Další formáty:
BibTeX
LaTeX
RIS
@inbook{1084849, author = {Szczepanik, Petr}, address = {Kraków}, booktitle = {Restart zespolów filmowych : Film Units : Restart}, editor = {Adamczak, Marcin; Marecki, Piotr; Malatyński, Marcin}, keywords = {Czech cinema; Barrandov studios; creative units}, howpublished = {tištěná verze "print"}, language = {eng}, location = {Kraków}, isbn = {978-83-62574-73-5}, pages = {271-312}, publisher = {Ha!art}, title = {Between units and producers : organization of creative work in Czechoslovak State Cinema 1945-1990}, url = {http://www.ha.art.pl/wydawnictwo/katalog-ksiazek/2606-restart-zespolow-filmowych-pod-redakcja-marcina-adamczaka-piotra-mareckiego-i-marcina-malatynskiego.html}, year = {2012} }
TY - CHAP ID - 1084849 AU - Szczepanik, Petr PY - 2012 TI - Between units and producers : organization of creative work in Czechoslovak State Cinema 1945-1990 VL - Neuveden PB - Ha!art CY - Kraków SN - 9788362574735 KW - Czech cinema KW - Barrandov studios KW - creative units UR - http://www.ha.art.pl/wydawnictwo/katalog-ksiazek/2606-restart-zespolow-filmowych-pod-redakcja-marcina-adamczaka-piotra-mareckiego-i-marcina-malatynskiego.html L2 - http://www.ha.art.pl/wydawnictwo/katalog-ksiazek/2606-restart-zespolow-filmowych-pod-redakcja-marcina-adamczaka-piotra-mareckiego-i-marcina-malatynskiego.html N2 - So-called state-socialist mode of film production was in fact a peculiar hybrid of local, regional and global models: it was prepared by the Nazi cultural politics (the idea of centralized "dramaturgy" which enabled ideological control) and Aryanization (which made the post-war nationalization easier). After 1945 and later, after 1948 (when Communists took power in Czechoslovakia), it further developed according to local (Bata shoe factory, inspired by American scientific management) and global (Soviet system, silently inspired by Hollywood vertically integrated studios) models. These three levels of organizational tradition - both in terms of production mode and work culture - persisted as mutually interacting ingredients of the state monopoly until the late 1980s and even on. The aim of the paper is to articulate a comparative model for historical analysis of nationalized cinemas in the region, using the Barrandov studios in Prague as an example. The key question it asks is: how was creativity and day-to-day production of films tactically managed in a system where the only real producer was the state? What organizational instruments had to be developed to balance the centralized control with necessary creative freedom? ER -
SZCZEPANIK, Petr. Between units and producers : organization of creative work in Czechoslovak State Cinema 1945-1990. In Adamczak, Marcin; Marecki, Piotr; Malaty\'nski, Marcin. \textit{Restart zespolów filmowych : Film Units : Restart}. Kraków: Ha!art, 2012, s.~271-312. ISBN~978-83-62574-73-5.
|