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@article{1403410,
author = {Rumánek, Ivan},
article_location = {Olomouc},
article_number = {1},
keywords = {noh; hiranori; onori; chunori; syllabic and quantitative prosody; tanka; kuse(mai); Shinran; wasan; Iroha uta; Homer; hexametre; dactyl; Tocharoi; Yuezhi; Alexander the Great; Hellenism; Greek influence on Buddhist sculpture; Gandhara},
language = {eng},
issn = {1805-1049},
journal = {Dálný východ},
title = {Quantitative metre in noh},
url = {https://www.kas.upol.cz/uploads/media/Dalny_vychod_c.1_2017.pdf},
volume = {7},
year = {2017}
}
TY - JOUR
ID - 1403410
AU - Rumánek, Ivan
PY - 2017
TI - Quantitative metre in noh
JF - Dálný východ
VL - 7
IS - 1
SP - 32-45
EP - 32-45
PB - Univerzita Palackého v Olomouci
SN - 18051049
KW - noh
KW - hiranori
KW - onori
KW - chunori
KW - syllabic and quantitative prosody
KW - tanka
KW - kuse(mai)
KW - Shinran
KW - wasan
KW - Iroha uta
KW - Homer
KW - hexametre
KW - dactyl
KW - Tocharoi
KW - Yuezhi
KW - Alexander the Great
KW - Hellenism
KW - Greek influence on Buddhist sculpture
KW - Gandhara
UR - https://www.kas.upol.cz/uploads/media/Dalny_vychod_c.1_2017.pdf
L2 - https://www.kas.upol.cz/uploads/media/Dalny_vychod_c.1_2017.pdf
N2 - The hiranori rhythm, unique for the noh drama, combines the asymetrical (7–5) syllabic metre of the Japanese poetry with a symetrical 8-beat rhythm of the noh melodic singing (fushi). The study discloses its resemblance with the Greek quantitative metre of hexameter and seeks to explain the presence of quantitative prosody, otherwise atypical for Japan, through tracing back the origin of the hiranori rhythm on the Japanese soil and in the Buddhist chanting practice which, the study hypothesizes, might show a historical link with the Hellenistic cultures of Central Asia and their Greek heritage.
ER -
RUMÁNEK, Ivan. Quantitative metre in noh. \textit{Dálný východ}. Olomouc: Univerzita Palackého v Olomouci, 2017, roč.~7, č.~1, s.~32-45. ISSN~1805-1049.
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