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@proceedings{1591019,
author = {Havlíčková Kysová, Šárka},
booktitle = {Cognitive Futures in the Arts and the Humanities 2019, Mainz, June 19.-23.2019},
keywords = {opera; theatre; Giuseppe Verdi; Macbeth; Otello; Conceptual Metaphor Theory},
language = {eng},
title = {Fall of evil, fall of good : Towards Cognitive Analysis of Performances of Verdi’s Shakespearean Operas},
url = {https://www.cognitive-futures.com/images/downloads/Cognitive-Futures-2019_Program_190616_lq.pdf},
year = {2019}
}
TY - CONF
ID - 1591019
AU - Havlíčková Kysová, Šárka
PY - 2019
TI - Fall of evil, fall of good : Towards Cognitive Analysis of Performances of Verdi’s Shakespearean Operas
KW - opera
KW - theatre
KW - Giuseppe Verdi
KW - Macbeth
KW - Otello
KW - Conceptual Metaphor Theory
UR - https://www.cognitive-futures.com/images/downloads/Cognitive-Futures-2019_Program_190616_lq.pdf
L2 - https://www.cognitive-futures.com/images/downloads/Cognitive-Futures-2019_Program_190616_lq.pdf
N2 - In my paper I present the results of analysis of various productions of Verdi’s operas Macbeth and Otello. Special attention is given to scenography of the productions as an evidence of key audio-visual metaphors (see e.g. Fahlenbrach 2010; 2016) incorporated in the directors’ concept. I focus on particular metaphors included in Shakespeare’s play that enter the stage via Verdi’s opera. Scenography – which I understand both as visual and audial means of expression – reflects the guidance of human senses for the purpose of emphasising and expressing the key concepts of Shakespeare’s and Verdi’s work. I analyse dynamics / kinetics of scenography which is used to guide viewer’s senses through appeal to concepts of evil, and good.
ER -
HAVLÍČKOVÁ KYSOVÁ, Šárka. Fall of evil, fall of good : Towards Cognitive Analysis of Performances of Verdi’s Shakespearean Operas. In \textit{Cognitive Futures in the Arts and the Humanities 2019, Mainz, June 19.-23.2019}. 2019.
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