Baroque theatricality in the Mediterranean storytelling. G. B. Basile and Lo Cunto de li Cunti

HURBÁNKOVÁ, Šárka. Baroque theatricality in the Mediterranean storytelling. G. B. Basile and Lo Cunto de li Cunti. In University of Wroclaw, Insitute of Classical, Mediterranean and Oriental Studies, 27 November 2018. 2018.

Základní údaje

Originální název

Baroque theatricality in the Mediterranean storytelling. G. B. Basile and Lo Cunto de li Cunti

Autoři

HURBÁNKOVÁ, Šárka

Vydání

University of Wroclaw, Insitute of Classical, Mediterranean and Oriental Studies, 27 November 2018, 2018

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Další údaje

Jazyk

angličtina

Typ výsledku

Vyžádané přednášky

Obor

60206 Specific literatures

Stát vydavatele

Polsko

Utajení

není předmětem státního či obchodního tajemství

Označené pro přenos do RIV

Ne

Organizační jednotka

Filozofická fakulta

Klíčová slova anglicky

G. B. Basile; Lo Cunto de li Cunti; Baroque Theatricality; Cupid and Psyche motifs

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Anotace

V originále

The lecture presented the Baroque writer G.B. Basile and theatrical elements in his work. As prominent scholars used to do, Basile moved from court to court and wrote poems, musical dramas and pastoral plays for his patrons. This activity was an existential necessity for him, while, presumably for his pleasure, he collected inspiration in various places in Italy, which he was in charge of, and wrote Lo Cunto de li Cunti, a collection of the first literary European fairy-tales that made him famous posthumously. The direct allusions, as well as possible influences of theatre forms on comic and tragicomic situations in Basile's fairy-tales, were discussed, with a special emphasis on three fairy-tales with Cupid and Psyche motifs.