Ovidian Iconography in 17th-Century Ceiling Painting in Bohemia
and Moravia and its European Context

C 2014

Ovidian Iconography in 17th-Century Ceiling Painting in Bohemia and Moravia and its European Context

MILTOVÁ, Radka

Základní údaje

Originální název

Ovidian Iconography in 17th-Century Ceiling Painting in Bohemia and Moravia and its European Context

Autoři

MILTOVÁ, Radka

Vydání

Petersberg, Barocke Kunst und Kultur im Donauraum. Beiträge zum internationalen Wissenschaftskongress 9.-13. April 2013 in Passau und Linz, od s. 513-523, 11 s. Band 2, 2014

Nakladatel

Michael Imhof Verlag

Další údaje

Jazyk

angličtina

Typ výsledku

Kapitola resp. kapitoly v odborné knize

Obor

Umění, architektura, kulturní dědictví

Stát vydavatele

Německo

Utajení

není předmětem státního či obchodního tajemství

Forma vydání

tištěná verze "print"

Označené pro přenos do RIV

Ano

Kód RIV

RIV/00216224:14210/14:00073819

Organizační jednotka

Filozofická fakulta

ISBN

978-3-7319-0021-4

Klíčová slova anglicky

Mythology; Iconography; Baroque; Ceiling Painting

Štítky

rivok

Změněno: 19. 3. 2015 13:06, Mgr. Vendula Hromádková

Anotace

V originále

Fables, taken from the text of Ovid's Metamorphoses, belong to the most widely used iconographical repertoire of early modern wall paintings. Considering the fact that in the Czech historiography the wider research is still at the beginning of development in this field, the presented paper tries to capture selected problems of mythological decorations of Bohemian and Moravian residences in the second half of the 17th century. Bohemian and Moravian decorations of the 17th century were mostly influenced by various graphic models (mainly illustrated prints of Ovid`s Metamorphoses) and various European residences, especially those on the way from Italy to Central Europe (from Italian palaces and villas, through Styrian residences to the residential centres as Vienna etc.). On the example of the painting production of Carpoforo Tencalla and Giacomo Tencalla are covered mainly questions of the transfer of iconographical and formal motives between Italy and Central Europe and the mutual cohesion between some Bohemian and Moravian paintings and the other European residences.

Návaznosti

GPP409/12/P101, projekt VaV

Název: Mytologická témata v nástropní malbě 17. století v Čechách a na Moravě v celoevropském kontextu

Investor: Grantová agentura ČR, Mytologická témata v nástropní malbě 17. století v Čechách a na Moravě v celoevropském kontextu

Citovat

MILTOVÁ, Radka. Ovidian Iconography in 17th-Century Ceiling Painting in Bohemia and Moravia and its European Context. In Möseneder, Karl; Thimann, Michael; Hofstetter, Adolf (Hg.). Barocke Kunst und Kultur im Donauraum. Beiträge zum internationalen Wissenschaftskongress 9.-13. April 2013 in Passau und Linz. Petersberg: Michael Imhof Verlag, 2014, s. 513-523. Band 2. ISBN 978-3-7319-0021-4.

@inbook{1196487,
   author = {Miltová, Radka},
   address = {Petersberg},
   booktitle = {Barocke Kunst und Kultur im Donauraum. Beiträge zum internationalen Wissenschaftskongress 9.-13. April 2013 in Passau und Linz},
   editor = {Möseneder, Karl; Thimann, Michael; Hofstetter, Adolf (Hg.)},
   keywords = {Mythology; Iconography; Baroque; Ceiling Painting},
   howpublished = {tištěná verze "print"},
   language = {eng},
   location = {Petersberg},
   isbn = {978-3-7319-0021-4},
   pages = {513-523},
   publisher = {Michael Imhof Verlag},
   title = {Ovidian Iconography in 17th-Century Ceiling Painting in Bohemia and Moravia and its European Context},
   year = {2014}
}

TY  - CHAP
ID  - 1196487
AU  - Miltová, Radka
PY  - 2014
TI  - Ovidian Iconography in 17th-Century Ceiling Painting in Bohemia and Moravia and its European Context
VL  - Band 2
PB  - Michael Imhof Verlag
CY  - Petersberg
SN  - 9783731900214
KW  - Mythology
KW  - Iconography
KW  - Baroque
KW  - Ceiling Painting
N2  - Fables, taken from the text of Ovid's Metamorphoses, belong to the most widely used iconographical repertoire of early modern wall paintings. Considering the fact that in the Czech historiography the wider research is still at the beginning of development in this field, the presented paper tries to capture selected problems of mythological decorations of Bohemian and Moravian residences in the second half of the 17th century. Bohemian and Moravian decorations of the 17th century were mostly influenced by various graphic models (mainly illustrated prints of Ovid`s Metamorphoses) and various European residences, especially those on the way from Italy to Central Europe (from Italian palaces and villas, through Styrian residences to the residential centres as Vienna etc.). On the example of the painting production of Carpoforo Tencalla and Giacomo Tencalla are covered mainly questions of the transfer of iconographical and formal motives between Italy and Central Europe and the mutual cohesion between some Bohemian and Moravian paintings and the other European residences.
ER  -

MILTOVÁ, Radka. Ovidian Iconography in 17th-Century Ceiling Painting in Bohemia and Moravia and its European Context. In Möseneder, Karl; Thimann, Michael; Hofstetter, Adolf (Hg.). \textit{Barocke Kunst und Kultur im Donauraum. Beiträge zum internationalen Wissenschaftskongress 9.-13. April 2013 in Passau und Linz}. Petersberg: Michael Imhof Verlag, 2014, s.~513-523. Band 2. ISBN~978-3-7319-0021-4.

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