2014
Filmmakers to Themselves? Czech Documentary Cinema After 2000
ČESÁLKOVÁ, LucieZákladní údaje
Originální název
Filmmakers to Themselves? Czech Documentary Cinema After 2000
Autoři
ČESÁLKOVÁ, Lucie
Vydání
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication, Wydawnictwo Naukowe UAM Poznań, 2014, 1731-450X
Další údaje
Jazyk
angličtina
Typ výsledku
Článek v odborném periodiku
Obor
Písemnictví, masmedia, audiovize
Stát vydavatele
Polsko
Utajení
není předmětem státního či obchodního tajemství
Označené pro přenos do RIV
Ano
Kód RIV
RIV/00216224:14210/14:00078408
Organizační jednotka
Filozofická fakulta
Klíčová slova anglicky
Czech documentary film; creative documentary; documentary film infrastructure
Štítky
Příznaky
Recenzováno
Změněno: 15. 3. 2015 19:31, Mgr. Vendula Hromádková
Anotace
V originále
The development of Czech post-socialist documentary cinema was significantly influenced by the process of privatization of Short Film (the former resource base for documentary filmmaking). In the early 1990s, the documentary, as a rather unprofitable area of filmmaking, was not a priority for the rapidly developing field of domestic production. As such, documentary was fully dependent on collaboration with the television industry. This study, however, focuses mainly on the period aft er the year 2000, and analyses its main trends. Special attention is paid to the establishment of new institutions to support the development and production of film, as well as new marketing and exhibition platforms. Documentary filmmaking in a small post-socialist country is here treated as being embedded in and influenced by a web of inter-relations between filmmakers, Czech Television, the Institute of Documentary Cinema and the Jihlava International Documentary Film Festival.
Návaznosti
| EE2.3.30.0009, projekt VaV |
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