KLMgrB93 Greek small scale bronzes and toreutics

Filozofická fakulta
jaro 2013
Rozsah
2/0/0. 3 kr. Doporučované ukončení: k. Jiná možná ukončení: zk.
Vyučující
Dr. Thanasis Sideris (přednášející), Mgr. Věra Klontza, Ph.D. (zástupce)
Garance
prof. PhDr. Zdeněk Měřínský, CSc.
Ústav archeologie a muzeologie – Filozofická fakulta
Kontaktní osoba: Mgr. Věra Klontza, Ph.D.
Dodavatelské pracoviště: Ústav archeologie a muzeologie – Filozofická fakulta
Předpoklady
This course will be teached in English by Dr. Thanos Sideris. The course deals with the domain of small metal artifacts in ancient Greece. It encompasses bronze figurines (small scale sculpture), bronze and silver vases, cosmetic artifacts such as mirrors, and arms and weapons with elaborate decoration. It examines the sources of material, the techniques of production, the workshops and styles, as well as the uses and the cultural context and significance of such artifacts.
Omezení zápisu do předmětu
Předmět je nabízen i studentům mimo mateřské obory.
Mateřské obory/plány
předmět má 16 mateřských oborů, zobrazit
Cíle předmětu
The scope of the course is to familiarize the students with an important field of Classical Archaeology, namely the small bronze figures, the metal vases and other related artifacts. The students will have the opportunity to approach issues related to the techniques in use, the organization of the production, the stylistic specificities of various workshops and schools, its relations to large scale sculpture, its place within the ritual, convivial, and funerary practices, as well as to follow a chronological evolution of the field from the Geometric to the Hellenistic period. Comparative material will be presented from earlier and later cultural areas (Mycenaean, Roman), from neighboring interrelated cultures (Phoenician, Phrygian, Lydian, Etruscan, Achaemenid, Thracian, Scythian, Celtic), and from related fields, such as jewelry design, pottery shapes, sculptural types, casting and embossing tradition and innovation. The issues of trade networks, social customs and vogues will be also addressed, as well as the position of such artifacts within the treasuring and exchange patterns of the ancient Greek economy.
Osnova
  • 1. Definitions of the field. An overview of the research history. Small scale bronzes and toreutics as evidence for lost art in other media. Large excavations’ corpora and museum collections. Sanctuaries and graves. 2. Social status of the wealth. Dedicatory, sympotic and funerary patterns. Workflow and workshop organization. Social status of the artists and artisans, and their social and space mobility. Trade, market and context. 3. Metallurgy, sources of the rough materials, and techniques. Tradition and innovation in the Mediterranean and Aegean world from LBA to the EIA. Geometric small bronzes. 4. Archaic small bronzes: regional schools and local workshops. Styles in transition. Sources of inspiration and influence. 5. Classical and Hellenistic small bronzes: regional schools and local workshops. The formation of a “koine” from the 4th century BC onwards. 6. Geometric and Archaic metal vases: shapes and workshops. Distribution and find-spots. Oriental influences and the Greek banquet. The literary and archaeological evidence. 7. Classical metal vases: shapes and workshops. Distribution and trade routes. Luxury and changes in the funerary customs. The metal ware – pottery controversy. 8. Hellenistic metal vases: shapes and workshops. A second “orientalism”. Inscriptions and literary evidence. Towards the Roman melting pot. 9. The formation of various toreutic schools under Greek influence: Greco-thracian, Greco-scythian, Greco-bactrian to Parthian, Ptolemaic, Italic and Celtic. 10. Hand and box mirrors, and other cosmetic artifacts. Decorated arms and weapons. Horse trapping. Writing, medicine, and sport instruments. Furniture and architectural toreutics.
Literatura
  • La tombe princière de Vix. Edited by Claude Rolley. Paris: Picard, 2003, 383 s. ISBN 2708406973. info
  • ROLLEY, Claude. La sculpture grecque. Paris: Picard, 1999, 439 s. ISBN 2708405063. info
  • ROLLEY, Claude. La sculpture grecque. Paris: Picard, 1994, 438 s. ISBN 2708404482. info
  • ROLLEY, Claude. Les Bronzes grecs. Fribourg: Office du livre, 1983, 270 s. ISBN 978-2-7191-0185-8. info
Výukové metody
lectures
Metody hodnocení
Krátký samostantý referát na vybrané téma.
