Zdeněk Nejedlý and his Critical Conception of the Great Czech
Composer

a 2016

Zdeněk Nejedlý and his Critical Conception of the Great Czech Composer

ZAPLETAL, Miloš

Základní údaje

Originální název

Zdeněk Nejedlý and his Critical Conception of the Great Czech Composer

Autoři

ZAPLETAL, Miloš

Vydání

Music Criticism 1900-1950, Institut d’Estudis Catalans, 17.-19. 10. 2016, Barcelona, 2016

Další údaje

Jazyk

angličtina

Typ výsledku

Konferenční abstrakt

Obor

Umění, architektura, kulturní dědictví

Stát vydavatele

Španělsko

Utajení

není předmětem státního či obchodního tajemství

Označené pro přenos do RIV

Ano

Kód RIV

RIV/00216224:14210/16:00092431

Organizační jednotka

Filozofická fakulta

Klíčová slova anglicky

Zdeněk Nejedlý; historiographical conceptions; philosophy of history; history of the modern Czech music; deconstruction; metahistory; discourse analysis; cultural materialism; methodologies of the writing of music history

Štítky

rivok

Změněno: 3. 4. 2017 13:52, doc. PhDr. Martin Flašar, Ph.D.

Anotace

V originále

Zdeněk Nejedlý (1878-1962) was the only Czech musical critic or musicologist of the period of development of modern Czech music (ca. 1860-1918) who created comprehensive and coherent critical/historical conception of this process. Drawing on a theoretical approach known as “metahistorical analysis”, created by Hayden White, I have uncovered a hidden mythological imaginative model in Nejedlý’s critical discourse. Based on a previous analysis of Nejedlý’s main critical texts from the period 1901- 1921, the paper presents results of a deconstruction of Nejedlý’s conception of the Great Czech Composer. This conception is based on concepts of common ideal character traits, common martyr-like destiny, and common “Smetanian” or “Czech” spirit, shared by all great Czech composers (B. Smetana, Z. Fibich, J. B. Foerster). On the other hand, “reactionary”, “obscurant” composers (A. Dvořák, J. Suk, V. Novák and L. Janáček) lack the ideal character traits as well as the “Czech” spirit. The narrative mechanism of Nejedlý’s critical texts uses systematic referring to the conception of ideal Christian saint and was probably influenced or transmitted by the essential nineteenth-century conceptions of genius (Kant, Schopenhauer, Nietzsche) as well as by the representations of great personae of Czech history ( Jan Hus, Karel Havlíček) in the two most important texts of Czech philosophy of history (František Palacký’s History of the Czech Nation and T. G. Masaryk’s Czech Question).

Návaznosti

MUNI/A/0988/2015, interní kód MU

Název: Výzkumné sondy k dějinám hudební kultury na Moravě, především v Brně, část III.

Investor: Masarykova univerzita, Výzkumné sondy k dějinám hudební kultury na Moravě, především v Brně, část III., DO R. 2020_Kategorie A - Specifický výzkum - Studentské výzkumné projekty

Citovat

ZAPLETAL, Miloš. Zdeněk Nejedlý and his Critical Conception of the Great Czech Composer. In Music Criticism 1900-1950, Institut d’Estudis Catalans, 17.-19. 10. 2016, Barcelona. 2016.

@proceedings{1365483,
   author = {Zapletal, Miloš},
   booktitle = {Music Criticism 1900-1950, Institut d’Estudis Catalans, 17.-19. 10. 2016, Barcelona},
   keywords = {Zdeněk Nejedlý; historiographical conceptions; philosophy of history; history of the modern Czech music; deconstruction; metahistory; discourse analysis; cultural materialism; methodologies of the writing of music history},
   language = {eng},
   title = {Zdeněk Nejedlý and his Critical Conception of the Great Czech Composer},
   year = {2016}
}

TY  - CONF
ID  - 1365483
AU  - Zapletal, Miloš
PY  - 2016
TI  - Zdeněk Nejedlý and his Critical Conception of the Great Czech Composer
KW  - Zdeněk Nejedlý
KW  - historiographical conceptions
KW  - philosophy of history
KW  - history of the modern Czech music
KW  - deconstruction
KW  - metahistory
KW  - discourse analysis
KW  - cultural materialism
KW  - methodologies of the writing of music history
N2  - Zdeněk Nejedlý (1878-1962) was the only Czech musical critic or musicologist of the period of development of modern Czech music (ca. 1860-1918) who created comprehensive and coherent critical/historical conception of this process. Drawing on a theoretical approach known as “metahistorical analysis”, created by Hayden White, I have uncovered a hidden mythological imaginative model in Nejedlý’s critical discourse. Based on a previous analysis of Nejedlý’s main critical texts from the period 1901- 1921, the paper presents results of a deconstruction of Nejedlý’s conception of the Great Czech Composer. This conception is based on concepts of common ideal character traits, common martyr-like destiny, and common “Smetanian” or “Czech” spirit, shared by all great Czech composers (B. Smetana, Z. Fibich, J. B. Foerster). On the other hand, “reactionary”, “obscurant” composers (A. Dvořák, J. Suk, V. Novák and L. Janáček) lack the ideal character traits as well as the “Czech” spirit. The narrative mechanism of Nejedlý’s critical texts uses systematic referring to the conception of ideal Christian saint and was probably influenced or transmitted by the essential nineteenth-century conceptions of genius (Kant, Schopenhauer, Nietzsche) as well as by the representations of great personae of Czech history ( Jan Hus, Karel Havlíček) in the two most important texts of Czech philosophy of history (František Palacký’s History of the Czech Nation and T. G. Masaryk’s Czech Question).
ER  -

ZAPLETAL, Miloš. Zdeněk Nejedlý and his Critical Conception of the Great Czech Composer. In \textit{Music Criticism 1900-1950, Institut d’Estudis Catalans, 17.-19. 10. 2016, Barcelona}. 2016.

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