2014
Nikodim Kondakov et Prague. Comment l’émigration change l’histoire (de l’art)
FOLETTI, IvanZákladní údaje
Originální název
Nikodim Kondakov et Prague. Comment l’émigration change l’histoire (de l’art)
Název anglicky
Nikodim Kondakov and Prague. How Emigration Changes History (of Art)
Autoři
FOLETTI, Ivan
Vydání
Opuscula historiae artium, Brno, Masarykova univerzita, 2014, 1211-7390
Další údaje
Jazyk
francouzština
Typ výsledku
Článek v odborném periodiku
Obor
Umění, architektura, kulturní dědictví
Stát vydavatele
Česká republika
Utajení
není předmětem státního či obchodního tajemství
Odkazy
Označené pro přenos do RIV
Ano
Kód RIV
RIV/00216224:14210/14:00093987
Organizační jednotka
Filozofická fakulta
EID Scopus
Klíčová slova anglicky
Nikodim Pavlovich Kondakov; Russian emigration; Russian Action; Prague; Eurasia; historiography
Štítky
Změněno: 11. 4. 2017 16:29, doc. Mgr. Pavel Suchánek, Ph.D.
V originále
In March 1923 Russian professor Nikodim Pavlovich Kondakov came to Prague, having fled Bolshevik Russia a few years earlier. Invited to the Czechoslovak capital as part of the ‘Russian Action’, 78-year-old Kondakov tried to adapt to his new environment. Like many times in the past, he integrated – on a borderline conscious and unconscious level – the political and social changes in the surrounding world into his scientific work. After spending years studying the Russian ‘icon’ and the iconography of the Virgin Mary, Kondakov began to search for new themes that might be of interest to Czechoslovaks. He found them in the common past of all the Slavic nations, which, in his opinion, was one of the most important moments in European culture.
Anglicky
In March 1923 Russian professor Nikodim Pavlovich Kondakov came to Prague, having fled Bolshevik Russia a few years earlier. Invited to the Czechoslovak capital as part of the ‘Russian Action’, 78-year-old Kondakov tried to adapt to his new environment. Like many times in the past, he integrated – on a borderline conscious and unconscious level – the political and social changes in the surrounding world into his scientific work. After spending years studying the Russian ‘icon’ and the iconography of the Virgin Mary, Kondakov began to search for new themes that might be of interest to Czechoslovaks. He found them in the common past of all the Slavic nations, which, in his opinion, was one of the most important moments in European culture.
Návaznosti
| MUNI/A/1302/2014, interní kód MU |
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