Inner Structuring of Fantastic Literature by the Function of
the Fantastic Element (2)

a 2015

Inner Structuring of Fantastic Literature by the Function of the Fantastic Element (2)

DĚDINOVÁ, Tereza

Základní údaje

Originální název

Inner Structuring of Fantastic Literature by the Function of the Fantastic Element (2)

Autoři

DĚDINOVÁ, Tereza

Vydání

Mezinárodní vědecká konference Dnešní svět zítřejšíma očima, Brno, 16.-17. dubna 2015, 2015

Další údaje

Jazyk

angličtina

Typ výsledku

Konferenční abstrakt

Obor

60205 Literary theory

Stát vydavatele

Česká republika

Utajení

není předmětem státního či obchodního tajemství

Odkazy

abstrakty

Označené pro přenos do RIV

Ano

Kód RIV

RIV/00216224:14210/15:00082968

Organizační jednotka

Filozofická fakulta

Klíčová slova česky

fantastická literatura; typologie

Klíčová slova anglicky

fantastic literature; typology

Příznaky

Mezinárodní význam

Změněno: 20. 1. 2020 14:32, doc. Mgr. Tereza Dědinová, Ph.D.

Anotace

V originále

I would like to introduce a concept of inner structuring of fantastic literature I am currently working on. Its purpose is to provide an alternative mode of relating fantastic works to each other for the sake of analysis, not to create a fixed taxonomy. Generally, we can distinguish two basic categories within fantastic literature: The pure fantastic is focused on a fantastic element (a fantastic change, world, event etc.), thus the fantastic element functions as the core of the text. In the fantastic as a mean of expression, the fantastic element serves as a platform for creating a story or as a tool of an allegory or a symbol. In terms of extratextual factors, pure fantastic is usually connected with a fantastic community, whereas authors using the fantastic as a mean of expression tend to be from different cultural backgrounds and relate to the fandom very loosely or not at all (refusal of any affiliation to it is not exceptional). On a four given examples, I will try to distinguish a very different attitudes toward the fantastic element and to argue that literary works using fantastic element merely as the platform for expressing something else doesn't necessarily indicate a failed Fantasy, but creates a specific fuzzy set within fantastic literature.

Návaznosti

EE2.3.30.0037, projekt VaV

Název: Zaměstnáním nejlepších mladých vědců k rozvoji mezinárodní spolupráce

Citovat

DĚDINOVÁ, Tereza. Inner Structuring of Fantastic Literature by the Function of the Fantastic Element (2). In Mezinárodní vědecká konference Dnešní svět zítřejšíma očima, Brno, 16.-17. dubna 2015. 2015.

@proceedings{1300053,
   author = {Dědinová, Tereza},
   booktitle = {Mezinárodní vědecká konference Dnešní svět zítřejšíma očima, Brno, 16.-17. dubna 2015},
   keywords = {fantastic literature; typology},
   language = {eng},
   title = {Inner Structuring of Fantastic Literature by the Function of the Fantastic Element (2)},
   url = {http://www.phil.muni.cz/wucl/home/Documents/konference-o-fantasticke-literature-2015/abstrakty%20brozura.pdf},
   year = {2015}
}

TY  - CONF
ID  - 1300053
AU  - Dědinová, Tereza
PY  - 2015
TI  - Inner Structuring of Fantastic Literature by the Function of the Fantastic Element (2)
KW  - fantastic literature
KW  - typology
UR  - http://www.phil.muni.cz/wucl/home/Documents/konference-o-fantasticke-literature-2015/abstrakty%20brozura.pdf
L2  - http://www.phil.muni.cz/wucl/home/Documents/konference-o-fantasticke-literature-2015/abstrakty%20brozura.pdf
N2  - I would like to introduce a concept of inner structuring of fantastic literature I am currently working on. Its purpose is to provide an alternative mode of relating fantastic works to each other for the sake of analysis, not to create a fixed taxonomy. Generally, we can distinguish two basic categories within fantastic literature: The pure fantastic is focused on a fantastic element (a fantastic change, world, event etc.), thus the fantastic element functions as the core of the text. In the fantastic as a mean of expression, the fantastic element serves as a platform for creating a story or as a tool of an allegory or a symbol. In terms of extratextual factors, pure fantastic is usually connected with a fantastic community, whereas authors using the fantastic as a mean of expression tend to be from different cultural backgrounds and relate to the fandom very loosely or not at all (refusal of any affiliation to it is not exceptional). On a four given examples, I will try to distinguish a very different attitudes toward the fantastic element and to argue that literary works using fantastic element merely as the platform for expressing something else doesn't necessarily indicate a failed Fantasy, but creates a specific fuzzy set within fantastic literature.
ER  -

DĚDINOVÁ, Tereza. Inner Structuring of Fantastic Literature by the Function of the Fantastic Element (2). In \textit{Mezinárodní vědecká konference Dnešní svět zítřejšíma očima, Brno, 16.-17. dubna 2015}. 2015.

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