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@proceedings{1477680,
author = {Havlíčková Kysová, Šárka},
booktitle = {Shakespeare in Changing Cultural Paradigms, 29.-30.11.2018, Bratislava},
keywords = {Shakespeare; Verdi; theatre; opera; scenography; metaphor; Wasserbauer; Věžník; Štolfa; Vychodil},
language = {eng},
title = {Dynamics of Evil : Two Stagings of Verdi’s Otello in the State Theatre in Brno (1967, 1989)},
year = {2018}
}
TY - CONF
ID - 1477680
AU - Havlíčková Kysová, Šárka
PY - 2018
TI - Dynamics of Evil : Two Stagings of Verdi’s Otello in the State Theatre in Brno (1967, 1989)
KW - Shakespeare
KW - Verdi
KW - theatre
KW - opera
KW - scenography
KW - metaphor
KW - Wasserbauer
KW - Věžník
KW - Štolfa
KW - Vychodil
N2 - In my paper I provide analysis of two productions of Verdi’s Otello in the State Theatre in Brno, directed by Miloš Wasserbauer in 1967 and Václav Věžník in 1989. Special attention is given to scenography of both productions as an evidence of key audio-visual metaphors incorporated in the directors’ conceptions. I focus on particular metaphors included in Shakespeare’s play that enter the stage via Verdi’s opera. Scenography – which I understand both as visual and audial means of expression – reflects the manipulation of human senses for the purpose of emphasising and expressing the key concepts of Shakespeare’s and Verdi’s work. I analyse dynamics / kinetics of scenography which is used to guide viewer’s senses through appeal to concept of evil.
ER -
HAVLÍČKOVÁ KYSOVÁ, Šárka. Dynamics of Evil : Two Stagings of Verdi’s Otello in the State Theatre in Brno (1967, 1989). In \textit{Shakespeare in Changing Cultural Paradigms, 29.-30.11.2018, Bratislava}. 2018.
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