Tellers and experiencers in autobiographical narratives : Focalization in Peeling the Onion by Günter Grass and The Liars’ Club by Mary Karr

FONIOKOVÁ, Zuzana. Tellers and experiencers in autobiographical narratives : Focalization in Peeling the Onion by Günter Grass and The Liars’ Club by Mary Karr. Philological Studies: Literary Research / Prace filologiczne. Literaturoznawstwo. Warszawa: Uniwersytet Warszawski, 2018, roč. 11, č. 8, s. 113-128. ISSN 2084-6045.

Základní údaje

Originální název

Tellers and experiencers in autobiographical narratives : Focalization in Peeling the Onion by Günter Grass and The Liars’ Club by Mary Karr

Autoři

FONIOKOVÁ, Zuzana (203 Česká republika, garant, domácí)

Vydání

Philological Studies: Literary Research / Prace filologiczne. Literaturoznawstwo, Warszawa, Uniwersytet Warszawski, 2018, 2084-6045

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Další údaje

Jazyk

angličtina

Typ výsledku

Článek v odborném periodiku

Obor

60205 Literary theory

Stát vydavatele

Polsko

Utajení

není předmětem státního či obchodního tajemství

Odkazy

URL

Kód RIV

RIV/00216224:14210/18:00104605

Organizační jednotka

Filozofická fakulta

Klíčová slova anglicky

autobiography; perspective; focalization; Grass; Karr

Štítky

rivok

Příznaky

Mezinárodní význam, Recenzováno

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Anotace

V originále

This article examines the narrative point of view in two autobiographical texts, pointing out the diverse effects the narratives achieve by means of different focalization strategies. After a short explication of the split between the narrator and protagonist in life stories, I look at focalization techniques in Günter Grass’s Peeling the Onion (2006), where the perception of the present self continuously interferes in the depiction of the past. The superior knowledge available to the narrator at the time of narration leads to an interpretation of the depicted events that the experiencing self could not provide. I argue that although the book calls attention to the constructive nature of memory and narrative that necessarily affects retrospective accounts of the past, it also states its preference for the lens of the present by employing focalization through the narrating I. I subsequently contrast Grass’s text and its narrative strategies with Mary Karr’s childhood memoir The Liars’ Club (1995) and demonstrate how this narrative attains its realistic effect by engaging the child protagonist as the predominant focalizer. By shifting focalization between the narrating I and the experiencing I, involving either the suspension or application of the narrator’s current knowledge, Karr manipulates readers’ engagement with the narrative, such as their empathy and moral judgment. Furthermore, the text communicates a sense of identity and continuity between the experiencer and the teller, which stands in sharp contrast to the emphasis Grass’s narrative puts on the distance between these two positions. Finally, I briefly address the challenges presented by recent conceptions of identity construction to the distinction between the narrating I and the experiencing I, suggesting that these narratological concepts retain their relevance to discussions of autobiographical texts as literary works rather than stages of self-creation.