ROZWALKA, Zuzana. Contemporary Tradition : Kabuki in the 21st Century. In 12th Annual Conference on Asian Studies - Japan NOW : A Snapshot of Contemporary Japanese Language, Culture, and Society, 9.-10.11.2018, Olomouc. 2018.
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Základní údaje
Originální název Contemporary Tradition : Kabuki in the 21st Century
Název česky Moderní tradice : kabuki v 21. století
Autoři ROZWALKA, Zuzana (203 Česká republika, garant, domácí).
Vydání 12th Annual Conference on Asian Studies - Japan NOW : A Snapshot of Contemporary Japanese Language, Culture, and Society, 9.-10.11.2018, Olomouc, 2018.
Další údaje
Originální jazyk angličtina
Typ výsledku Prezentace na konferencích
Obor 60403 Performing arts studies
Stát vydavatele Česká republika
Utajení není předmětem státního či obchodního tajemství
WWW URL
Kód RIV RIV/00216224:14210/18:00104865
Organizační jednotka Filozofická fakulta
Klíčová slova česky kabuki; Japonské divadlo; tradiční divadlo; klasické divadlo; 21. století; Ichikawa Ennosuke
Klíčová slova anglicky kabuki; Japanese theatre; traditional theatre; classical theatre; 21st century; Ichikawa Ennosuke
Štítky rivok
Příznaky Mezinárodní význam
Změnil Změnila: Mgr. Zuzana Matulíková, učo 405304. Změněno: 6. 4. 2019 16:06.
Anotace
Kabuki is recognized as one of Japan’s three major classical theater forms along with noh and bunraku, and has been inscribed on the UNESCO Intangible Cultural Heritage List in 2005. The roots of kabuki date back to the Edo period, therefore kabuki is often perceived as a living relic of that period. Although it is usually described as “traditional” or “classical” and most of the classical kabuki plays were written in the Edo period, new plays appear every year and there are various attempts to make it part of the contemporary culture once again and to attract young audience to its viewing. One such example and probably the most successful recent attempt was Ichikawa Ennosuke’s adaptation of one of the most recognizable manga series in Japan – One Piece. It was premiered as a part of Ichikawa’s Super kabuki project in October 2015, and after successful long run, it continued as a touring performance until this year. In my presentation, I will study such recent attempts and contextualize them within the post-war evolution of kabuki and the overall development of Japanese theatre. When examining the endeavor to transcend the image of kabuki as classical theater, I will also need to explore the turning point, the circumstances and the causes of kabuki becoming classical art. I will argue that is was rather a conscious decision than a natural process. The Edo kabuki has always utilized new trends incorporating the latest fashions and stories, and I will attempt to demonstrate that the endeavor to make kabuki a vital part of the popular culture is still very strong in contemporary theater/Japan.
Návaznosti
MUNI/A/1098/2017, interní kód MUNázev: Metodologické problémy výzkumu divadelní kultury (Akronym: MEDDIV)
Investor: Masarykova univerzita, Metodologické problémy výzkumu divadelní kultury, DO R. 2020_Kategorie A - Specifický výzkum - Studentské výzkumné projekty
VytisknoutZobrazeno: 28. 3. 2024 23:02