Bridge Guard: Transnational Artists, National Populist Politics
and Cross-Border Inter-Ethnic Relationships

J 2014

Bridge Guard: Transnational Artists, National Populist Politics and Cross-Border Inter-Ethnic Relationships

METYKOVÁ, Monika

Základní údaje

Originální název

Bridge Guard: Transnational Artists, National Populist Politics and Cross-Border Inter-Ethnic Relationships

Autoři

METYKOVÁ, Monika

Vydání

East Central Europe, Brill, 2014, 0094-3037

Další údaje

Jazyk

angličtina

Typ výsledku

Článek v odborném periodiku

Obor

Písemnictví, masmedia, audiovize

Stát vydavatele

Nizozemské království

Utajení

není předmětem státního či obchodního tajemství

Odkazy

URL

Označené pro přenos do RIV

Ano

Kód RIV

RIV/00216224:14230/14:00078178

Organizační jednotka

Fakulta sociálních studií

Klíčová slova anglicky

Bridge Guard – contemporary art projects – Hungary – Slovakia – national populist politics

Štítky

topvydavatel

Příznaky

Mezinárodní význam, Recenzováno

Změněno: 12. 1. 2015 15:06, PhDr. Monika Metyková, Ph.D.

Anotace

V originále

This article concentrates on an artist-in-residence project that is linked to the Mária Valéria Bridge on the border between Slovakia and Hungary. The article traces the history of the bridge and of the ethnically mixed populations living on the opposite sides of the Danube River that the bridge connects in order to suggest the complexity of the cross-border relationships in this particular corner of Europe. In more recent decades relationships between Hungarians and Slovaks have been influenced by national populist politics exercised on both sides of the Danube after the fall of communism in the late 1980s. The consequence of such politics is a narrow understanding of “national” interests and “national” culture that prevents a more open, more cosmopolitan approach to the relationship among the ethnic groups living in the area. The long awaited and often delayed rebuilding of the Mária Valéria Bridge is symbolic of the shortcomings of the “national container” approach. A more cosmopolitan outlook is opened up by a transnational artistic project that is—perhaps not surprisingly— largely ignored by cultural and political elites in Slovakia and in Hungary. Bridge Guard was launched in 2004 and continues to attract artists from around the world whose art works are intended to “build virtual bridges to protect the real bridge.”

Návaznosti

EE2.3.20.0184, projekt VaV

Název: Vytvoření interdisciplinárního týmu v oblasti výzkumu internetu a nových médií

Citovat

METYKOVÁ, Monika. Bridge Guard: Transnational Artists, National Populist Politics and Cross-Border Inter-Ethnic Relationships. East Central Europe. Brill, 2014, roč. 41, 2-3, s. 277-295. ISSN 0094-3037.

@article{1215596,
   author = {Metyková, Monika},
   article_number = {2-3},
   keywords = {Bridge Guard – contemporary art projects – Hungary – Slovakia – national populist politics},
   language = {eng},
   issn = {0094-3037},
   journal = {East Central Europe},
   title = {Bridge Guard: Transnational Artists, National Populist Politics and Cross-Border Inter-Ethnic Relationships},
   url = {http://booksandjournals.brillonline.com/content/journals/18763308},
   volume = {41},
   year = {2014}
}

TY  - JOUR
ID  - 1215596
AU  - Metyková, Monika
PY  - 2014
TI  - Bridge Guard: Transnational Artists, National Populist Politics and Cross-Border Inter-Ethnic Relationships
JF  - East Central Europe
VL  - 41
IS  - 2-3
SP  - 277-295
EP  - 277-295
PB  - Brill
SN  - 00943037
KW  - Bridge Guard – contemporary art projects – Hungary – Slovakia – national populist politics
UR  - http://booksandjournals.brillonline.com/content/journals/18763308
N2  - This article concentrates on an artist-in-residence project that is linked to the Mária Valéria Bridge on the border between Slovakia and Hungary. The article traces the history of the bridge and of the ethnically mixed populations living on the opposite sides of the Danube River that the bridge connects in order to suggest the complexity of the cross-border relationships in this particular corner of Europe. In more recent decades relationships between Hungarians and Slovaks have been influenced by national populist politics exercised on both sides of the Danube after the fall of communism in the late 1980s. The consequence of such politics is a narrow understanding of “national” interests and “national” culture that prevents a more open, more cosmopolitan approach to the relationship among the ethnic groups living in the area. The long awaited and often delayed rebuilding of the Mária Valéria Bridge is symbolic of the shortcomings of the “national container” approach. A more cosmopolitan outlook is opened up by a transnational artistic project that is—perhaps not surprisingly— largely ignored by cultural and political elites in Slovakia and in Hungary. Bridge Guard was launched in 2004 and continues to attract artists from around the world whose art works are intended to “build virtual bridges to protect the real bridge.”
ER  -

METYKOVÁ, Monika. Bridge Guard: Transnational Artists, National Populist Politics and Cross-Border Inter-Ethnic Relationships. \textit{East Central Europe}. Brill, 2014, roč.~41, 2-3, s.~277-295. ISSN~0094-3037.

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