Echoes of Milan in ninth-century Langobardia Minor? Preliminary
findings on the painted programme of Sant'Ambrogio alla Rienna,
Montecorvino Rovella (Salerno)

J 2017

Echoes of Milan in ninth-century Langobardia Minor? Preliminary findings on the painted programme of Sant'Ambrogio alla Rienna, Montecorvino Rovella (Salerno)

FOLETTI, Ivan; Francesca DELL'ACQUA; Vincenzo GHEROLDI; Beatrice LEAL; John MITCHELL et al.

Základní údaje

Originální název

Echoes of Milan in ninth-century Langobardia Minor? Preliminary findings on the painted programme of Sant'Ambrogio alla Rienna, Montecorvino Rovella (Salerno)

Autoři

FOLETTI, Ivan; Francesca DELL'ACQUA; Vincenzo GHEROLDI; Beatrice LEAL; John MITCHELL a Sara MARAZZANI

Vydání

Convivium. Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and Mediterranean, Brno, Masarykova univerzita, 2017, 2336-3452

Další údaje

Jazyk

angličtina

Typ výsledku

Článek v odborném periodiku

Obor

60401 Arts, Art history

Stát vydavatele

Česká republika

Utajení

není předmětem státního či obchodního tajemství

Odkazy

URL

Označené pro přenos do RIV

Ano

Kód RIV

RIV/00216224:14210/17:00098468

Organizační jednotka

Filozofická fakulta

Klíčová slova anglicky

early medieval painting; Lombardy; Ambrose of Milan; Theotokos; Byzantine Iconoclasm; Lombard-Carolingian politics

Štítky

rivok

Změněno: 13. 4. 2018 14:44, Mgr. Igor Hlaváč

Anotace

V originále

Thanks to new material analysis and archaeological investigation, still in progress, the rural church of S. Ambrogio alla Rienna in the countryside of Salerno (southern Italy) is revealing crucial information about cultural coexistence between Lombards and Franks. Its mid-ninth century mural paintings, whose quality is outstanding in the early medieval period, can be used as to highlight political and theological disputes, as well as ethnic identities, and economic and social dynamics of their period. In the eighth–ninth centuries the area was part of the Duchy then Principality of Benevento and Salerno. The church was at the centre of a network of landholdings belonging to the powerful monastery of S. Vincenzo al Volturno. What remains of the original painted programme suggests a wealthy patronage in close connection on the one hand with the culture of the Lombard courts and main monasteries, on the other with Carolingian politics in northern Lombardy.

Citovat

FOLETTI, Ivan; Francesca DELL'ACQUA; Vincenzo GHEROLDI; Beatrice LEAL; John MITCHELL a Sara MARAZZANI. Echoes of Milan in ninth-century Langobardia Minor? Preliminary findings on the painted programme of Sant'Ambrogio alla Rienna, Montecorvino Rovella (Salerno). Convivium. Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and Mediterranean. Brno: Masarykova univerzita, 2017, roč. 4, č. 2, s. 202-207. ISSN 2336-3452. Dostupné z: https://doi.org/10.1484/J.CONVIVIUM.4.2018012.

@article{1396445,
   author = {Foletti, Ivan and Dell'Acqua, Francesca and Gheroldi, Vincenzo and Leal, Beatrice and Mitchell, John and Marazzani, Sara},
   article_location = {Brno},
   article_number = {2},
   doi = {https://doi.org/10.1484/J.CONVIVIUM.4.2018012},
   keywords = {early medieval painting; Lombardy; Ambrose of Milan; Theotokos; Byzantine Iconoclasm; Lombard-Carolingian politics},
   language = {eng},
   issn = {2336-3452},
   journal = {Convivium. Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and Mediterranean},
   title = {Echoes of Milan in ninth-century Langobardia Minor? Preliminary findings on the painted programme of Sant'Ambrogio alla Rienna, Montecorvino Rovella (Salerno)},
   url = {http://hdl.handle.net/11222.digilib/137830},
   volume = {4},
   year = {2017}
}

TY  - JOUR
ID  - 1396445
AU  - Foletti, Ivan - Dell'Acqua, Francesca - Gheroldi, Vincenzo - Leal, Beatrice - Mitchell, John - Marazzani, Sara
PY  - 2017
TI  - Echoes of Milan in ninth-century Langobardia Minor? Preliminary findings on the painted programme of Sant'Ambrogio alla Rienna, Montecorvino Rovella (Salerno)
JF  - Convivium. Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and Mediterranean
VL  - 4
IS  - 2
SP  - 202-207
EP  - 202-207
PB  - Masarykova univerzita
SN  - 23363452
KW  - early medieval painting
KW  - Lombardy
KW  - Ambrose of Milan
KW  - Theotokos
KW  - Byzantine Iconoclasm
KW  - Lombard-Carolingian politics
UR  - http://hdl.handle.net/11222.digilib/137830
L2  - http://hdl.handle.net/11222.digilib/137830
N2  - Thanks to new material analysis and archaeological investigation, still in progress, the rural church of S. Ambrogio alla Rienna in the countryside of Salerno (southern Italy) is revealing crucial information about cultural coexistence between Lombards and Franks. Its mid-ninth century mural paintings, whose quality is outstanding in the early medieval period, can be used as to highlight political and theological disputes, as well as ethnic identities, and economic and social dynamics of their period. In the eighth–ninth centuries the area was part of the Duchy then Principality of Benevento and Salerno. The church was at the centre of a network of landholdings belonging to the powerful monastery of S. Vincenzo al Volturno. What remains of the original painted programme suggests a wealthy patronage in close connection on the one hand with the culture of the Lombard courts and main monasteries, on the other with Carolingian politics in northern Lombardy.
ER  -

FOLETTI, Ivan; Francesca DELL'ACQUA; Vincenzo GHEROLDI; Beatrice LEAL; John MITCHELL a Sara MARAZZANI. Echoes of Milan in ninth-century Langobardia Minor? Preliminary findings on the painted programme of Sant'Ambrogio alla Rienna, Montecorvino Rovella (Salerno). \textit{Convivium. Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and Mediterranean}. Brno: Masarykova univerzita, 2017, roč.~4, č.~2, s.~202-207. ISSN~2336-3452. Dostupné z: https://doi.org/10.1484/J.CONVIVIUM.4.2018012.

Přehled o publikaci