The (Restored) Practice of DEFA Co-productions with the
“Normalized” Czechoslovak Film Studio in the 1970s

J 2013

The (Restored) Practice of DEFA Co-productions with the “Normalized” Czechoslovak Film Studio in the 1970s

SKOPAL, Pavel

Základní údaje

Originální název

The (Restored) Practice of DEFA Co-productions with the “Normalized” Czechoslovak Film Studio in the 1970s

Autoři

SKOPAL, Pavel (203 Česká republika, garant, domácí)

Vydání

Images. The International Journal of European Film, Performing Arts and Audiovisual Communication, 2013, 1731-450X

Další údaje

Jazyk

angličtina

Typ výsledku

Článek v odborném periodiku

Obor

Písemnictví, masmedia, audiovize

Stát vydavatele

Polsko

Utajení

není předmětem státního či obchodního tajemství

Kód RIV

RIV/00216224:14210/13:00073077

Organizační jednotka

Filozofická fakulta

Klíčová slova anglicky

film co-productions; DEFA; Barrandov; normalization; film industry

Změněno: 30. 10. 2015 20:10, doc. Mgr. Pavel Skopal, Ph.D.

Anotace

V originále

The article focuses on a renewal of cooperation between the film studios Barrandov and DEFA at the start of so called normalization in Czechoslovakia. while the end of independent production groups at DEFA and Barrandov certainly damaged the creative environment and the quality of productions as a whole, it also had an unforeseeable effect: namely, the revival of DEFA-Barrandov co-productions. On the German side, DEFA was interested in financial and technical support and, above all, in help from experienced practitioners, especially scriptwriters. On the Czech side, Barrandov´s filmmakers—now isolated from previous contact with western partners and under strict ideological control—strove to shape the DEFA projects they were offered according to their own criteria, where before they might have rejected projects they considered to be of dubious quality. There was thus a harmonization of goals and tools, which worked especially well in the sphere of children movies.

Návaznosti

MUNI/A/0848/2012, interní kód MU

Název: Dějiny kinematografie - žánry, styly, produkce, distribuce

Investor: Masarykova univerzita, Dějiny kinematografie - žánry, styly, produkce, distribuce, DO R. 2020_Kategorie A - Specifický výzkum - Studentské výzkumné projekty

Citovat

SKOPAL, Pavel. The (Restored) Practice of DEFA Co-productions with the “Normalized” Czechoslovak Film Studio in the 1970s. Images. The International Journal of European Film, Performing Arts and Audiovisual Communication. 2013, roč. 22/XIII, Winter, s. 189-199. ISSN 1731-450X.

@article{1180929,
   author = {Skopal, Pavel},
   article_number = {Winter},
   keywords = {film co-productions; DEFA; Barrandov; normalization; film industry},
   language = {eng},
   issn = {1731-450X},
   journal = {Images. The International Journal of European Film, Performing Arts and Audiovisual Communication},
   title = {The (Restored) Practice of DEFA Co-productions with the “Normalized” Czechoslovak Film Studio in the 1970s},
   volume = {22/XIII},
   year = {2013}
}

TY  - JOUR
ID  - 1180929
AU  - Skopal, Pavel
PY  - 2013
TI  - The (Restored) Practice of DEFA Co-productions with the “Normalized” Czechoslovak Film Studio in the 1970s
JF  - Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
VL  - 22/XIII
IS  - Winter
SP  - 189-199
EP  - 189-199
SN  - 1731450X
KW  - film co-productions
KW  - DEFA
KW  - Barrandov
KW  - normalization
KW  - film industry
N2  - The article focuses on a renewal of cooperation between the film studios Barrandov and DEFA at the start of so called normalization in Czechoslovakia. while the end of independent production groups at DEFA and Barrandov certainly damaged the creative environment and the quality of productions as a whole, it also had an unforeseeable effect: namely, the revival of DEFA-Barrandov co-productions. On the German side, DEFA was interested in financial and technical support and, above all, in help from experienced practitioners, especially scriptwriters. On the Czech side, Barrandov´s filmmakers—now isolated from previous contact with western partners and under strict ideological control—strove to shape the DEFA projects they were offered according to their own criteria, where before they might have rejected projects they considered to be of dubious quality. There was thus a harmonization of goals and tools, which worked especially well in the sphere of children movies.
ER  -

SKOPAL, Pavel. The (Restored) Practice of DEFA Co-productions with the “Normalized” Czechoslovak Film Studio in the 1970s. \textit{Images. The International Journal of European Film, Performing Arts and Audiovisual Communication}. 2013, roč.~22/XIII, Winter, s.~189-199. ISSN~1731-450X.

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