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@article{1492667, author = {Kesner, Ladislav and Grygarová, Dominika and Fajnerová, Iveta and Lukavský, Jiří and Nekovářová, Tereza and Tintěra, Jaroslav and Zaytseva, Yuliya and Horáček, Jiří}, article_number = {8}, doi = {http://dx.doi.org/10.1016/j.bandc.2018.06.004}, keywords = {Artistic portraits; Averted gaze; Direct gaze; Eye-tracking; Perception; fMRI}, language = {eng}, issn = {0278-2626}, journal = {Brain and Cognition}, title = {Perception of direct vs. averted gaze in portrait paintings : An fMRI and eyetracking study}, url = {https://www.sciencedirect.com/science/article/abs/pii/S027826261730221X?via%3Dihub}, volume = {125}, year = {2018} }
TY - JOUR ID - 1492667 AU - Kesner, Ladislav - Grygarová, Dominika - Fajnerová, Iveta - Lukavský, Jiří - Nekovářová, Tereza - Tintěra, Jaroslav - Zaytseva, Yuliya - Horáček, Jiří PY - 2018 TI - Perception of direct vs. averted gaze in portrait paintings : An fMRI and eyetracking study JF - Brain and Cognition VL - 125 IS - 8 SP - 88-99 EP - 88-99 PB - Academic Press SN - 02782626 KW - Artistic portraits KW - Averted gaze KW - Direct gaze KW - Eye-tracking KW - Perception KW - fMRI UR - https://www.sciencedirect.com/science/article/abs/pii/S027826261730221X?via%3Dihub L2 - https://www.sciencedirect.com/science/article/abs/pii/S027826261730221X?via%3Dihub N2 - In this study, we use separate eye-tracking measurements and functional magnetic resonance imaging to investigate the neuronal and behavioral response to painted portraits with direct versus averted gaze. We further explored modulatory effects of several painting characteristics (premodern vs modern period, influence of style and pictorial context). In the fMRI experiment, we show that the direct versus averted gaze elicited increased activation in lingual and inferior occipital and the fusiform face area, as well as in several areas involved in attentional and social cognitive processes, especially the theory of mind: angular gyrus/temporo-parietal junction, inferior frontal gyrus and dorsolateral prefrontal cortex. The additional eye-tracking experiment showed that participants spent more time viewing the portrait’s eyes and mouth when the portrait’s gaze was directed towards the observer. These results suggest that static and, in some cases, highly stylized depictions of human beings in artistic portraits elicit brain activation commensurate with the experience of being observed by a watchful intelligent being. They thus involve observers in implicit inferences of the painted subject’s mental states and emotions. We further confirm the substantial influence of representational medium on brain activity. ER -
KESNER, Ladislav, Dominika GRYGAROVÁ, Iveta FAJNEROVÁ, Jiří LUKAVSKÝ, Tereza NEKOVÁŘOVÁ, Jaroslav TINTĚRA, Yuliya ZAYTSEVA a Jiří HORÁČEK. Perception of direct vs. averted gaze in portrait paintings : An fMRI and eyetracking study. \textit{Brain and Cognition}. Academic Press, 2018, roč.~125, č.~8, s.~88-99. ISSN~0278-2626. Dostupné z: https://dx.doi.org/10.1016/j.bandc.2018.06.004.
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