of Jack Kerouac … In an Epic 13 Volumes.” The Guardian. Guardian News and Media, 24 July 2013. Web. 19 Feb. 2018. http://www.theguardian.com/books/2013/jul/24/jack-kerouac-13–volume-memoir |
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The Beat Generation. Dir. Charles F. Haas. Albert Zugsmith Productions, 1959. |
Beat Girl. Dir. Edmond T. Gréville. Renown Pictures Corporation. 1960. Film. |
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The Beatniks. Dir. Paul Frees. Barjul International Pictures Inc. 1960. Film. |
Belletto, Steven. Interview by Oliver Harris. European Beat Studies Network. WordPress.com, n. d. Web. 20 Feb. 2018. https://ebsn.eu/scholarship/interviews/the-cambridge-companion-to-the-beats-steven-belletto-interviewed-by-oliver-harris/ |
Belletto, Steven. “Introduction: the Beat Half-Century.” The Cambridge Companion to the Beats. Ed. Steven Belletto. Cambridge: Cambridge UP, 2017. 1–22. |
Berg, Stephen and Robert Mezey. Naked Poetry: Recent American Poetry in Open Forms. Upper Saddle River: Prentice Hall, 1969. |
Beze slov.” Světová literatura Nov. 1959: 232–233. |
Bezr, Ondřej. “Lawrence Ferlinghetti celý život bere poezii jako podvratné umění.” iDnes. Mafra, 21 Apr. 2013. Web. 19 Feb. 2018. http://kultura.zpravy.idnes.cz/lawrence-ferlinghetti-06v-/literatura.aspx?c=A130419_172640_literatura_ob |
Birmingham, Jed. “DIY Beat Criticism.” Reality Studio. Supervert, 2015. Web. 19 Feb. 2018. http://realitystudio.org/bibliographic-bunker/diy-beat-criticism |
Birmingham, Jed. “William Burroughs and Norman Mailer.” RealityStudio. Supervert, 14 Oct. 2009. Web. 20 Feb. 2018. |
Blackboard Jungle. Richard Brooks. MGM. 1955. Film. |
“Blackboard Jungle – Original Trailer.” 1955. Turner Classic Movies. TM, 2018. Web. 20 Feb. 2018. www.tcm.com/mediaroom/video/25657/Blackboard-Jungle-Original-Trailer-.html |
Blažek, Petr. “The Deportation of King of May.” Behind the Iron Curtain: English-language review 2 (2012): 34–47. Pdf file. 19 Feb. 2018. http://www.ustrcr.cz/data/pdf/publikace/bic/bic0212/034-047.pdf |
Bloom, Harold. Introduction. Jack Kerouac’s On the Road. Ed. Harold Bloom. Philadelphia: Chelsea, 2004. 1–2. |
bosch, l. “Historii tvoří lži vítězů.” Ve snu ve snu snil jsem sen. By Lawrence Ferlinghetti. Prague: Maťa, 2013. 327–341. |
bosch, l. “Lawrence Ferlinghetti encyklopedicky.” Lawrence Ferlinghetti. Nefér argumenty života. Rutiny. By Lawrence Ferlinghetti. Prague: Maťa, 1998. 175–180. |
Bouček, Jaroslav. Trubaduří nenávisti: Studie o současné západní úpadkové literatuře. Praha: Československý spisovatel, 1952. |
Bourdieu, Pierre. “The Field of Cultural Production, or: The Economic World Reversed.” The Field of Cultural Production. New York: Columbia U, 1994. 29–73. |
Brabec, Jiří. “Estetická norma a historie literatury v totalitním systému.” Proceedings of Zlatá šedesátá Conference, Prague, Czech Republic, 16–18 June 1999: Zlatá šedesátá – Česká literature, kultura a společnost v letech tání, kolotání a … zklamání: Ed. Radka Denemarková. Prague: Ústav pro českou literaturu AV ČR, 2000. 11–30. |
