2016
Playful, but Bestially Earnest : Sports, Physical Education and Czech Music of the Interwar Era
ZAPLETAL, MilošZákladní údaje
Originální název
Playful, but Bestially Earnest : Sports, Physical Education and Czech Music of the Interwar Era
Autoři
Vydání
Musica artificiosa : 51st International Musicological Colloquium, 10.-12. 10. 2016, Brno, 2016
Další údaje
Jazyk
angličtina
Typ výsledku
Konferenční abstrakt
Obor
Umění, architektura, kulturní dědictví
Stát vydavatele
Česká republika
Utajení
není předmětem státního či obchodního tajemství
Označené pro přenos do RIV
Ano
Kód RIV
RIV/00216224:14210/16:00092430
Organizační jednotka
Filozofická fakulta
Klíčová slova anglicky
sport and culture; interwar avant-garde; music and representation; Czech inter-war music; music of the 1920s; music and sport
Štítky
Změněno: 2. 4. 2017 21:25, doc. PhDr. Martin Flašar, Ph.D.
Anotace
V originále
In 1938, T. W. Adorno likened the modern popular music (as well as the industrialized classical music) to sports, considering both of these phenomena as symptomatic manifestations of dehumanizing modernity, characterized by “strict distinguishing from the play” and “bestial earnestness”. The interwar music – although it sometimes did not manage to avoid the bestial earnestness, in spite of its explicit playfulness – was not afraid of sport and jazz at all; on the contrary, it accepted both phenomena as important inspirational impulses or even related types of cultural production. My paper deals with “sport compositions” (Bateman), ergo musical reflections and representations of sports and physical education, in Czech interwar music , encompassing both high and low (functional, especially with Sokol movement linked) music . Also, I compare “sport music ” with other types of “civilistic” musical production, i. e. with other musical representations of various phenomena of the technical modernity.
Návaznosti
| MUNI/A/0988/2015, interní kód MU |
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