Italian repertoire in Moravia based on the oldest inventories
up to ca1650

k 2016

Italian repertoire in Moravia based on the oldest inventories up to ca1650

MAŇAS, Vladimír

Základní údaje

Originální název

Italian repertoire in Moravia based on the oldest inventories up to ca1650

Název česky

Italský repertoár v moravských inventářích do roku 1650

Autoři

MAŇAS, Vladimír (203 Česká republika, garant, domácí)

Vydání

The Reception of Small-Scale Motet in Central and Eastern Europe, 8. 6. 2016, Padua, Italy, 2016

Další údaje

Jazyk

angličtina

Typ výsledku

Prezentace na konferencích

Obor

Umění, architektura, kulturní dědictví

Stát vydavatele

Itálie

Utajení

není předmětem státního či obchodního tajemství

Kód RIV

RIV/00216224:14210/16:00088565

Organizační jednotka

Filozofická fakulta

Klíčová slova česky

hudební topografie; raný novověk; hudební inventáře; Morava

Klíčová slova anglicky

musical topography; early modern period; music inventories; Moravia

Štítky

rivok

Změněno: 7. 4. 2017 16:04, Mgr. Marie Skřivanová

Anotace

V originále

In late sixteenth-century Moravia, we can presume that musical life flourished not only in the largest urban centres, i.e. royal cities, but also in smaller towns. However, due to the limited body of preserved sources we are still unable to create a comprehensive picture of the musical culture at the turn of the 16th and 17th centuries. Thanks to historical inventories, we can follow the change of repertoire (or musical paradigm?) during the first half of the 17th century. The oldest inventories from Olomouc (1594, 1602) and Příbor (1614, 1637) were discovered and transcribed by Jiří Sehnal; two other sources from parish churches of Northern Moravia (Ostrava 1616) and Nový Jičín (1630) will also be taken into account here, although there is no direct trace of Italian music. Regarding the dissemination of the polyphonic repertory, most comprehensive source comes from Prostějov (1607/1608). It is the inventory of a collection recently built for the duke of Lichtenstein; most of the printed music (motets as well as madrigals) was bought in Vienna 1604. Piarists in Mikulov ordered compositions by Palestrina and Anerio from Italy as late as in 1633. Another late but valuable testimony is the estate inventory of Jiří Jakub Piškula, the imperial magistrate in Hradiště, who died in 1632. This source lists seventeen books of tablature and fourteen prints of German songs and Italian madrigals, among others by Ferrabosco, and Marenzio. Evaluating the aforementioned inventories from Příbor and later sources from other Moravian towns, we can observe the gradual employment of Italian early baroque, from Concerti ecclesiastici by G. Finetti in Příbor 1614 to later Venetian prints by Grandi, Donati and Scapitta, obtained in 1638 for Příbor by the local parish priest.

Návaznosti

GA16-17615S, projekt VaV

Název: Hudební inventáře raného novověku v českých zemích

Investor: Grantová agentura ČR, Hudební inventáře raného novověku v českých zemích

Citovat

MAŇAS, Vladimír. Italian repertoire in Moravia based on the oldest inventories up to ca1650. In The Reception of Small-Scale Motet in Central and Eastern Europe, 8. 6. 2016, Padua, Italy. 2016.

@proceedings{1368375,
   author = {Maňas, Vladimír},
   booktitle = {The Reception of Small-Scale Motet in Central and Eastern Europe, 8. 6. 2016, Padua, Italy},
   keywords = {musical topography; early modern period; music inventories; Moravia},
   language = {eng},
   title = {Italian repertoire in Moravia based on the oldest inventories up to ca1650},
   year = {2016}
}

TY  - CONF
ID  - 1368375
AU  - Maňas, Vladimír
PY  - 2016
TI  - Italian repertoire in Moravia based on the oldest inventories up to ca1650
KW  - musical topography
KW  - early modern period
KW  - music inventories
KW  - Moravia
N2  - In late sixteenth-century Moravia, we can presume that musical life flourished not only in the largest urban centres, i.e. royal cities, but also in smaller towns. However, due to the limited body of preserved sources we are still unable to create a comprehensive picture of the musical culture at the turn of the 16th and 17th centuries. Thanks to historical inventories, we can follow the change of repertoire (or musical paradigm?) during the first half of the 17th century. The oldest inventories from Olomouc (1594, 1602) and Příbor (1614, 1637) were discovered and transcribed by Jiří Sehnal; two other sources from parish churches of Northern Moravia (Ostrava 1616) and Nový Jičín (1630) will also be taken into account here, although there is no direct trace of Italian music. Regarding the dissemination of the polyphonic repertory, most comprehensive source comes from Prostějov (1607/1608). It is the inventory of a collection recently built for the duke of Lichtenstein; most of the printed music (motets as well as madrigals) was bought in Vienna 1604. Piarists in Mikulov ordered compositions by Palestrina and Anerio from Italy as late as in 1633. Another late but valuable testimony is the estate inventory of Jiří Jakub Piškula, the imperial magistrate in Hradiště, who died in 1632. This source lists seventeen books of tablature and fourteen prints of German songs and Italian madrigals, among others by Ferrabosco, and Marenzio. Evaluating the aforementioned inventories from Příbor and later sources from other Moravian towns, we can observe the gradual employment of Italian early baroque, from Concerti ecclesiastici by G. Finetti in Příbor 1614 to later Venetian prints by Grandi, Donati and Scapitta, obtained in 1638 for Příbor by the local parish priest.
ER  -

MAŇAS, Vladimír. Italian repertoire in Moravia based on the oldest inventories up to ca1650. In \textit{The Reception of Small-Scale Motet in Central and Eastern Europe, 8. 6. 2016, Padua, Italy}. 2016.

Podrobný výpis o publikaci