FF:CJBC620 Theory of Poetic Language - Course Information
CJBC620 The Theory of Poetic Language
Faculty of ArtsAutumn 2011
- Extent and Intensity
- 0/2/0. 4 credit(s). Type of Completion: z (credit).
- Teacher(s)
- PhDr. Pavel Jiráček, CSc. (lecturer), doc. PhDr. Zbyněk Fišer, Ph.D. (deputy)
- Guaranteed by
- doc. PhDr. Zbyněk Fišer, Ph.D.
Department of Czech Literature – Faculty of Arts
Contact Person: Mgr. Eva Zachová - Timetable
- Tue 19:10–20:45 zruseno D51
- Prerequisites
- The course is offered to the students of the parent disciplines. Other restrictions: The excessive number of students registered participants will select teachers on the basis of knowledge test or interview.
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
- fields of study / plans the course is directly associated with
- Czech Language and Literature (programme FF, B-FI) (2)
- Czech Language and Literature (programme FF, B-HS)
- Czech Language and Literature (programme FF, N-FI) (2)
- Czech Language and Literature (programme FF, N-HS)
- Upper Secondary School Teacher Training in Czech Language and Literature (programme FF, N-SS) (2)
- Course objectives
- Selected lecture extends the literary reflection in the organization of the poet´s speech in which personality is most present. Research on the poet's utterances provides a broad interdisciplinary base as well as the courage to new approaches and solutions. The aim of the course is a selection: -create a sufficiently broad interdisciplinary overview of relevant knowledge and theories -familiar with the results of experimental research on subjective speech utterance -to expand the domestic context of Benveniste lines thinking about language and the theory of rythm of Henri Meschonnic -confronting the possibility of further scientific research Self Theory in the poet´s text Lectures as a reflection on the poetic language is based on the author´s three monographs: Lyrický rytmus, o spojení zvuku a smyslu ve verši. 1.vyd. Brno: Host, 2007. ISBN 978-80- 7294-237-4. 304 s. Význam a subjektivita v lyrice, kognitivní struktury v lyrické představě. 1.vyd. Brno: Host, 2008. ISBN 978-80-7294-295-4. 380 s. Kognitivní interpretace českého verše v rytmických souvislostech metrické teorie Miroslava Červenky. 1.vyd. Brno: Host, 2009. ISBN 978-80-7294-345-6. 400 s.
- Syllabus
- -concept of rhythm before Plato: Émile Benveniste and Bohumil Nuska -non-metric theory of rhythm of Henri Meschonnic -tempo-modal and rhythmic-melodic subjective -reference and rhythm and melody prediction -the stylistics rhythm to rhythm semantics: research Self Theory in the poet´s text -stylistics from rhythm to rhythm semantics
- Literature
- recommended literature
- HUMBOLDT, Wilhelm von 2000 O rozmanitosti stavby ľudských jazykov a jej vplyve na duchovný rozvoj ľudského rodu, přel. Slavomír Ondrejovič (Bratislava: Veda)
- BENVENISTE, Émile 1966 Problèmes de linguistique générale (Paris: Gallimard)
- PLATÓN 1994 Filébos, přel. František Novotný (Praha: OIKOYMENH)
- STAIGER, Emil 1969 Základní pojmy poetiky, přel. Miloš Černý a Otakar Veselý (Praha: Československý spisovatel)
- JIRÁNEK, Jaroslav 1996 Hudební sémantika a sémiotika (Olomouc: Vydavatelství Univerzity Palackého)
- JAKOBSON, Roman. Poetická funkce. Vyd. 1. Jinočany: H & H, 1995, 747 s. ISBN 80-85787-83-0. info
- not specified
- STEINMETZ, Karel. 1994 Artikulace času v Janáčkově hudbě (Olomouc: Vydavatelství Univerzity Palackého)
- ZICH, Otakar. 1981 ESTETICKÉ VNÍMÁNÍ HUDBY ESTETIKA HUDBY (Praha: Supraphon)
- Teaching methods
- lectures
- Assessment methods
- Oral exam.
- Language of instruction
- Czech
- Further Comments
- Study Materials
The course is taught annually.
- Enrolment Statistics (recent)
- Permalink: https://is.muni.cz/course/phil/autumn2011/CJBC620