Bravin, Jess. “Audience Beats Path to Ginsberg.” Los Angeles Times. Los Angeles Times, 3 Apr. 1993. Web. 19 Feb. 2018. http://articles.latimes.com/1993-04-03/entertainment/ca-18553_1_beat-generation |
Bren, Paulina. The Greengrocer and His TV: The Culture of Communism after the 1968 Prague Spring. Ithaca: Cornell, 2011. |
Brooks, John. “Of Growth and Decay.” New York Times Book Review 8 March 1950: 199. |
Brown, JPat. “‘Definitely Slanted Against the United States’: Ray Bradbury’s FBI File.” MuckRock. Muckrock, 24 Aug. 2015. Web. 19 Feb. 2018. https://www.muckrock.com/news/archives/2015/aug/24/ray-bradbury-fbi-file |
Brustein, Robert. “The Cult of Unthink.” 1958. Beat Down to Your Soul: What Was the Beat Generation? Ed. Ann Charters. New York: Viking, 1990: 49–58. |
Budil, Ivo. “Imaginace totalitarismu z antropologického hlediska.” Proceedings of International Czech Literature Conference, Prague, Czech Republic, 2006: Literatura socialistického realismu: východiska, struktury a kontexty totalitního umění:. Ed. Petr Šámal. Prague: Ústav pro českou literaturu AV ČR, 2009. 9–17. |
Buriánek, František. “Proti buržoazní literární ‘vědě’ Arne Nováka.” 1952. Z dějin českého myšlení oliteratuře 2: 1948–1958. Ed. Michal Pribáň. Prague: Ústav pro českou literaturu AVČR, 2002. 60–79. |
Burroughs, William S. Škola mého života: Kniha snů. Prague: Volvox Globator, 1998. Second cover. |
Burroughs, William S. Teplouš. Prague: Maťa, 2004. Fourth cover. |
“Cambridge Companions to Literature.” Cambridge University Press. Cambridge University Press, n. d. Web. 20 Feb. 2018. http://www.cambridge.org/gb/academic/subjects/literature/series/cambridge-companions-literature#KCie0D2WQvWOY6kT.97 |
Campbell, James. “Obituary: Allen Ginsberg.” Independent. Independent.co.uk, 7 Apr.1997. Web. 19 Feb. 2018. http://www.independent.co.uk/news/people/obituary-allen-ginsberg-1265816.html |
Campbell, James. “Struggles with the Ugly Spirit.” The Guardian. Guardian News and Media, 4 Aug 1997. Web. 20 Feb. 2018. https://www.theguardian.com/books/1997/aug/04/fiction.williamburroughs |
Carmona, Christopher Richard. “Keeping the Beat: The Practice of a Beat Movement.” Diss. Texas A&M U, 2012. http://oaktrust.library.tamu.edu |
Cerce, Danica. “The Politicization of the Act of Interpretation: John Steinback in Eastern Europe.” GSTF International Journal of Law and Social Sciences 2.1 (2012): 155–158. Web. 20 Feb. 2018. |
Challis, Christopher Graham. Famous Writers More or Less: The Beat Generation as a Literary Coterie. 1979. U of Leicester, PhD dissertation. |
Charters, Ann. “Introduction: What Was the Beat Generation?” The Portable Beat Reader.Ed. Ann Charters. New York: Viking, 1990. Xv-xxxvii. |
Ciabattari, Jane. “William S. Burroughs: ‘The Godfather of Punk’ Remembered.” BBC. BBC, 5 Feb. 2014. Web. 19 Feb. 2018. http://www.bbc.com/culture/story/20140204-they-knew-the-godfather-of-punk |
Ciardi, John. “The Book Burners and Sweet Sixteen.” Saturday Review 27 June 1959: 22–30. |
Ciardi, John. “Epitaph for the Dead Beats.” Saturday Review 6 Feb 1960: 11–13, 42. Rpt. in A Casebook on the Beat. Ed. Thomas Parkinson. New York: U of California P, 1961. 257–265. |
