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@proceedings{1591038,
author = {Havlíčková Kysová, Šárka},
booktitle = {ESRA - Shakespeare and European Geographies: Centralities and Elsewheres, Rome, July 9-12, 2019},
keywords = {theatre; opera; William Shakespeare; Giuseppe Verdi; Macbeth; Czech Republic},
language = {eng},
title = {Space for Performing Dynamics of Power : Scenography for Verdi’s Macbeth in the Czech Republic after 2000},
url = {http://esra2019.it/},
year = {2019}
}
TY - CONF
ID - 1591038
AU - Havlíčková Kysová, Šárka
PY - 2019
TI - Space for Performing Dynamics of Power : Scenography for Verdi’s Macbeth in the Czech Republic after 2000
KW - theatre
KW - opera
KW - William Shakespeare
KW - Giuseppe Verdi
KW - Macbeth
KW - Czech Republic
UR - http://esra2019.it/
L2 - http://esra2019.it/
N2 - After the Velvet Revolution, Giuseppe Verdi’s Shakespearean opera Macbeth has been staged in the Czech Republic several times. In my paper I analyse the 21-century productions of Giuseppe Verdi’s Shakespearean opera Macbeth in the most prominent Czech theatres. Special attention is paid to scenography of the productions through the lens of audio-visual metaphors incorporated in the directors’ conceptions. I focus on particular metaphors rooted in Shakespeare’s play that enter the stage via Verdi’s opera and stage direction. As visual and audial means of expression, scenography has a potential to express key concepts of Shakespeare’s and Verdi’s work, such as emphasizing – via stage/audio-visual metaphors – dynamics of power, evil, forces of nature and some other.
ER -
HAVLÍČKOVÁ KYSOVÁ, Šárka. Space for Performing Dynamics of Power : Scenography for Verdi’s Macbeth in the Czech Republic after 2000. In \textit{ESRA - Shakespeare and European Geographies: Centralities and Elsewheres, Rome, July 9-12, 2019}. 2019.
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