Holy site, place of memory or art object? Some considerations
on mont saint-michel in the '(très) longue durée' (708
[?]-2017)

J 2017

Holy site, place of memory or art object? Some considerations on mont saint-michel in the '(très) longue durée' (708 [?]-2017)

FOLETTI, Ivan a Sabina ROSENBERGOVÁ

Základní údaje

Originální název

Holy site, place of memory or art object? Some considerations on mont saint-michel in the '(très) longue durée' (708 [?]-2017)

Autoři

FOLETTI, Ivan a Sabina ROSENBERGOVÁ

Vydání

Opuscula historiae artium, Masarykova univerzita, 2017, 1211-7390

Další údaje

Jazyk

angličtina

Typ výsledku

Článek v odborném periodiku

Obor

60401 Arts, Art history

Stát vydavatele

Česká republika

Utajení

není předmětem státního či obchodního tajemství

Odkazy

URL

Označené pro přenos do RIV

Ano

Kód RIV

RIV/00216224:14210/17:00103041

Organizační jednotka

Filozofická fakulta

EID Scopus

2-s2.0-85049380856

Klíčová slova anglicky

Mont Saint-Michel; place of memory; longue durée; mass tourism; pilgrimage; Migrating art historians

Štítky

rivok

Příznaky

Mezinárodní význam, Recenzováno

Změněno: 13. 5. 2020 11:26, Mgr. Michal Petr

Anotace

V originále

For more than one thousand years, Mont Saint-Michel has been a magnetic place: pilgrims and tourists travel for days in order to reach this place. The meaning of this tidal island has changed many times – from a holy place, to a sacred space, then becoming a monument of French national identity, and finally a Mecca of consumerist tourism. How can we understand this exceptional ‘longue durée’ success? One could think of it as a place of memory re-appropriated by each generation – but is that sufficient? Thanks to written records through the centuries, it is possible to confirm that the fascination with this place has always involved a combination of nature and culture. This harmonic interaction has always been the result of a true artistic conception of the place updated through the centuries. In this sense, our answer is unequivocal: Mont Saint-Michel is an art object that comprises natural, monumental, and performative elements within itself.

Citovat

FOLETTI, Ivan a Sabina ROSENBERGOVÁ. Holy site, place of memory or art object? Some considerations on mont saint-michel in the '(très) longue durée' (708 [?]-2017). Opuscula historiae artium. Masarykova univerzita, 2017, roč. 66, č. 2, s. 118-133. ISSN 1211-7390.

@article{1420967,
   author = {Foletti, Ivan and Rosenbergová, Sabina},
   article_number = {2},
   keywords = {Mont Saint-Michel; place of memory; longue durée; mass tourism; pilgrimage; Migrating art historians},
   language = {eng},
   issn = {1211-7390},
   journal = {Opuscula historiae artium},
   title = {Holy site, place of memory or art object? Some considerations on mont saint-michel in the '(très) longue durée' (708 [?]-2017)},
   url = {https://digilib.phil.muni.cz/handle/11222.digilib/137935},
   volume = {66},
   year = {2017}
}

TY  - JOUR
ID  - 1420967
AU  - Foletti, Ivan - Rosenbergová, Sabina
PY  - 2017
TI  - Holy site, place of memory or art object? Some considerations on mont saint-michel in the '(très) longue durée' (708 [?]-2017)
JF  - Opuscula historiae artium
VL  - 66
IS  - 2
SP  - 118-133
EP  - 118-133
PB  - Masarykova univerzita
SN  - 12117390
KW  - Mont Saint-Michel
KW  - place of memory
KW  - longue durée
KW  - mass tourism
KW  - pilgrimage
KW  - Migrating art historians
UR  - https://digilib.phil.muni.cz/handle/11222.digilib/137935
L2  - https://digilib.phil.muni.cz/handle/11222.digilib/137935
N2  - For more than one thousand years, Mont Saint-Michel has been a magnetic place: pilgrims and tourists travel for days in order to reach this place. The meaning of this tidal island has changed many times – from a holy place, to a sacred space, then becoming a monument of French national identity, and finally a Mecca of consumerist tourism. How can we understand this exceptional ‘longue durée’ success? One could think of it as a place of memory re-appropriated by each generation – but is that sufficient? Thanks to written records through the centuries, it is possible to confirm that the fascination with this place has always involved a combination of nature and culture. This harmonic interaction has always been the result of a true artistic conception of the place updated through the centuries. In this sense, our answer is unequivocal: Mont Saint-Michel is an art object that comprises natural, monumental, and performative elements within itself.
ER  -

FOLETTI, Ivan a Sabina ROSENBERGOVÁ. Holy site, place of memory or art object? Some considerations on mont saint-michel in the '(très) longue durée' (708 [?]-2017). \textit{Opuscula historiae artium}. Masarykova univerzita, 2017, roč.~66, č.~2, s.~118-133. ISSN~1211-7390.

Přehled o publikaci