Cohen, Patricia. “‘Howl’ in an Era That Fears Indeceny.” New York Times. New York Times Company, 4 Oct. 2007. Web. 20 Feb. 2018. http://www.nytimes.com/2007/10/04/books/04howl.html |
Cook, Bruce. The Beat Generation. New York: Charles Scribner’s Sons, 1971. |
Corso, Gregory. Jak neumírat. Prague: Maťa, 2000. Fourth cover. |
Cottrell, Robert C. Sex, Drugs, and Rock ‘n’ Roll: The Rise of America’s 1960s Counterculture. New York: Rowman & Littlefield, 2015. |
Československé filmové noviny. Krátký film Praha, 1950 (28). Web. 20 Feb. 2018. https://www.youtube.com/watch?v=uzuucVlVtus |
Davenport, George. “Books in Brief.” National Review 23 Oct. 1962: 325. |
Dempsey, David. “In Pursuit of ‘Kicks’” New York Times 8 Sep. 1957: 3. |
Deresiewicz, William. “First Thought, Best Thought.” New York Times. New York Times, 8 Apr. 2001. Web. 19 Feb. 2018. https://www.nytimes.com/books/01/04/08/reviews/010408.08deresit.html |
Dittman, Michael J. Jack Kerouac: A Biography. Westport: Greenwod, 2004. |
Dorůžka, Lubomír a Josef Škvorecký. Introduction. Jazzová inspirace. Ed. Lubomír Dorůžka and Josef Škvorecký. Prague: Odeon, 1966. 7–24. |
Dudek, Petr. “Třeštění se obaluje tukem.” Respekt 3 Feb. 1997: 18. |
Dvorský, Stanislav. “Z podzemí do podzemí: Český postsurrealismus čtyřicátých až šedesátých let.” Alternativní kultura: Příběh české společnosti 1945–1989. Ed. Josef Alan. Prague: Lidové noviny, 2001. 77–153. |
Eco, Umberto. The Limits of Interpretation. 1990. Indianapolis: Indiana UP, 1994. |
Eco, Umberto. The Role of the Reader: Explorations in the Semiotics of Texts. Bloomington: U of Indiana P, 1979. |
Elliott, Don. Beatnik Wanton. San Diego: Evening Reader-Greenleaf, 1964. First cover. |
Ellis, R. J. “Baggy Monster Beat: A Review Essay by R J Ellis on the Cambridge Companion to the Beats.” European Beat Studies Network. WordPress.com, n. d. Web. 20 Feb. 2018. https://ebsn.eu/scholarship/ebsn-reviews/baggy-monster-beat-a-review-essay-by-r-j-ellis-on-the-cambridge-companion-to-the-beats/ |
“Emory Acquires Letter to Jack Kerouac that Inspired ‘On the Road.’” Emory News Center. Emory University, 27 Sept. 2017. Web. 20 Feb. 2018. http://news.emory.edu/stories/2017/09/upress_kerouac_anderson_letter_acquisition/campus.html |
Erskine, Helen Worden. “Dorothy Dix: Thunder on Beatnik Front.” The Evening Standard 14 June 1962: 37. Web. Newspapers.com. 20 Feb. 2018. |
Feldman, Gene, and Max Gartenberg, “Introduction.” The Beat Generation and the Angry Young Men. Ed. Gene Feldman and Max Gartenberg. New York: Books for Libraries, 1971. |
Felski, Rita. Uses of Literature. Oxford: Blackwell, 2008. Print. |
Ferlinghetti, Lawrence. “Horn on Howl.” Evergreen Review 4.1 (1957): 145–158. Rpt. in A Casebook on the Beat. Ed. Thomas Parkinson. New York: U of California P, 1961. 125–135. |
Ferlinghetti, Lawrence. Interview. “Lawrence Ferlinghetti: ‘Most of the Poets Were On Something, But Somebody Had to Mind the Shop.’” By Colin Robinson. The Guardian. Guardian News and Media, 4 July 2015. Web. 20 Feb. 2018. |
Ferlinghetti, Lawrence. “Nejlepší básnící musí hladovět.” Interview by Ivana Pecháčková. Respekt 27 Apr.1998: 12. |
