2015
Socialism for Sale: Czechoslovakia’s Krátký film, Custom-Made Film Production, and the Promotion of Consumer Culture in the 1950s
ČESÁLKOVÁ, LucieZákladní údaje
Originální název
Socialism for Sale: Czechoslovakia’s Krátký film, Custom-Made Film Production, and the Promotion of Consumer Culture in the 1950s
Autoři
ČESÁLKOVÁ, Lucie (203 Česká republika, garant, domácí)
Vydání
First published. New York - Oxford, Cinema in the Servce of the State: Perspectives on Film Culture in the GDR and Czechoslovakia, 1945-1960, od s. 166-187, 22 s. Film Europe, 2015
Nakladatel
Berghahn Books
Další údaje
Jazyk
angličtina
Typ výsledku
Kapitola resp. kapitoly v odborné knize
Obor
Písemnictví, masmedia, audiovize
Stát vydavatele
Spojené státy
Utajení
není předmětem státního či obchodního tajemství
Forma vydání
tištěná verze "print"
Kód RIV
RIV/00216224:14210/15:00081499
Organizační jednotka
Filozofická fakulta
ISBN
978-1-78238-996-5
Klíčová slova anglicky
advertising film; short film; propaganda; promotion; socialist consumer culture
Štítky
Příznaky
Mezinárodní význam, Recenzováno
Změněno: 25. 4. 2016 15:37, Mgr. Vendula Hromádková
Anotace
V originále
This essay examines the relationship between the socialist state and short film in Czechoslovakia in the 1950s, focusing on a mixture of ideological and commercial objectives in the process of negotiation about Krátký film's custom-made productions for state bodies. It takes into account the internal structures of consumer culture and the attitudes of official state bodies to consumerism in general and offers a deeper understanding of the importance of film promotion and advertising within the socialist system. It claims, that advertising films that supported consumer culture represented a challenge to socialism, which cultural policy failed to address for quite some time. Due to the medium’s high demand with regard to production time and cost, film had the potential to expose imbalances between the ideals of socialism and consumer culture Methodologically, this text combines the study of so-called 'useful film', custom-made film, and film propaganda—including a consideration of the specifics of exhibition in a non-theatrical environment—with an examination of the role of state-promotional film within socialistic consumer culture more generally.
Návaznosti
GPP409/10/P156, projekt VaV |
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