RAPOŠOVÁ, Ivana. ‘We can’t just put any belly-dancer into the program’: Cultural Activism as Boundary Work. In Europe’s Past, Present, and Future: The EU and Its Neighbours in the Wake of Immigration, Populism, and Authoritarian Politics. Conference organised by the Centre for European, Russian, and Eurasian Studies, University of Toronto. 2018.
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Základní údaje
Originální název ‘We can’t just put any belly-dancer into the program’: Cultural Activism as Boundary Work.
Autoři RAPOŠOVÁ, Ivana.
Vydání Europe’s Past, Present, and Future: The EU and Its Neighbours in the Wake of Immigration, Populism, and Authoritarian Politics. Conference organised by the Centre for European, Russian, and Eurasian Studies, University of Toronto. 2018.
Další údaje
Originální jazyk angličtina
Typ výsledku Prezentace na konferencích
Stát vydavatele Kanada
Utajení není předmětem státního či obchodního tajemství
Příznaky Mezinárodní význam, Recenzováno
Změnil Změnila: Mgr. Ivana Rapoš Božič, Ph.D., učo 333300. Změněno: 16. 2. 2018 02:30.
Anotace
Festivals are an increasingly more popular form of contemporary cultural activism. Countering prejudice through arts, using culture as a tool of communication, and creating an opportunity for marginalised groups to participate in public life, they represent a specific and novel means of civic activism. In this paper, I introduce a case study of the multicultural festival [fjúžn], aiming to enhance the public visibility of ‘new minorities’ and bring attention to the ethnic and cultural diversity in the Central-European city of Bratislava, Slovakia. Building on a festival ethnography and drawing on the perspective of boundary work (Jaworsky 2016), I show how the festival organisers work towards crossing and blurring symbolic boundaries in society. I offer a close interpretive reading of their attempts at capturing public places and cultivating a diverse language-scape, while showing how they simultaneously maintain, solidify, or even inscribe new boundaries. I conclude by raising critical points about the potential of activist cultural festivals to shift symbolic boundaries in the long run and serve as tools of social inclusion.
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