DVE015 Theatre in Exile (Meerzon)

Filozofická fakulta
jaro 2013
Rozsah
0/0. 3 kr. (plus 3 za zk). Ukončení: zk.
Vyučující
prof. Yana Meerzon (přednášející), doc. MgA. David Drozd, Ph.D. (zástupce)
Garance
prof. PhDr. Margita Havlíčková
Katedra divadelních studií – Filozofická fakulta
Kontaktní osoba: doc. Mgr. Šárka Havlíčková Kysová, Ph.D.
Dodavatelské pracoviště: Katedra divadelních studií – Filozofická fakulta
Omezení zápisu do předmětu
Předmět je nabízen i studentům mimo mateřské obory.
Mateřské obory/plány
Cíle předmětu
Students wil gain knowledge about different types of exilic experience and study diffenret way whos to conceptualise it and express in theatre.
Osnova
  • BRNO. May 12-16, 2013
  • On Exilic Odyssey: theatre, drama, performance.
  • 5 lecture –seminars x 3 hours (180min)
  • Outline:
  • Lecture 1: Intercultural Exile: Between relativity and positivism; toward the theory of exilic performative
  • Introductory lecture on the difference between intercultural theatre theories and exilic theatre practices
  • Readings:
  • Brodsky, Joseph. “The Condition We Call Exile”. On Grief and Reason: Essays. New York: Farrar, Straus, and Giroux. 1995. 22–35.
  • Pavis, Patrice. Theatre at the Crossroads of Culture. Trans. Kruger, Loren. Florence, KY, USA: Routledge, 1991. Chapter 1…
  • Gilbert, Helene & Lo, Jacqueline. “Toward a Topography of Cross- Cultural Theatre Praxis”. The Drama Review. V.46. N.3. (2002). 31–53.
  • Peters, John Durham. “Exile, nomadism, and diaspora: the stakes of mobility in the western canon” Home, Exile, Homeland. Film, Media, and the Politics of Place. Ed. Naficy, Hamid. Routledge: New York and London. 1999. 17-45.
  • Said, Edward. Chapter 17 “Reflections On Exile”. Reflections on Exile and Other Essays. Cambridge, Mass.: Harvard University Press, 2000
  • Lecture 2: Nostalgia and Exile: the Historical Turn
  • READINGS:
  • Plays :
  • Nabokov, Vladimir “The Man from the USSR”
  • Bulgakov, Mikhail “The Flight”
  • Theory:
  • Boym, Svetlana. The Future of Nostalgia. New York: Basic Books. 2001. [on restorative nostalgia, introduction]
  • ——. “Estrangement as a Lifestyle: Shklovsky and Brodsky”. Exile and Creativity. Signposts, Travelers, Outsiders, Backward Glances. Ed. Suleiman, Susan Rubin. Durham and London: Duke University Press. 1998. 241–63.
  • Lecture 3: “Displacement – our century’s common place”
  • Readings:
  • Plays:
  • Glowatcki, Janusz “Hunting Cockroaches” and/or “Antigone in New York”;
  • Brodsky “Marbles”;
  • Theory
  • Chaudhuri, Una. Staging Place: The Geography of Modern Drama. Ann Arbor: The University of Michigan Press. 1995. [chapter on geopathology]
  • Foucault, Michel. “Of Other Spaces”. Trans. Miscowiec, Jay. Diacritics. V.16, N.1. (1986). 22–7. [on heterotopia]
  • Jestrovic, Silvija. Chapter 4 on Exilic City, in Performance, Space, Utopia: Cities of War, Cities of Exile, Palgrave 2012
  • Lecture 4: The Homebody/Kanjiža: On Josef Nadj’s Exilic Theater of Autobiography
  • PERFORMANCES made by Josef Nadj to be watched in BRNO together with the students:
  • Woyzeck ou L’Ébauche du vertige was produced by Centre Chorégraphique National d’Orléans in 1994.
  • The 2006 Dernier paysage is a film version of Nadj’s 2006 solo Paysage âpres l’orage; originally presented on December 12, 2006 at the Théâtre Garonne in Toulouse; a co- production of Centre Chorégraphique National d’Orléans, Festival d’Avignon, Emilia Romagna teatro Fondazione (Modena)
  • Les Philosophes was created for Festival de Danse de Cannes (2001).
  • READINGS:
  • Melton, Judith M., The Face of Exile: Autobiographical Journeys. Iowa City: U of Iowa Press, 1998. [Chapters 5 and 10]
  • Fischer- Lichte, Erika. “Sense and Sensation: Exploring the Interplay between Semiotic and Performative Dimensions of Theatre”. Journal of Dramatic Theory and Criticism. V.22. N.2. (2008). 69–83.
  • Heddon, Deirdre. Autobiography and Performance. Basingstoke: Palgrave Macmillan. 2008. [introduction]
  • Kirby, Michael. “On Acting and Not-Acting”. Acting (Re)Considered. Ed. Zarilli, Phillip B. London: Routledge. 1995. 40–52.
  • Várszegi, Tibor “Knowable and Unknowable Worlds. The Dance-Theatre of Josef Nadj”. Performance Research. V.5. N.1. (2000). 99–105.
  • Lecture 5: Post-Memory and Exilic returns
  • PLAYS:
  • Wajdi Mouawad “Tideline” and/or “Scorched” (Lebanese-Quebec) Hannah Moscovitch. East of Berlin (English Canadian of Jewish origins) or
  • Marty Chan. Mom, Dad, I’m Living with a White Girl (Chinese – Canadian 2001)
  • Theory
  • Dahab, Elizabeth F. Voices of Exile in Contemporary Canadian Francophone Literature. Lanham: Lexington Books. 2009. [chapter on Mouawad]
  • Hall, Stuart. “Cultural Identity and Diaspora”. Theorizing Diaspora: A Reader. Eds. Braziel, Jana Evans & Mannur, Anita. Oxford: Blackwell Publishing. 2003. 233–47.
  • Hirsch, Marianne. “The Generation of Postmemory”. Poetics Today. V.29. N.1. (2008). 103–28.
  • Meerzon, Yana. “The Exilic Teens: On the Intracultural Encounters in Wajdi Mouawad’s Theatre”. Theatre Research in Canada. V.30. N.1. (2009). 99–128.
Výukové metody
Lecture, seminar discussion
Vyučovací jazyk
Angličtina
Informace učitele
Kurs probíhá v rámci projektu č. CZ.1.07/2.2.00/28.0044 Inovace uměnovědných studijních oborů na Filozofické fakultě MU, který je spolufinancován Evropským sociálním fondem a státním rozpočtem České republiky. Viz. www.phil.muni.cz/music/opvk.
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