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@inbook{1324058, author = {Maňas, Vladimír}, address = {Bratislava}, booktitle = {Musikalische und literarische Kontexte des Barocks in Mitteleuropa / in der Slowakei}, editor = {Kačic, Ladislav}, keywords = {liturgical music; topoi; discourse}, howpublished = {tištěná verze "print"}, language = {eng}, location = {Bratislava}, isbn = {978-80-89189-25-0}, pages = {93-98}, publisher = {Slavistický ústav Jana Stanislava SAV}, title = {Music in the Mirror of Religion: On the Discourse of Liturgical Music in the 17th Century (from Scherer and Beyerlinck to Hoffman and Beckovský)}, year = {2015} }
TY - CHAP ID - 1324058 AU - Maňas, Vladimír PY - 2015 TI - Music in the Mirror of Religion: On the Discourse of Liturgical Music in the 17th Century (from Scherer and Beyerlinck to Hoffman and Beckovský) VL - Neuveden PB - Slavistický ústav Jana Stanislava SAV CY - Bratislava SN - 9788089189250 KW - liturgical music KW - topoi KW - discourse N2 - This paper examines the representation of music (esp. church music), its origin and use during the early modern period in the Czech lands within two main literary testimonies. Both focus on the role of music in religion –as one can see, this has to do not only with ritual and liturgical music, but as well with music or song as a device to lift the soul up to God. As this paper focuses more on musical culture or the role of music in religion than on music theory, sources in the vernacular, more precisely for the Czech-speaking population, were primarily analysed. ER -
MAŇAS, Vladimír. Music in the Mirror of Religion: On the Discourse of Liturgical Music in the 17th Century (from Scherer and Beyerlinck to Hoffman and Beckovský). In Kačic, Ladislav. \textit{Musikalische und literarische Kontexte des Barocks in Mitteleuropa / in der Slowakei}. Bratislava: Slavistický ústav Jana Stanislava SAV, 2015, s.~93-98. ISBN~978-80-89189-25-0.
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