Between units and producers : organization of creative work in
Czechoslovak State Cinema 1945-1990

C 2012

Between units and producers : organization of creative work in Czechoslovak State Cinema 1945-1990

SZCZEPANIK, Petr

Základní údaje

Originální název

Between units and producers : organization of creative work in Czechoslovak State Cinema 1945-1990

Autoři

SZCZEPANIK, Petr (203 Česká republika, garant, domácí)

Vydání

Kraków, Restart zespolów filmowych : Film Units : Restart, od s. 271-312, 42 s. 2012

Nakladatel

Ha!art

Další údaje

Jazyk

angličtina

Typ výsledku

Kapitola resp. kapitoly v odborné knize

Obor

Umění, architektura, kulturní dědictví

Stát vydavatele

Polsko

Utajení

není předmětem státního či obchodního tajemství

Forma vydání

tištěná verze "print"

Odkazy

Ha!art

Kód RIV

RIV/00216224:14210/12:00058329

Organizační jednotka

Filozofická fakulta

ISBN

978-83-62574-73-5

Klíčová slova česky

český film; Barrandov; tvůrčí skupiny

Klíčová slova anglicky

Czech cinema; Barrandov studios; creative units

Štítky

film history, media industry, rivok

Změněno: 8. 4. 2013 16:24, Mgr. Vendula Hromádková

Anotace

V originále

So-called state-socialist mode of film production was in fact a peculiar hybrid of local, regional and global models: it was prepared by the Nazi cultural politics (the idea of centralized "dramaturgy" which enabled ideological control) and Aryanization (which made the post-war nationalization easier). After 1945 and later, after 1948 (when Communists took power in Czechoslovakia), it further developed according to local (Bata shoe factory, inspired by American scientific management) and global (Soviet system, silently inspired by Hollywood vertically integrated studios) models. These three levels of organizational tradition - both in terms of production mode and work culture - persisted as mutually interacting ingredients of the state monopoly until the late 1980s and even on. The aim of the paper is to articulate a comparative model for historical analysis of nationalized cinemas in the region, using the Barrandov studios in Prague as an example. The key question it asks is: how was creativity and day-to-day production of films tactically managed in a system where the only real producer was the state? What organizational instruments had to be developed to balance the centralized control with necessary creative freedom?

Návaznosti

GAP409/10/1361, projekt VaV

Název: Historie ateliérů na Barrandově z hlediska organizace a kultury filmové výroby

Investor: Grantová agentura ČR, Historie ateliérů na Barrandově z hlediska organizace a kultury filmové výroby

Citovat

SZCZEPANIK, Petr. Between units and producers : organization of creative work in Czechoslovak State Cinema 1945-1990. In Adamczak, Marcin; Marecki, Piotr; Malatyński, Marcin. Restart zespolów filmowych : Film Units : Restart. Kraków: Ha!art, 2012, s. 271-312. ISBN 978-83-62574-73-5.

@inbook{1084849,
   author = {Szczepanik, Petr},
   address = {Kraków},
   booktitle = {Restart zespolów filmowych : Film Units : Restart},
   editor = {Adamczak, Marcin; Marecki, Piotr; Malatyński, Marcin},
   keywords = {Czech cinema; Barrandov studios; creative units},
   howpublished = {tištěná verze "print"},
   language = {eng},
   location = {Kraków},
   isbn = {978-83-62574-73-5},
   pages = {271-312},
   publisher = {Ha!art},
   title = {Between units and producers : organization of creative work in Czechoslovak State Cinema 1945-1990},
   url = {http://www.ha.art.pl/wydawnictwo/katalog-ksiazek/2606-restart-zespolow-filmowych-pod-redakcja-marcina-adamczaka-piotra-mareckiego-i-marcina-malatynskiego.html},
   year = {2012}
}

TY  - CHAP
ID  - 1084849
AU  - Szczepanik, Petr
PY  - 2012
TI  - Between units and producers : organization of creative work in Czechoslovak State Cinema 1945-1990
VL  - Neuveden
PB  - Ha!art
CY  - Kraków
SN  - 9788362574735
KW  - Czech cinema
KW  - Barrandov studios
KW  - creative units
UR  - http://www.ha.art.pl/wydawnictwo/katalog-ksiazek/2606-restart-zespolow-filmowych-pod-redakcja-marcina-adamczaka-piotra-mareckiego-i-marcina-malatynskiego.html
L2  - http://www.ha.art.pl/wydawnictwo/katalog-ksiazek/2606-restart-zespolow-filmowych-pod-redakcja-marcina-adamczaka-piotra-mareckiego-i-marcina-malatynskiego.html
N2  - So-called state-socialist mode of film production was in fact a peculiar hybrid of local, regional and global models: it was prepared by the Nazi cultural politics (the idea of centralized "dramaturgy" which enabled ideological control) and Aryanization (which made the post-war nationalization easier). After 1945 and later, after 1948 (when Communists took power in Czechoslovakia), it further developed according to local (Bata shoe factory, inspired by American scientific management) and global (Soviet system, silently inspired by Hollywood vertically integrated studios) models. These three levels of organizational tradition - both in terms of production mode and work culture - persisted as mutually interacting ingredients of the state monopoly until the late 1980s and even on. The aim of the paper is to articulate a comparative model for historical analysis of nationalized cinemas in the region, using the Barrandov studios in Prague as an example. The key question it asks is: how was creativity and day-to-day production of films tactically managed in a system where the only real producer was the state? What organizational instruments had to be developed to balance the centralized control with necessary creative freedom?
ER  -

SZCZEPANIK, Petr. Between units and producers : organization of creative work in Czechoslovak State Cinema 1945-1990. In Adamczak, Marcin; Marecki, Piotr; Malaty\'nski, Marcin. \textit{Restart zespolów filmowych : Film Units : Restart}. Kraków: Ha!art, 2012, s.~271-312. ISBN~978-83-62574-73-5.

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