Gregory the Great and Image Theory in Northern Europe in the
Twelfth and Thirteenth Centuries

C 2006

Gregory the Great and Image Theory in Northern Europe in the Twelfth and Thirteenth Centuries

KESSLER, Herbert L.

Základní údaje

Originální název

Gregory the Great and Image Theory in Northern Europe in the Twelfth and Thirteenth Centuries

Autoři

KESSLER, Herbert L. (840 Spojené státy, garant, domácí)

Vydání

Oxford, A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, od s. 151-171, 21 s. 2006

Nakladatel

Wiley-Blackwell

Další údaje

Jazyk

angličtina

Typ výsledku

Kapitola resp. kapitoly v odborné knize

Obor

Umění, architektura, kulturní dědictví

Stát vydavatele

Velká Británie a Severní Irsko

Utajení

není předmětem státního či obchodního tajemství

Forma vydání

tištěná verze "print"

Organizační jednotka

Filozofická fakulta

ISBN

978-1-4051-0286-5

Klíčová slova anglicky

medieval art; pope Gregory the Great; image theory; northern europe art; art history

Změněno: 6. 8. 2016 19:53, prof. Ivan Foletti, MA, Docteur es Lettres, Docent in Church History

Anotace

V originále

Herbert L. Kessler’s essay was originally a chapter of the book A Companion to Medieval Art: Romanesque and Gothic in Northern Europe published in 2006, which contained more than a 30 original theoretical, historical, and historiographical essays written by the renowned and emergent scholars. In 2016 Herbert Kessler made a revision of this essay about the pope Gregory the Great, in which he is focusing primarily on the period around the year 600, especially to the two letters from Gregory the Great to Serenus, Bishop of Marseilles. The content of these letters became incontestable, served like a basis for a defense of the images during the iconoclastic eras and supported the art making during the Middle Ages. This essay introduces how Gregory‘s thoughts from his letters were reused and reflected in the theories supporting christian images in the Northern Europe, up to the twelfth and thirteenth century.

Citovat

KESSLER, Herbert L. Gregory the Great and Image Theory in Northern Europe in the Twelfth and Thirteenth Centuries. In Conrad Rudolph. A Companion to Medieval Art: Romanesque and Gothic in Northern Europe. Oxford: Wiley-Blackwell, 2006, s. 151-171. ISBN 978-1-4051-0286-5.

@inbook{1350965,
   author = {Kessler, Herbert L.},
   address = {Oxford},
   booktitle = {A Companion to Medieval Art: Romanesque and Gothic in Northern Europe},
   editor = {Conrad Rudolph},
   keywords = {medieval art; pope Gregory the Great; image theory; northern europe art; art history},
   howpublished = {tištěná verze "print"},
   language = {eng},
   location = {Oxford},
   isbn = {978-1-4051-0286-5},
   pages = {151-171},
   publisher = {Wiley-Blackwell},
   title = {Gregory the Great and Image Theory in Northern Europe in the Twelfth and Thirteenth Centuries},
   year = {2006}
}

TY  - CHAP
ID  - 1350965
AU  - Kessler, Herbert L.
PY  - 2006
TI  - Gregory the Great and Image Theory in Northern Europe in the Twelfth and Thirteenth Centuries
VL  - Neuveden
PB  - Wiley-Blackwell
CY  - Oxford
SN  - 9781405102865
KW  - medieval art
KW  - pope Gregory the Great
KW  - image theory
KW  - northern europe art
KW  - art history
N2  - Herbert L. Kessler’s essay was originally a chapter of the book A Companion to Medieval Art: Romanesque and Gothic in Northern Europe published in 2006, which contained more than a 30 original theoretical, historical, and historiographical essays written by the renowned and emergent scholars. In 2016 Herbert Kessler made a revision of this essay about the pope Gregory the Great, in which he is focusing primarily on the period around the year 600, especially to the two letters from Gregory the Great to Serenus, Bishop of Marseilles. The content of these letters became incontestable, served like a basis for a defense of the images during the iconoclastic eras and supported the art making during the Middle Ages. This essay introduces how Gregory‘s thoughts from his letters were reused and reflected in the theories supporting christian images in the Northern Europe, up to the twelfth and thirteenth century.
ER  -

KESSLER, Herbert L. Gregory the Great and Image Theory in Northern Europe in the Twelfth and Thirteenth Centuries. In Conrad Rudolph. \textit{A Companion to Medieval Art: Romanesque and Gothic in Northern Europe}. Oxford: Wiley-Blackwell, 2006, s.~151-171. ISBN~978-1-4051-0286-5.

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