Přepnout na evidenci publikací, které mě citují.
ZITA, Antonín. How We Understand the Beats. The Reception of the Beat Generation in the United States and the Czech Lands. Online. 1., elektronické vyd. Brno: Masarykova univerzita, 2018, 200 s. Spisy Filozofické fakulty Masarykovy univerzity, č. 482. ISBN 978-80-210-9049-1. Dostupné z: https://dx.doi.org/10.5817/CZ.MUNI.M210-9049-2018.
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Buriánek, František. “Proti buržoazní literární ‘vědě’ Arne Nováka.” 1952. Z dějin českého myšlení oliteratuře 2: 1948–1958. Ed. Michal Pribáň. Prague: Ústav pro českou literaturu AVČR, 2002. 60–79.
Burroughs, William S. Škola mého života: Kniha snů. Prague: Volvox Globator, 1998. Second cover.
Burroughs, William S. Teplouš. Prague: Maťa, 2004. Fourth cover.
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Campbell, James. “Struggles with the Ugly Spirit.” The Guardian. Guardian News and Media, 4 Aug 1997. Web. 20 Feb. 2018. https://www.theguardian.com/books/1997/aug/04/fiction.williamburroughs
Carmona, Christopher Richard. “Keeping the Beat: The Practice of a Beat Movement.” Diss. Texas A&M U, 2012. http://oaktrust.library.tamu.edu
Cerce, Danica. “The Politicization of the Act of Interpretation: John Steinback in Eastern Europe.” GSTF International Journal of Law and Social Sciences 2.1 (2012): 155–158. Web. 20 Feb. 2018.
Challis, Christopher Graham. Famous Writers More or Less: The Beat Generation as a Literary Coterie. 1979. U of Leicester, PhD dissertation.
Charters, Ann. “Introduction: What Was the Beat Generation?” The Portable Beat Reader.Ed. Ann Charters. New York: Viking, 1990. Xv-xxxvii.
Ciabattari, Jane. “William S. Burroughs: ‘The Godfather of Punk’ Remembered.” BBC. BBC, 5 Feb. 2014. Web. 19 Feb. 2018. http://www.bbc.com/culture/story/20140204-they-knew-the-godfather-of-punk
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Ciardi, John. “Epitaph for the Dead Beats.” Saturday Review 6 Feb 1960: 11–13, 42. Rpt. in A Casebook on the Beat. Ed. Thomas Parkinson. New York: U of California P, 1961. 257–265.
Cohen, Patricia. “‘Howl’ in an Era That Fears Indeceny.” New York Times. New York Times Company, 4 Oct. 2007. Web. 20 Feb. 2018. http://www.nytimes.com/2007/10/04/books/04howl.html
Cook, Bruce. The Beat Generation. New York: Charles Scribner’s Sons, 1971.
Corso, Gregory. Jak neumírat. Prague: Maťa, 2000. Fourth cover.
Cottrell, Robert C. Sex, Drugs, and Rock ‘n’ Roll: The Rise of America’s 1960s Counterculture. New York: Rowman & Littlefield, 2015.
Československé filmové noviny. Krátký film Praha, 1950 (28). Web. 20 Feb. 2018. https://www.youtube.com/watch?v=uzuucVlVtus
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Dempsey, David. “In Pursuit of ‘Kicks’” New York Times 8 Sep. 1957: 3.
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Dorůžka, Lubomír a Josef Škvorecký. Introduction. Jazzová inspirace. Ed. Lubomír Dorůžka and Josef Škvorecký. Prague: Odeon, 1966. 7–24.
Dudek, Petr. “Třeštění se obaluje tukem.” Respekt 3 Feb. 1997: 18.
Dvorský, Stanislav. “Z podzemí do podzemí: Český postsurrealismus čtyřicátých až šedesátých let.” Alternativní kultura: Příběh české společnosti 1945–1989. Ed. Josef Alan. Prague: Lidové noviny, 2001. 77–153.
Eco, Umberto. The Limits of Interpretation. 1990. Indianapolis: Indiana UP, 1994.
