2015
Many Romes. Studies in honnor of Hans Belting
FOLETTI, Ivan a Herbert L. KESSLERZákladní údaje
Originální název
Many Romes. Studies in honnor of Hans Belting
Autoři
FOLETTI, Ivan a Herbert L. KESSLER
Vydání
Brno, Convivium, 296 s. 2015
Nakladatel
Masarykova univerzita
Další údaje
Jazyk
angličtina
Typ výsledku
Editorství tematického sborníku, editorství monotematického čísla odborného časopisu
Obor
Umění, architektura, kulturní dědictví
Stát vydavatele
Česká republika
Utajení
není předmětem státního či obchodního tajemství
Označené pro přenos do RIV
Ano
Kód RIV
RIV/00216224:14210/15:00085575
Organizační jednotka
Filozofická fakulta
ISBN
978-2-503-55560-7
Klíčová slova anglicky
Hans Belting; Rome; Constantinople; Avignon
Štítky
Změněno: 20. 10. 2016 14:26, doc. Mgr. Pavel Suchánek, Ph.D.
Anotace
V originále
Dedicating a special issue of Convivium to mark Hans Belting’s eightieth birthday is an altogether natural gesture. Few scholars have contributed as profoundly as he has to the mandate articulated in the new journal's subtitle: "Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean". Fewer, still, have realized the fledgling periodical’s goal of extending art history into such allied fields as anthropology, literature, and history – from the Early Christian period to the sixteenth century. Even a cursory review of the bibliography printed herein confirms the overlap between Hans Belting’s prodigious production with Convivium's aspirations. His work fills the map comprehended by the journal, from the Caucasus to Constantinople to Italy, France, the Netherlands, and Germany; and, setting aside the contributions to modern art, photography, new media, and theory, his scholarship follows more or less the same development Convivium embraces – from the Justinianic period through the eighth and ninth centuries, into the High Middle Ages and beyond as far as the Reformation. Challenging many assumptions underlying the ways scholars consider the basic materials, furthermore, Hans Belting has extended a medievalist’s sensibility to materiality, reception, and function and also to works produced by Jan van Eyck, Giovanni Bellini and Hieronymus Bosch, anticipating in this way Convivium's call to broaden the definition of the field and to examine "the genesis and life of art-historical studies" by attending to historiography as in his highly influential synthesis Bild und Kult: Eine Geschichte des Bildes vor dem Zeitalter der Kunst. Journal and scholar are a perfect fit.