Informace učitele
Tento kurz bude vyučován v angličtině. Povede jej přední specialista na tuto problematiku dr. Thanos Sideris, ředitel nadace The foundation of Hellenic World v Athénách. Kurz bude vyučován blokově v době mezi 29. 4. až 9. 5. 2013. Učebna, přesná data a místnost budou v nejbližší době upřesněny. Bibliography A. Basic 1. Charbonneaux J., Le bronzes grecs, Paris 1958 2. Comstock M. – Vermeule C., Greek, Etruscan and Roman Bronzes in the Museum of Fine Arts, Boston, Boston 1971 3. Kozloff A. P. – Mitten D. G. (eds.), The God’s Delight. The Human Figure in Classical Bronze, Cleveland 1988 4. Lamb W., Ancient Greek and Roman Bronzes, Chicago 1969 5. Rolley C., Les bronzes grecs, Fribourg 1983 6. Strong D. E., Greek and Roman Gold and Silver Plate, London 1966 7. Thomas R., Griechische Bronzestatuetten, Darmstad 1992 8. Vocotopoulou I., Αργυρά και χάλκινα έργα τέχνης στην αρχαιότητα, Athens 1997 B. Supplementary 1. Barr-Sharrar B., “Eastern Influence on the Toreutic Art of Macedonia before the Conquest of Alexander the Great”, ArchNews XII, 1-2 (1984), pp. 1-12 2. Barr-Sharrar B., The Derveni Krater. Masterpiece of Classcical Greek Metalwork, Princeton 2008 3. Bol P. C., Antike Bronzetechnik. Kunst und Handwerk antiker Erzbildner, Munich 1985 4. Bothmer D. von, A Greek and Roman Treasury. The Metropolitan Museum of Art, New York 1984 5. Bouzek J., Graeco-Macedonian Bronzes. Analysis and Chronology, Prague 1973 6. Congdon C. O. K., Caryatid Mirrors of Ancient Greece: Technical, Stylistic and Historical Considerations of an Archaic and Early Classical Bronze Series, Mainz am Rhein 1981 7. Descamps-Lequime S. – Charatzopoulou K. (eds.), Au royaume d’Alexandre le Grand. La Macédoine antique, Paris 2011 8. Diehl E., Die Hydria. Formgeschichte und Verwendung im Kult des Altertums, Mainz am Rhein 1964 9. Gauer W., Die Bronzegefässe von Olympia, mit Ausnahme der geometrischen Dreifüße und der Kessel des orientalisierenden Stils. Kessel und Becken mit Unersätzen, Teller, Kratere, Hydrien, Eimer, Situlen und Cisten, Schöpfhumpen und verschiedenes Gerät, Ol.Forsch. XX, Berlin – New York 1991 10. Jantzen U., Bronzewerkstätten in Grossgriechnland und Sizilien, Berlin 1937 11. Luschey H., Die Phiale, Bleicherode am Harz 1939 12. Manassero N., Rhyta e corni potori dall'Età del Ferro all'epoca sasanide. Libagioni pure e misticismo tra la Grecia e il mondo iranico, Oxford 2008 13. Marazov I., Ancient Gold. The Wealth of the Thracians. Treasures from the Republic of Bulgaria, New York 1998 14. Marazov I., Thrace and the Ancient World. Vassil Bojkov Collection, Sofia 2011 15. Mass M., Die geometrischen Dreifüße von Olympia, Ol.Forsch. X, Berlin 1978 16. Mass M., Griechische und Römische Bronzewerke der Antikensammlungen, Munich 1979 17. Mertens J. R., Greek Bronzes in the Metropolitan Museum of Art, New York 1985 18. Mitten D. G. – Döringer S. F., Master Bronzes from the Classical World, Mainz am Rhein 1968 19. Neugebauer K. A., Staatliche Museen zu Berlin. Katalog der statuarischen Bronzen im Antiquarium II. Die griechischen Bronzen der klassischen Zeit und des Hellenismus, Berlin 1951 20. Niemeyer H. G., “Attische Bronzestatuetten der spätarchaischen und frühklassischen Zeit”, AntPl III (1964), pp. 7-76 21. Ninou K., - Kypraiou L. (eds.), Treasurs of Ancient Macedonia, Athens 1997 22. Ortiz G., The George Ortiz Collection. In Pursuit of the Absolute. Art of the Ancient World, Catalogue of the Exhibition, London, Royal Academy, Berne 1996 23. Özgen I. – Öztürk J., Heritage Recovered. The Lydian Treasure, Istanbul 1996 24. Pfrommer M., Metalwork from the Hellenized East. Catalogue of the Collections. The J. Paul Getty Museum, Malibu 1993 25. Pfrommer M., Studien zur alexandrinischer und grossgriechischer Toreutik frühhellenistischer Zeit, Archäologische Forschungen 16, Berlin 1987 26. Reeder E. (ed.), L’or des rois schythes, Paris 2001 27. Richter G. M. A. Greek, Etruscan and Roman Bronzes. The Metropolitan Museum of Art, New York 1915 28. Rolley C. (ed.), La tombe princière de Vix, Paris 2003 29. Rolley C., La sculpture grecque 1. Des origines au milieu du Ve siècle, Paris 1994 30. Rolley C., La sculpture grecque 2. La periode classique, Paris 1999 31. Rolley C., Les vases de bronze de l’archaïsme récent en Grande Grèce, Naples 1981 32. Rutkowski B., “Griechische Kandelaber”, JdI 94 (1979), pp. 174-222 33. Sideris A., “Achaemenid Toreutics in the Greek Periphery”, in Darabandi M. R. – Zournatzi A. (eds.), Greece and Ancient Iran. Proceedings of the 1st international Conference, Athens 11-13 November 2006, Athens 2008, pp. 339-353 34. Sideris A., “Les tombes de Derveni: quelques remarques sur la toreutique” RevArch 2000, pp. 3-36 35. Snodgrass A., Early Greek Armor and Weapons, from the end of the Bronze Age to 600 BC, Edinburgh 1964 36. Stibbe C. M., Agalmata. Studien zur griechisch-archaischen Bronzekunst, Leuven 2006 37. Swartzmaier A., Griechische Klappspiegel, AM-BH 18, Berlin 1997 38. Themelis P. – Touratsoglou I., Οι τάφοι του Δερβενιού, Athens 1997 39. Treister M. Yu., The Role of Metals in Ancient Greek History. Mnemosyne Suppl. 156, Leiden, New York, Cologne 1996 40. Vickers M. – Gill D., Arful Crafts. Ancient Greek Silverware and Pottery, Oxford 1994 41. Vocotopoulou J., “Le trésor de vases de bronze de Votonosi”, BCH 99 (1975), pp. 729-788 42. Weber T., Bronzekannen: Studien zu ausgewählten archaischen und klassischen Oinochoenformen aus Metall in Griechenland und Etrurien, Frankfurt am Main 1983
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