Experiencing Medieval Art from St Petersburg to Paris : The
trajectories of André Nikolajevič Grabar

k 2019

Experiencing Medieval Art from St Petersburg to Paris : The trajectories of André Nikolajevič Grabar

PALLADINO, Adrien

Základní údaje

Originální název

Experiencing Medieval Art from St Petersburg to Paris : The trajectories of André Nikolajevič Grabar

Autoři

PALLADINO, Adrien

Vydání

Transformed by Emigration : Welcoming Russian Intellectuals, Scientists, and Artists (1917–1945), 11.-13.2.2019, Brno, 2019

Další údaje

Jazyk

angličtina

Typ výsledku

Prezentace na konferencích

Obor

60401 Arts, Art history

Stát vydavatele

Česká republika

Utajení

není předmětem státního či obchodního tajemství

Odkazy

URL

Označené pro přenos do RIV

Ano

Kód RIV

RIV/00216224:14210/19:00107263

Organizační jednotka

Filozofická fakulta

Klíčová slova anglicky

Russian emigration; André Grabar; France; Byzantine art; Late Antique art; transformation; emigration; Bulgaria; art history

Štítky

rivok

Změněno: 7. 4. 2020 16:14, Mgr. Zuzana Matulíková

Anotace

V originále

Born in Kiev in 1896 – the very year Nicolas II arrived to the throne of Holy Russia – and died in 1990 in Paris, art historian and archeologist André Nikolajevič Grabar lived almost the entirety of the 70 years of the Sovietic Regime, from 1920 to 1989, outside of his birthplace. As such, his intellectual career also spanned the greater part of the twentieth century, responding to and at the same time deeply shaping the art historical approach of Byzantine art history. Although, to say “Byzantine” art history would be reductive of the broad range of topics that the works of Grabar encompassed, vastly embracing what could be termed Eastern and Western, late antique and medieval art.The double orientation of his scholarship, of course, seems almost caricatural of the physical orientation of his life – a movement from East to West – caused by the phenomenon of Russian emigration after 1917. Following the movement of Grabar, this paper wishes to reflect on three levels of transformation, the keyword of the conference. By three transformations are intended the one on individual and intellectual level, one on the field of art history as a collectivity in the years between 1917 and 1945, and finally a transformation whose roots are still deeply impacting the branch of art history today.

Návaznosti

GA18-20666S, projekt VaV

Název: Kondakovovo dědictví, Byzance a emigrace (André Grabar a Seminarium Kondakovianum) (Akronym: HNK)

Investor: Grantová agentura ČR, The Heritage of Nikodim P. Kondakov in the Experiences of André Grabar and the Seminarium Kondakovianum

Citovat

PALLADINO, Adrien. Experiencing Medieval Art from St Petersburg to Paris : The trajectories of André Nikolajevič Grabar. In Transformed by Emigration : Welcoming Russian Intellectuals, Scientists, and Artists (1917–1945), 11.-13.2.2019, Brno. 2019.

@proceedings{1496578,
   author = {Palladino, Adrien},
   booktitle = {Transformed by Emigration : Welcoming Russian Intellectuals, Scientists, and Artists (1917–1945), 11.-13.2.2019, Brno},
   keywords = {Russian emigration; André Grabar; France; Byzantine art; Late Antique art; transformation; emigration; Bulgaria; art history},
   language = {eng},
   title = {Experiencing Medieval Art from St Petersburg to Paris : The trajectories of André Nikolajevič Grabar},
   url = {https://www.academia.edu/38210948/TRANSFORMED_BY_EMIGRATION._Welcoming_Russian_Intellectuals_Scientists_and_Artists_1917_1945_Hans_Belting_Library_11_13_February_2019},
   year = {2019}
}

TY  - CONF
ID  - 1496578
AU  - Palladino, Adrien
PY  - 2019
TI  - Experiencing Medieval Art from St Petersburg to Paris : The trajectories of André Nikolajevič Grabar
KW  - Russian emigration
KW  - André Grabar
KW  - France
KW  - Byzantine art
KW  - Late Antique art
KW  - transformation
KW  - emigration
KW  - Bulgaria
KW  - art history
UR  - https://www.academia.edu/38210948/TRANSFORMED_BY_EMIGRATION._Welcoming_Russian_Intellectuals_Scientists_and_Artists_1917_1945_Hans_Belting_Library_11_13_February_2019
N2  - Born in Kiev in 1896 – the very year Nicolas II arrived to the throne of Holy Russia – and died in 1990 in Paris, art historian and archeologist André Nikolajevič Grabar lived almost the entirety of the 70 years of the Sovietic Regime, from 1920 to 1989, outside of his birthplace. As such, his intellectual career also spanned the greater part of the twentieth century, responding to and at the same time deeply shaping the art historical approach of Byzantine art history. Although, to say “Byzantine” art history would be reductive of the broad range of topics that the works of Grabar encompassed, vastly embracing what could be termed Eastern and Western, late antique and medieval art.The double orientation of his scholarship, of course, seems almost caricatural of the physical orientation of his life – a movement from East to West – caused by the phenomenon of Russian emigration after 1917. Following the movement of Grabar, this paper wishes to reflect on three levels of transformation, the keyword of the conference. By three transformations are intended the one on individual and intellectual level, one on the field of art history as a collectivity in the years between 1917 and 1945, and finally a transformation whose roots are still deeply impacting the branch of art history today.
ER  -

PALLADINO, Adrien. Experiencing Medieval Art from St Petersburg to Paris : The trajectories of André Nikolajevič Grabar. In \textit{Transformed by Emigration : Welcoming Russian Intellectuals, Scientists, and Artists (1917–1945), 11.-13.2.2019, Brno}. 2019.

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