FOLETTI, Ivan a Adrien PALLADINO. Ritualizing the City. Collective Performances as Aspects of Urban Construction from Constantine to Mao. In Ritualizing the City. Collective Performances as Aspects of Urban Construction from Constantine to Mao. Řím: Viella, 2017, 228 s. ISBN 978-88-6728-894-6.
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Základní údaje
Originální název Ritualizing the City. Collective Performances as Aspects of Urban Construction from Constantine to Mao
Autoři FOLETTI, Ivan (203 Česká republika, garant, domácí) a Adrien PALLADINO (756 Švýcarsko, domácí).
Vydání Řím, Ritualizing the City. Collective Performances as Aspects of Urban Construction from Constantine to Mao, 228 s. 2017.
Nakladatel Viella
Další údaje
Originální jazyk angličtina
Typ výsledku Editorství tematického sborníku, editorství monotematického čísla odborného časopisu
Obor 60401 Arts, Art history
Stát vydavatele Itálie
Utajení není předmětem státního či obchodního tajemství
Kód RIV RIV/00216224:14210/17:00095186
Organizační jednotka Filozofická fakulta
ISBN 978-88-6728-894-6
Klíčová slova anglicky City; Ritual; Urban Construction; Performativity; Ritual Space
Štítky rivok
Změnil Změnil: Mgr. Igor Hlaváč, učo 342491. Změněno: 26. 3. 2018 12:53.
Anotace
The city has always been, and remains, the ideal place of collective rituality. It is the city that has hosted, since Antiquity, collective celebrations of victory, important religious ceremonies, but also ritual consecrations of the elite. Based on these essential notions, the aim of this book is to reflect on a specific issue: the interaction between ritual and city space. Our wish is to understand, in a multidisciplinary and cross-epochal approach, how a collective liturgy, civic or religious, can unfold within the public space and transform it. In addition to sacred buildings and seizures of power, the square and the streets become in this sense important identity-shaping loci. Bringing places of power to the street or the square – which are by definition liminal spaces – means entering into a dialogue constructed between those who organise the ritual, those who perform it and those who witness it. It seems that it is in compromise between the different components of society that collective rituals can happen within the public space. Therefore, it is no surprise that the crucial question for this book is the way in which this same space is adapted to the requirements of the ritual, or, on the contrary, how the ritual adapts to the space.
Návaznosti
GB14-36521G, projekt VaVNázev: Centrum pro transdisciplinární výzkum kulturních fenoménů ve středoevropských dějinách: obraz, komunikace, jednání
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