J 2013

The Implications of Transtextuality in V.S. Naipaul’s The Middle Passage: The Caribbean Revisited

KLÍMOVÁ, Zuzana

Základní údaje

Originální název

The Implications of Transtextuality in V.S. Naipaul’s The Middle Passage: The Caribbean Revisited

Vydání

Anglica Wratislaviensia 42, Wrocław, Państwowe Wydawnictwo Naukowe, 2013, 0301-7966

Další údaje

Jazyk

angličtina

Typ výsledku

Článek v odborném periodiku

Obor

Písemnictví, masmedia, audiovize

Stát vydavatele

Polsko

Utajení

není předmětem státního či obchodního tajemství

Označené pro přenos do RIV

Ano

Kód RIV

RIV/00216224:14210/13:00069666

Organizační jednotka

Filozofická fakulta

Klíčová slova anglicky

Transtextuality; Naipaul; The Middle Passage; Victorian authors; stereotypes
Změněno: 26. 10. 2014 11:58, Mgr. Zuzana Kršková, Ph.D.

Anotace

V originále

V.S. Naipaul is a controversial author within the multicultural society of the contemporary literary world. In his works he often criticizes developing postcolonial societies, including his native Trinidad, as well as the colonial system. The Middle Passage (1962) belongs among his most criticized works for its alleged pro-colonial views. One of the most problematic and provoking characteristics of The Middle Passage is Naipaul's employment of transtextuality with special focus on works of the Victorian icons – Froude, Trollope and Kingsley. Another aspect that contributes significantly to the interpretative ambivalence of this work is the fact that the original idea for writing a non-fiction book about the Caribbean came from the Trinidadian Premier Dr Williams. Although Naipaul accepted the offer to produce such a text about a region striving for independence, it does not represent the type of post-colonial texts expected in the 1960s which were dominated by anti-colonial attitudes.