Ferlinghetti, Lawrence. Ve snu ve snu snil jsem sen. Prague: Maťa, 2013. Second cover. |
Fiedler, Leslie A. Love and Death in the American Novel. 2nd ed. New York: Dell, 1966. |
Fiedler, Leslie A. “Second Thoughts on Love and Death in the American Novel: My First Gothic Novel.” Novel: A Forum on Fiction 1.1 (1967): 9–11. JSTOR. Web. 12 Feb. 2018. |
The Fifties: The Beat. Dir. Alex Gibney and Tracey Dahlby. CTV Television Network, 1997. Film. |
The Fifties: The Fear & the Dream. Dir. Alex Gibney and Tracey Dahlby. CTV Television Network, 1997. Film. |
Fish, Stanley. “Interpreting the ‘Variorum.’” Critical Inquiry 3.2 (1976): 465–485. JSTOR. Web. 19 Feb. 2018. https://doi.org/10.1086/447852 |
Fish, Stanley. “What Makes an Interpretation Acceptable?” Is There a Text in This Class? The Authority of Interpretive Communities. Cambridge: Harvard UP, 1980. 338–55. Print. |
Fish, Stanley. “Why Literary Criticism Is like a Virtue” London Review of Books 10 June 1993: n. pag. Web. 19 Feb. 2018. http://www.lrb.co.uk/v15/n11/stanley-fish/why-literary-criticism-is-like-virtue |
Frank, Thomas. The Conquest of Cool: Business Culture, Counterculture, and the Rise of Hip Consumerism. Chicago and London: U of Chicago P, 1998. |
Frye, Harriet. “‘Beat’ Youngster On a Philosophical Kick.” Columbus Dispatch 26 Oct. 1958: 12. |
Gaiser, Carolyn. “Gregory Corso: A Poet, the Beat Way.” A Casebook on the Beat. Ed. Thomas Parkinson. New York: U of California P, 1961. 266–75. Print. |
Geis, Deborah. Beat Drama: Playwrights and Performances of the ‘Howl’ Generation. London/New York: Bloomsbury, 2016. |
Geismar, Maxwell. American Moderns: From Rebellion to Conformity. New York: Hill and Wang, 1958. |
Gellé, F. “Beatnici všech zemí zaplavují Paříž.” Mladý svět 17 June 1965: 5–7. |
Genette, Gérard. Paratexts: Thresholds of Interpretation. Trans. Jane E. Lewin. Cambridge: U of Cambridge, 1997. |
Ginsberg, Allen. “Beat Reporter.” Harper’s Magazine. Harper’s Magazine, 2015. Web. 19 Feb. 2018. http://harpers.org/archive/2015/04/beat-reporter |
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Goldman, Corrie. “Through Photos and Memorabilia, Stanford’s Allen Ginsberg Collection Captures a Generation.” Stanford News. Stanford University, 19 July 2013. Web. 20 Feb. 2018. https://news.stanford.edu/news/2013/july/allen-ginsberg-collection-071913.html |
Grossman, Lev and Richard Lacayo. “All-TIME 100 Novels.” Time.com. Time Inc., 6 Jan. 2010. Web. 19 Feb. 2018. http://entertainment.time.com/2005/10/16/all-time-100-novels/slide/all |
Guimond, James. American Photography and the American Dream. Chapel Hill: U of North Carolina P, 1991. |
Hall, Donald. Introduction. Contemporary American Poetry. 2nd. ed. Harmondsworth: Penguin, 1972. 25–34. |
Hall, Donald. Preface to the Second Edition. Contemporary American Poetry. 2nd. ed. Harmondsworth: Penguin, 1972. 35–38. |
Hall, Stuart. “Encoding/Decoding.” Culture, Media, Language: Working Papers in Cultural Studies, 1972–79. Ed. S. Hall, D. Hobson, A. Lowe, and P. Willis. London: Hutchinson, 1980. 128–138. |
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