J 2014

Filmmakers to Themselves? Czech Documentary Cinema After 2000

ČESÁLKOVÁ, Lucie

Základní údaje

Originální název

Filmmakers to Themselves? Czech Documentary Cinema After 2000

Autoři

ČESÁLKOVÁ, Lucie

Vydání

Images. The International Journal of European Film, Performing Arts and Audiovisual Communication, Wydawnictwo Naukowe UAM Poznań, 2014, 1731-450X

Další údaje

Jazyk

angličtina

Typ výsledku

Článek v odborném periodiku

Obor

Písemnictví, masmedia, audiovize

Stát vydavatele

Polsko

Utajení

není předmětem státního či obchodního tajemství

Označené pro přenos do RIV

Ano

Kód RIV

RIV/00216224:14210/14:00078408

Organizační jednotka

Filozofická fakulta

Klíčová slova anglicky

Czech documentary film; creative documentary; documentary film infrastructure

Štítky

Příznaky

Recenzováno
Změněno: 15. 3. 2015 19:31, Mgr. Vendula Hromádková

Anotace

V originále

The development of Czech post-socialist documentary cinema was significantly influenced by the process of privatization of Short Film (the former resource base for documentary filmmaking). In the early 1990s, the documentary, as a rather unprofitable area of filmmaking, was not a priority for the rapidly developing field of domestic production. As such, documentary was fully dependent on collaboration with the television industry. This study, however, focuses mainly on the period aft er the year 2000, and analyses its main trends. Special attention is paid to the establishment of new institutions to support the development and production of film, as well as new marketing and exhibition platforms. Documentary filmmaking in a small post-socialist country is here treated as being embedded in and influenced by a web of inter-relations between filmmakers, Czech Television, the Institute of Documentary Cinema and the Jihlava International Documentary Film Festival.

Návaznosti

EE2.3.30.0009, projekt VaV
Název: Zaměstnáním čerstvých absolventů doktorského studia k vědecké excelenci