Paganism, the Music Scene and Pagan Music in the Czech Republic
: A Theoretical Introduction

k 2019

Paganism, the Music Scene and Pagan Music in the Czech Republic : A Theoretical Introduction

PUCHOVSKÝ, Michal

Základní údaje

Originální název

Paganism, the Music Scene and Pagan Music in the Czech Republic : A Theoretical Introduction

Autoři

PUCHOVSKÝ, Michal

Vydání

Doctoral Conference: Sacred Locations: Spaces and Bodies in Religion; CEU/University of Szeged, June 13–15, 2019, 2019

Další údaje

Jazyk

angličtina

Typ výsledku

Prezentace na konferencích

Obor

60304 Religious studies

Stát vydavatele

Maďarsko

Utajení

není předmětem státního či obchodního tajemství

Odkazy

Odkaz na stránku konferencie

Označené pro přenos do RIV

Ano

Kód RIV

RIV/00216224:14210/19:00110010

Organizační jednotka

Filozofická fakulta

Klíčová slova anglicky

Modern Paganisn; Czech Pagan Music; Concept of Scene

Štítky

rivok

Příznaky

Mezinárodní význam, Recenzováno

Změněno: 9. 2. 2024 23:40, Mgr. Ivona Vrzalová

Anotace

V originále

The conference paper will present a first draft of the theoretical part of the dissertation thesis focusing on how two selected Czech Pagan music groups (folk metal band Silent Stream of Godless Elegy and pagan folk quintet called Tomáš Kočko with Orchestra) successfully use and interpret reconstructed modern Pagan tradition in their music and lyrics on the Czech Pagan music scene. The author of the paper will discuss theoretical issues and possible ways how to answer questions such as what Paganism means in Pagan music? And what is modern Paganism for Czechs in the first place? (Re)constructed tradition, a way of life or a new religious movement? Another important topic is a conceptual framework for description and analyses of all activities with relation to Czech Pagan music. How can we meaningfully talk about music and social space inhabited by fans, musicians and the whole music industry? Is it useful to speak about scene, community, neo-tribes or subculture? The paper will discuss the pros and cons of possible ways how to deal with theoretical issues and dangers combined with the study of religion-related music. And also will provide insight on how various theoretical views from different academic tradition (sociology of music, Pagan studies, and studies of youth subcultures among others) can help us to better understand complex relations between popular music and religion in modern society.

Návaznosti

MUNI/A/1053/2018, interní kód MU

Název: Nové výzkumné metody v religionistickém výzkumu (Akronym: NOVYMREV)

Investor: Masarykova univerzita, Nové výzkumné metody v religionistickém výzkumu, DO R. 2020_Kategorie A - Specifický výzkum - Studentské výzkumné projekty

Citovat

PUCHOVSKÝ, Michal. Paganism, the Music Scene and Pagan Music in the Czech Republic : A Theoretical Introduction. In Doctoral Conference: Sacred Locations: Spaces and Bodies in Religion; CEU/University of Szeged, June 13–15, 2019. 2019.

@proceedings{1542518,
   author = {Puchovský, Michal},
   booktitle = {Doctoral Conference: Sacred Locations: Spaces and Bodies in Religion; CEU/University of Szeged, June 13–15, 2019},
   keywords = {Modern Paganisn; Czech Pagan Music; Concept of Scene},
   language = {eng},
   title = {Paganism, the Music Scene and Pagan Music in the Czech Republic : A Theoretical Introduction},
   url = {https://religion.ceu.edu/crs-szeged-phd-conference-13-15-june-2019},
   year = {2019}
}

TY  - CONF
ID  - 1542518
AU  - Puchovský, Michal
PY  - 2019
TI  - Paganism, the Music Scene and Pagan Music in the Czech Republic : A Theoretical Introduction
KW  - Modern Paganisn
KW  - Czech Pagan Music
KW  - Concept of Scene
UR  - https://religion.ceu.edu/crs-szeged-phd-conference-13-15-june-2019
L2  - https://religion.ceu.edu/crs-szeged-phd-conference-13-15-june-2019
N2  - The conference paper will present a first draft of the theoretical part of the dissertation thesis focusing on how two selected Czech Pagan music groups (folk metal band Silent Stream of Godless Elegy and pagan folk quintet called Tomáš Kočko with Orchestra) successfully use and interpret reconstructed modern Pagan tradition in their music and lyrics on the Czech Pagan music scene. The author of the paper will discuss theoretical issues and possible ways how to answer questions such as what Paganism means in Pagan music? And what is modern Paganism for Czechs in the first place? (Re)constructed tradition, a way of life or a new religious movement? Another important topic is a conceptual framework for description and analyses of all activities with relation to Czech Pagan music. How can we meaningfully talk about music and social space inhabited by fans, musicians and the whole music industry? Is it useful to speak about scene, community, neo-tribes or subculture? The paper will discuss the pros and cons of possible ways how to deal with theoretical issues and dangers combined with the study of religion-related music. And also will provide insight on how various theoretical views from different academic tradition (sociology of music, Pagan studies, and studies of youth subcultures among others) can help us to better understand complex relations between popular music and religion in modern society.
ER  -

PUCHOVSKÝ, Michal. Paganism, the Music Scene and Pagan Music in the Czech Republic : A Theoretical Introduction. In \textit{Doctoral Conference: Sacred Locations: Spaces and Bodies in Religion; CEU/University of Szeged, June 13–15, 2019}. 2019.

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