ZUR586 Theory and Practice of Editing and its Trends

Faculty of Social Studies
Autumn 2018
Extent and Intensity
1/1/0. 6 credit(s). Type of Completion: zk (examination).
Teacher(s)
Mgr. Rodrigo Morales (lecturer)
MgA. Marek Petřík (seminar tutor)
Guaranteed by
doc. MgA. Jan Motal, Ph.D.
Department of Media Studies and Journalism – Faculty of Social Studies
Contact Person: Ing. Bc. Pavlína Brabcová
Supplier department: Department of Media Studies and Journalism – Faculty of Social Studies
Timetable
Thu 18:00–19:40 Střižna 531
Course Enrolment Limitations
The course is only offered to the students of the study fields the course is directly associated with.

The capacity limit for the course is 7 student(s).
Current registration and enrolment status: enrolled: 0/7, only registered: 0/7
fields of study / plans the course is directly associated with
Course objectives
Theory and Practice of Editing and its Trends is designed to support students' creative potential and develop their professional knowledge of applied media in editing and audio-visual. Education is conceived as a regular form, lectures, seminars and practical exercises. In addition, workshops will be carried out with practitioners. The output will be continuously exercises and a final project, to present skills of students.
Syllabus
  • Outline 1st What is film time and space? 2nd Working in film-film stock.Technology meaning and philosophy. 3rd Russian school. 4th American School 5th French School 6th advertising 7th Documentary film 8th Avant-garde 9th Feature film 10th intellectual cut 11th Types cut 12th Editor as an author and creator, editor 13th Cut and dramaturgy. 14th Possibilities of digital media and editing. Student makes himself : Reconstructed story board Editing film Editing with found footage Re-CUT photo scenario Storyboard Author film editing-project The course ends with an examination
Literature
    required literature
  • Navrátil, Antonín, Dziga Vertov, revolucionář dokumentárního filmu, Československý filmový ústav, 1974
  • Doc. Jiří Myslík: Základy filmové techniky a technologie /CD ROM v knihovně FAMU/.
  • J Hojtaš: Současná snímací televizní technika a její využití v tvůrčí praxi /dipl.pr. FAMU/Praha.
  • Karvánek, Lukáš: Digitální kamery, vydalo Nakladatelství Akademie múzických umění v Praze, 2010,ISBN 978-80-7331-173-5
  • Goldovskij: Světlo a technika ve filmu.
  • VALUŠIAK, Josef. Základy střihové skladby. 3., rozš. vyd. V Praze: FAMU, 2005, 143 s. ISBN 8073310392. info
  • BLÁHA, Ivo. Zvuková dramaturgie audiovizuálního díla. 2., dopl. vyd. V Praze: Akademie múzických umění, 2004, 145 s. ISBN 8073310104. info
  • NAVRÁTIL, Antonín. Cesty k pravdě či lži :70 let československého dokumentárního filmu. 2. vyd. Praha: Akademie múzických umění, 2002, 285 s. ISBN 80-7331-909-8. info
  • ÈJZENŠTEJN, Sergej Michajlovič. Kamerou, tužkou i perem. Edited by Lubomír Linhart, Translated by Jiří Taufer. 1. vyd. Praha: Orbis, 1959, 370 s. URL info
    recommended literature
  • Šmok Jan: Úvod do snímkové techniky.
  • Golovňa, Anatolij Dmitrijevič: Světlo v kameramanském umění, Čs. st. film, 1953
  • PEŠEK, Josef. Základní principy televize a magnetického záznamu obrazu. Vyd. 2., upr. Jinočany: H & H, 1993, 197 s. info
    not specified
  • FOUCAULT, Michel. Slová a veci : archeológia humanitných vied. Bratislava: Pravda, 1987. info
Teaching methods
lectures, class discussion, 8 editing exercises. Final av project. Exam.
Assessment methods
Reflection and analysis of eight practical projects. Exam of theory.
Language of instruction
Czech
The course is also listed under the following terms Autumn 2012, Autumn 2013, Autumn 2014, Autumn 2015, Autumn 2016, Autumn 2017.
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