Who is the author here? On the authorship of film adaptations in Czech cinema of the 1960s

BUBENÍČEK, Petr. Who is the author here? On the authorship of film adaptations in Czech cinema of the 1960s. In Visible and Invisible Authorships; The 7th Annual Conference of The Association of Adaptation Studies, York, 27-28 September 2012. 2012.

Základní údaje

• Originální název: Who is the author here? On the authorship of film adaptations in Czech cinema of the 1960s
• Název česky: Who is the author here? On the authorship of film adaptations in Czech cinema of the 1960s
• Autoři: BUBENÍČEK, Petr (203 Česká republika, garant, domácí).
• Vydání: Visible and Invisible Authorships; The 7th Annual Conference of The Association of Adaptation Studies, York, 27-28 September 2012, 2012.

Další údaje

• Originální jazyk: angličtina
• Typ výsledku: Vyžádané přednášky
• Obor: Písemnictví, masmedia, audiovize
• Stát vydavatele: Velká Británie a Severní Irsko
• Utajení: není předmětem státního či obchodního tajemství
• WWW: URL
• Kód RIV: RIV/00216224:14210/12:00061147
• Organizační jednotka: Filozofická fakulta
• Klíčová slova česky: literatura; film; adaptace; autor
• Klíčová slova anglicky: literature; film; adaptation; author
• Štítky: rivok

Anotace

The aim of this paper is to examine the phenomenon of authorship of adaptations exemplified by films created in Czechoslovakia in the 1960s. Besides delineating the social, political and partly also economic transformations of the 1950s and 1960s, this paper will focus on the production culture of the period, especially the work of production teams that were a part of the Barrandov film studio. The second half of the paper concentrates on the work of young filmmakers of the coming generation and on František Vláčil.

Anotace česky

The aim of this paper is to examine the phenomenon of authorship of adaptations exemplified by films created in Czechoslovakia in the 1960s. Besides delineating the social, political and partly also economic transformations of the 1950s and 1960s, this paper will focus on the production culture of the period, especially the work of production teams that were a part of the Barrandov film studio. The second half of the paper concentrates on the work of young filmmakers of the coming generation and on František Vláčil.