Michel Legrand, Marilyn and Alan Bergmans: One Team of Authors,
Several Approaches to Film Song

k 2013

Michel Legrand, Marilyn and Alan Bergmans: One Team of Authors, Several Approaches to Film Song

KLEMENTOVÁ, Romana

Základní údaje

Originální název

Michel Legrand, Marilyn and Alan Bergmans: One Team of Authors, Several Approaches to Film Song

Název česky

Michel Legrand, Marilyn and Alan Bergmanovi: jeden autorský tým, několik přístupů k tvorbě filmové písně

Autoři

KLEMENTOVÁ, Romana

Vydání

Conference: Music and the Moving Image, NYU Steinhardt, New York, 2013

Další údaje

Jazyk

angličtina

Typ výsledku

Prezentace na konferencích

Obor

Umění, architektura, kulturní dědictví

Stát vydavatele

Česká republika

Utajení

není předmětem státního či obchodního tajemství

Odkazy

URL

Označené pro přenos do RIV

Organizační jednotka

Filozofická fakulta

Klíčová slova česky

Michel Legrand, Marilyn Bergman, Alan Bergman, filmová píseň

Klíčová slova anglicky

Michel Legrand, Marilyn Bergman, Alan Bergman, filmová píseň

Příznaky

Mezinárodní význam

Změněno: 13. 2. 2017 11:55, Mgr. Romana Klementová

Anotace

V originále

Michel Legrand, a French composer, pianist and arranger, together with the American lyricists Marilyn and Alan Bergmans are the authors of more than 30 film songs written during the period of 1960 and 1990. Their long-term continual collaboration resulted in refined concept of film song as an elaborated musical-textual form. This concept will be clarified with analysis of four selected film songs: The Windmills of Your Mind (The Thomas Crown Affair, 1968), What Are You Doing the Rest of Your Life (The Happy Ending, 1969), How Do You Keep the Music Playing (The Best Friends, 1982) and Where Is It Written (Yentl, 1983). The aim of the analysis, based on both musical and textual components of the songs, is to define the common features of the songs reflecting the typical style of the authors. At the same time, the difference of individual songs will be emphasized in relation to demands of direction, genre, or setting of the particular film. The subject of the music analysis will be the melodic, harmonic and form structure, as well as the function of each song in the frame of the whole film score, with special regard to typical features of Legrand´s composing style. The lyrics will be analysed from the point of structure and content. The analysis of the content will be based on the categories established by Fred Karlin and Rayburn Wright (On the Track, 2004).

Citovat

KLEMENTOVÁ, Romana. Michel Legrand, Marilyn and Alan Bergmans: One Team of Authors, Several Approaches to Film Song. In Conference: Music and the Moving Image, NYU Steinhardt, New York. 2013.

@proceedings{1372242,
   author = {Klementová, Romana},
   booktitle = {Conference: Music and the Moving Image, NYU Steinhardt, New York},
   keywords = {Michel Legrand, Marilyn Bergman, Alan Bergman, filmová píseň},
   language = {eng},
   title = {Michel Legrand, Marilyn and Alan Bergmans: One Team of Authors, Several Approaches to Film Song},
   url = {http://steinhardt.nyu.edu/music/scoring/conference},
   year = {2013}
}

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PY  - 2013
TI  - Michel Legrand, Marilyn and Alan Bergmans: One Team of Authors, Several Approaches to Film Song
KW  - Michel Legrand, Marilyn Bergman, Alan Bergman, filmová píseň
UR  - http://steinhardt.nyu.edu/music/scoring/conference
L2  - http://steinhardt.nyu.edu/music/scoring/conference
N2  - Michel Legrand, a French composer, pianist and arranger, together with the American lyricists Marilyn and Alan Bergmans are the authors of more than 30 film songs written during the period of 1960 and 1990. Their long-term continual collaboration resulted in refined concept of film song as an elaborated musical-textual form. This concept will be clarified with analysis of four selected film songs: The Windmills of Your Mind (The Thomas Crown Affair, 1968), What Are You Doing the Rest of Your Life (The Happy Ending, 1969), How Do You Keep the Music Playing (The Best Friends, 1982) and Where Is It Written (Yentl, 1983). The aim of the analysis, based on both musical and textual components of the songs, is to define the common features of the songs reflecting the typical style of the authors. At the same time, the difference of individual songs will be emphasized in relation to demands of direction, genre, or setting of the particular film. The subject of the music analysis will be the melodic, harmonic and form structure, as well as the function of each song in the frame of the whole film score, with special regard to typical features of Legrand´s composing style. The lyrics will be analysed from the point of structure and content. The analysis of the content will be based on the categories established by Fred Karlin and Rayburn Wright (On the Track, 2004).
ER  -

KLEMENTOVÁ, Romana. Michel Legrand, Marilyn and Alan Bergmans: One Team of Authors, Several Approaches to Film Song. In \textit{Conference: Music and the Moving Image, NYU Steinhardt, New York}. 2013.

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