How Much Jewish Is Music In The Film Yentl (1983)? :
Compositional Work With Ethnic Music Elements

k 2016

How Much Jewish Is Music In The Film Yentl (1983)? : Compositional Work With Ethnic Music Elements

KLEMENTOVÁ, Romana

Základní údaje

Originální název

How Much Jewish Is Music In The Film Yentl (1983)? : Compositional Work With Ethnic Music Elements

Název česky

Jak moc židovská je hudba ve filmu Yentl (1983)? : Kompoziční práce s elementy etnické hudby

Autoři

KLEMENTOVÁ, Romana

Vydání

9th Annual Society for Musicology Ireland (SMI) Postgraduate Students’ Conference, 15th and 16th January, 2016, Trinity College Dublin, 2016

Další údaje

Jazyk

angličtina

Typ výsledku

Prezentace na konferencích

Obor

Umění, architektura, kulturní dědictví

Stát vydavatele

Irsko

Utajení

není předmětem státního či obchodního tajemství

Odkazy

URL

Označené pro přenos do RIV

Ano

Kód RIV

RIV/00216224:14210/16:00092753

Organizační jednotka

Filozofická fakulta

Klíčová slova česky

Yentl; filmová hudba; židovská hudba

Klíčová slova anglicky

Yentl; film music; Jewish music

Štítky

rivok

Příznaky

Mezinárodní význam

Změněno: 11. 3. 2017 16:12, Mgr. Marie Skřivanová

Anotace

V originále

The integration of ethnic music into the film score is a great challenge for every composer of film music, which is conditioned by thorough knowledge of historical circumstances connected with the place and time given by the film. From the compositional point of view there are several ways how to integrate the ethnic music into the film score. The most authentic reproduction of music typical for specific place or time with the use of adequate instruments is most often used in diegetic form. On the other hand, non-diegetic musical parts enable the composer to be more creative thanks to the use of ethnic elements freely integrated into music components, e.g. harmony, melody, rhythmical stylization or the choice of a typical instrument. The core of my speech is the music analysis of the ethnic elements and how they are used in the film Yentl (1983). The director, producer as well as the main star of this film is Barbra Streisand, who had invited a French composer Michel Legrand to compose musical score. The plot of the film takes place in a Jewish shtetl in an area of a present Polish-Ukrainian border country on the brake of the 19th and 20th century. The composition had been proceeded by a Legrand´s long-term study of a Jewish musical culture typical for the given area and time. From the composers point of view this task was particularly challenging as the film has no specific genre. This film can´t be considered a typical form of musical, because there is just one singing role, Yentl, interpreted by Barbra Streisand. The authors of the lyrics, which will be analysed from the point of structure and content, are renowned American artists Marilyn and Alan Bergman.

Návaznosti

MUNI/A/0988/2015, interní kód MU

Název: Výzkumné sondy k dějinám hudební kultury na Moravě, především v Brně, část III.

Investor: Masarykova univerzita, Výzkumné sondy k dějinám hudební kultury na Moravě, především v Brně, část III., DO R. 2020_Kategorie A - Specifický výzkum - Studentské výzkumné projekty

Citovat

KLEMENTOVÁ, Romana. How Much Jewish Is Music In The Film Yentl (1983)? : Compositional Work With Ethnic Music Elements. In 9th Annual Society for Musicology Ireland (SMI) Postgraduate Students’ Conference, 15th and 16th January, 2016, Trinity College Dublin. 2016.

@proceedings{1367231,
   author = {Klementová, Romana},
   booktitle = {9th Annual Society for Musicology Ireland (SMI) Postgraduate Students’ Conference, 15th and 16th January, 2016, Trinity College Dublin},
   keywords = {Yentl; film music; Jewish music},
   language = {eng},
   title = {How Much Jewish Is Music In The Film Yentl (1983)? : Compositional Work With Ethnic Music Elements},
   url = {https://www.tcd.ie/Music/news/SMI_Conference_Oct2015.php},
   year = {2016}
}

TY  - CONF
ID  - 1367231
AU  - Klementová, Romana
PY  - 2016
TI  - How Much Jewish Is Music In The Film Yentl (1983)? : Compositional Work With Ethnic Music Elements
KW  - Yentl
KW  - film music
KW  - Jewish music
UR  - https://www.tcd.ie/Music/news/SMI_Conference_Oct2015.php
L2  - https://www.tcd.ie/Music/news/SMI_Conference_Oct2015.php
N2  - The integration of ethnic music into the film score is a great challenge for every composer of film music, which is conditioned by thorough knowledge of historical circumstances connected with the place and time given by the film. From the compositional point of view there are several ways how to integrate the ethnic music into the film score. The most authentic reproduction of music typical for specific place or time with the use of adequate instruments is most often used in diegetic form. On the other hand, non-diegetic musical parts enable the composer to be more creative thanks to the use of ethnic elements freely integrated into music components, e.g. harmony, melody, rhythmical stylization or the choice of a typical instrument. The core of my speech is the music analysis of the ethnic elements and how they are used in the film Yentl (1983). The director, producer as well as the main star of this film is Barbra Streisand, who had invited a French composer Michel Legrand to compose musical score. The plot of the film takes place in a Jewish shtetl in an area of a present Polish-Ukrainian border country on the brake of the 19th and 20th century. The composition had been proceeded by a Legrand´s long-term study of a Jewish musical culture typical for the given area and time. From the composers point of view this task was particularly challenging as the film has no specific genre. This film can´t be considered a typical form of musical, because there is just one singing role, Yentl, interpreted by Barbra Streisand. The authors of the lyrics, which will be analysed from the point of structure and content, are renowned American artists Marilyn and Alan Bergman.
ER  -

KLEMENTOVÁ, Romana. How Much Jewish Is Music In The Film Yentl (1983)? : Compositional Work With Ethnic Music Elements. In \textit{9th Annual Society for Musicology Ireland (SMI) Postgraduate Students’ Conference, 15th and 16th January, 2016, Trinity College Dublin}. 2016.

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