Eco, Umberto. The Role of the Reader: Explorations in the Semiotics of Texts. Bloomington: U of Indiana P, 1979.
Elliott, Don. Beatnik Wanton. San Diego: Evening Reader-Greenleaf, 1964. First cover.
Ellis, R. J. “Baggy Monster Beat: A Review Essay by R J Ellis on the Cambridge Companion to the Beats.” European Beat Studies Network. WordPress.com, n. d. Web. 20 Feb. 2018. https://ebsn.eu/scholarship/ebsn-reviews/baggy-monster-beat-a-review-essay-by-r-j-ellis-on-the-cambridge-companion-to-the-beats/
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Erskine, Helen Worden. “Dorothy Dix: Thunder on Beatnik Front.” The Evening Standard 14 June 1962: 37. Web. Newspapers.com. 20 Feb. 2018.
Feldman, Gene, and Max Gartenberg, “Introduction.” The Beat Generation and the Angry Young Men. Ed. Gene Feldman and Max Gartenberg. New York: Books for Libraries, 1971.
Felski, Rita. Uses of Literature. Oxford: Blackwell, 2008. Print.
Ferlinghetti, Lawrence. “Horn on Howl.” Evergreen Review 4.1 (1957): 145–158. Rpt. in A Casebook on the Beat. Ed. Thomas Parkinson. New York: U of California P, 1961. 125–135.
Ferlinghetti, Lawrence. Interview. “Lawrence Ferlinghetti: ‘Most of the Poets Were On Something, But Somebody Had to Mind the Shop.’” By Colin Robinson. The Guardian. Guardian News and Media, 4 July 2015. Web. 20 Feb. 2018.
Ferlinghetti, Lawrence. “Nejlepší básnící musí hladovět.” Interview by Ivana Pecháčková. Respekt 27 Apr.1998: 12.
Ferlinghetti, Lawrence. Ve snu ve snu snil jsem sen. Prague: Maťa, 2013. Second cover.
Fiedler, Leslie A. Love and Death in the American Novel. 2nd ed. New York: Dell, 1966.
Fiedler, Leslie A. “Second Thoughts on Love and Death in the American Novel: My First Gothic Novel.” Novel: A Forum on Fiction 1.1 (1967): 9–11. JSTOR. Web. 12 Feb. 2018.
The Fifties: The Beat. Dir. Alex Gibney and Tracey Dahlby. CTV Television Network, 1997. Film.
The Fifties: The Fear & the Dream. Dir. Alex Gibney and Tracey Dahlby. CTV Television Network, 1997. Film.
Fish, Stanley. “Interpreting the ‘Variorum.’” Critical Inquiry 3.2 (1976): 465–485. JSTOR. Web. 19 Feb. 2018. https://doi.org/10.1086/447852
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Fish, Stanley. “Why Literary Criticism Is like a Virtue” London Review of Books 10 June 1993: n. pag. Web. 19 Feb. 2018. http://www.lrb.co.uk/v15/n11/stanley-fish/why-literary-criticism-is-like-virtue
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Frye, Harriet. “‘Beat’ Youngster On a Philosophical Kick.” Columbus Dispatch 26 Oct. 1958: 12.
Gaiser, Carolyn. “Gregory Corso: A Poet, the Beat Way.” A Casebook on the Beat. Ed. Thomas Parkinson. New York: U of California P, 1961. 266–75. Print.
Geis, Deborah. Beat Drama: Playwrights and Performances of the ‘Howl’ Generation. London/New York: Bloomsbury, 2016.
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Genette, Gérard. Paratexts: Thresholds of Interpretation. Trans. Jane E. Lewin. Cambridge: U of Cambridge, 1997.
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Goldman, Corrie. “Through Photos and Memorabilia, Stanford’s Allen Ginsberg Collection Captures a Generation.” Stanford News. Stanford University, 19 July 2013. Web. 20 Feb. 2018. https://news.stanford.edu/news/2013/july/allen-ginsberg-collection-071913.html
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Guimond, James. American Photography and the American Dream. Chapel Hill: U of North Carolina P, 1991.
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