FONIOKOVÁ, Zuzana. Memory, narrative, and truth in autobiography: Max Frisch’s prose writings. In German Studies Association of Australia (GSAA) International Conference. 2018.
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Základní údaje
Originální název Memory, narrative, and truth in autobiography: Max Frisch’s prose writings
Autoři FONIOKOVÁ, Zuzana.
Vydání German Studies Association of Australia (GSAA) International Conference, 2018.
Další údaje
Originální jazyk angličtina
Typ výsledku Prezentace na konferencích
Stát vydavatele Nový Zéland
Utajení není předmětem státního či obchodního tajemství
WWW URL
Organizační jednotka Filozofická fakulta
Příznaky Mezinárodní význam
Změnil Změnila: doc. Mgr. Zuzana Urválková, Ph.D., učo 6750. Změněno: 11. 1. 2019 11:13.
Anotace
The paper will discuss memory, narrative, and truth in autobiography. I will introduce two types of autobiographical memory that Aleida Assmann differentiates between: active memory, which finds expression in narrative and is coded in language, and passive memory, which is saved in the body and can only be activated by an external trigger. I will link Assmann’s distinction with Mark Freeman’s argument about the power of hindsight to discuss the question of what constitutes “the truth” about our experience: the unmediated experience of the present moment, or the memory of it, a reflection informed by additional knowledge. The second part of the paper will deal with Max Frisch’s writings that question the assumption that life precedes narrative (and not vice versa) and prefigure current constructivist theories of autobiography as a process of narrative self-construction. The main focus will be on Montauk (1975) and its intricate perspective structure. Flouting the intuition that autobiography is a reflection of a pre-existing self, the work stages self-invention by creating a character “Max Frisch” that represents the narrator’s own “I” in his memory. In addition, parallels will be drawn with Frisch’s essays such as “Unsere Gier nach Geschichten” (1960) and his novel Mein Name sei Gantenbein (1964).
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