Contemporary Tradition : Kabuki in the 21st Century

k 2018

Contemporary Tradition : Kabuki in the 21st Century

ROZWALKA, Zuzana

Základní údaje

Originální název

Contemporary Tradition : Kabuki in the 21st Century

Název česky

Moderní tradice : kabuki v 21. století

Autoři

ROZWALKA, Zuzana (203 Česká republika, garant, domácí)

Vydání

12th Annual Conference on Asian Studies - Japan NOW : A Snapshot of Contemporary Japanese Language, Culture, and Society, 9.-10.11.2018, Olomouc, 2018

Další údaje

Jazyk

angličtina

Typ výsledku

Prezentace na konferencích

Obor

60403 Performing arts studies

Stát vydavatele

Česká republika

Utajení

není předmětem státního či obchodního tajemství

Odkazy

URL

Kód RIV

RIV/00216224:14210/18:00104865

Organizační jednotka

Filozofická fakulta

Klíčová slova česky

kabuki; Japonské divadlo; tradiční divadlo; klasické divadlo; 21. století; Ichikawa Ennosuke

Klíčová slova anglicky

kabuki; Japanese theatre; traditional theatre; classical theatre; 21st century; Ichikawa Ennosuke

Štítky

rivok

Příznaky

Mezinárodní význam

Změněno: 6. 4. 2019 16:06, Mgr. Zuzana Matulíková

Anotace

V originále

Kabuki is recognized as one of Japan’s three major classical theater forms along with noh and bunraku, and has been inscribed on the UNESCO Intangible Cultural Heritage List in 2005. The roots of kabuki date back to the Edo period, therefore kabuki is often perceived as a living relic of that period. Although it is usually described as “traditional” or “classical” and most of the classical kabuki plays were written in the Edo period, new plays appear every year and there are various attempts to make it part of the contemporary culture once again and to attract young audience to its viewing. One such example and probably the most successful recent attempt was Ichikawa Ennosuke’s adaptation of one of the most recognizable manga series in Japan – One Piece. It was premiered as a part of Ichikawa’s Super kabuki project in October 2015, and after successful long run, it continued as a touring performance until this year. In my presentation, I will study such recent attempts and contextualize them within the post-war evolution of kabuki and the overall development of Japanese theatre. When examining the endeavor to transcend the image of kabuki as classical theater, I will also need to explore the turning point, the circumstances and the causes of kabuki becoming classical art. I will argue that is was rather a conscious decision than a natural process. The Edo kabuki has always utilized new trends incorporating the latest fashions and stories, and I will attempt to demonstrate that the endeavor to make kabuki a vital part of the popular culture is still very strong in contemporary theater/Japan.

Návaznosti

MUNI/A/1098/2017, interní kód MU

Název: Metodologické problémy výzkumu divadelní kultury (Akronym: MEDDIV)

Investor: Masarykova univerzita, Metodologické problémy výzkumu divadelní kultury, DO R. 2020_Kategorie A - Specifický výzkum - Studentské výzkumné projekty

Citovat

ROZWALKA, Zuzana. Contemporary Tradition : Kabuki in the 21st Century. In 12th Annual Conference on Asian Studies - Japan NOW : A Snapshot of Contemporary Japanese Language, Culture, and Society, 9.-10.11.2018, Olomouc. 2018.

@proceedings{1477199,
   author = {Rozwalka, Zuzana},
   booktitle = {12th Annual Conference on Asian Studies - Japan NOW : A Snapshot of Contemporary Japanese Language, Culture, and Society, 9.-10.11.2018, Olomouc},
   keywords = {kabuki; Japanese theatre; traditional theatre; classical theatre; 21st century; Ichikawa Ennosuke},
   language = {eng},
   title = {Contemporary Tradition : Kabuki in the 21st Century},
   url = {http://acas.upol.cz/},
   year = {2018}
}

TY  - CONF
ID  - 1477199
AU  - Rozwalka, Zuzana
PY  - 2018
TI  - Contemporary Tradition : Kabuki in the 21st Century
KW  - kabuki
KW  - Japanese theatre
KW  - traditional theatre
KW  - classical theatre
KW  - 21st century
KW  - Ichikawa Ennosuke
UR  - http://acas.upol.cz/
L2  - http://acas.upol.cz/
N2  - Kabuki is recognized as one of Japan’s three major classical theater forms along with noh and bunraku, and has been inscribed on the UNESCO Intangible Cultural Heritage List in 2005. The roots of kabuki date back to the Edo period, therefore kabuki is often perceived as a living relic of that period. Although it is usually described as “traditional” or “classical” and most of the classical kabuki plays were written in the Edo period, new plays appear every year and there are various attempts to make it part of the contemporary culture once again and to attract young audience to its viewing. One such example and probably the most successful recent attempt was Ichikawa Ennosuke’s adaptation of one of the most recognizable manga series in Japan – One Piece. It was premiered as a part of Ichikawa’s Super kabuki project in October 2015, and after successful long run, it continued as a touring performance until this year. In my presentation, I will study such recent attempts and contextualize them within the post-war evolution of kabuki and the overall development of Japanese theatre. When examining the endeavor to transcend the image of kabuki as classical theater, I will also need to explore the turning point, the circumstances and the causes of kabuki becoming classical art. I will argue that is was rather a conscious decision than a natural process. The Edo kabuki has always utilized new trends incorporating the latest fashions and stories, and I will attempt to demonstrate that the endeavor to make kabuki a vital part of the popular culture is still very strong in contemporary theater/Japan.
ER  -

ROZWALKA, Zuzana. Contemporary Tradition : Kabuki in the 21st Century. In \textit{12th Annual Conference on Asian Studies - Japan NOW : A Snapshot of Contemporary Japanese Language, Culture, and Society, 9.-10.11.2018, Olomouc}. 2018.

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