2014
Broadcasting oneself: Staging authenticity in YouTube viral videos
CHOVANEC, JanZákladní údaje
Originální název
Broadcasting oneself: Staging authenticity in YouTube viral videos
Název česky
Diskurzní a multimodální prostředky pro vytváření dojmu autentičnosti ve virálních videích na YouTube
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Vydání
22th Ross Priory International Seminar on Broadcast Talk, 2014
Další údaje
Jazyk
angličtina
Typ výsledku
Prezentace na konferencích
Obor
60200 6.2 Languages and Literature
Stát vydavatele
Francie
Utajení
není předmětem státního či obchodního tajemství
Označené pro přenos do RIV
Ne
Organizační jednotka
Filozofická fakulta
Klíčová slova česky
pragmatika; mediální diskurz; reklamní diskurz; YouTube
Klíčová slova anglicky
pragmatics; media discourse; advertising discourse; YouTube
Příznaky
Mezinárodní význam, Recenzováno
Změněno: 27. 1. 2015 14:04, prof. Mgr. Jan Chovanec, Ph.D.
V originále
The presentation considers the phenomenon of popular follow-up videos through which users “broadcast themselves” on YouTube, more specifically those that recreate and sometimes parody professionally made video commercials. It appears that the follow-up videos strategically employ non-professionalism in order to project the non-expertness of their authors and protagonists, while otherwise remaining multimodally coherent with the originals. Whether genuine or staged, the authenticity and the ineptitude of those who broadcast themselves in this way not only contrast sharply with the original commercials but also provide the clue to our understanding of the whole phenomenon: rather than subjecting the original commercials to criticism or ridicule, the follow-up videos try to capitalize on their own non-professionalism and non-seriousness as a way of increasing their chances of online success. Arguably, in a world where popularity depends on the number of views, intentional underperformance may be one of the ways that lead to success.
Česky
The presentation considers the phenomenon of popular follow-up videos through which users “broadcast themselves” on YouTube, more specifically those that recreate and sometimes parody professionally made video commercials. It appears that the follow-up videos strategically employ non-professionalism in order to project the non-expertness of their authors and protagonists, while otherwise remaining multimodally coherent with the originals. Whether genuine or staged, the authenticity and the ineptitude of those who broadcast themselves in this way not only contrast sharply with the original commercials but also provide the clue to our understanding of the whole phenomenon: rather than subjecting the original commercials to criticism or ridicule, the follow-up videos try to capitalize on their own non-professionalism and non-seriousness as a way of increasing their chances of online success. Arguably, in a world where popularity depends on the number of views, intentional underperformance may be one of the ways that lead to success.