Reflections of the Contemporary Schizophrenia in Josef Berg’s
Two Versions of Johanes doktor Faust

C 2019

Reflections of the Contemporary Schizophrenia in Josef Berg’s Two Versions of Johanes doktor Faust

FLAŠAR, Martin

Základní údaje

Originální název

Reflections of the Contemporary Schizophrenia in Josef Berg’s Two Versions of Johanes doktor Faust

Autoři

FLAŠAR, Martin (203 Česká republika, garant, domácí)

Vydání

New York, The Oxford Handbook of Faust in Music, od s. 407-422, 16 s. 2019

Nakladatel

Oxford University Press

Další údaje

Jazyk

angličtina

Typ výsledku

Kapitola resp. kapitoly v odborné knize

Obor

60403 Performing arts studies

Stát vydavatele

Spojené státy

Utajení

není předmětem státního či obchodního tajemství

Forma vydání

tištěná verze "print"

Kód RIV

RIV/00216224:14210/19:00111874

Organizační jednotka

Filozofická fakulta

ISBN

978-0-19-993518-5

Klíčová slova anglicky

Czech music; avant-garde; Josef Berg; Doctor Faustus; opera; 19th century music; 20th century music

Štítky

rivok, topvydavatel

Příznaky

Mezinárodní význam, Recenzováno

Změněno: 24. 3. 2020 13:51, Mgr. Zuzana Matulíková

Anotace

V originále

Czech music has a lengthy tradition of the Faustian theme settings extending back to the 19th century. Two important attempts to handle this topic were made by the composer, writer and poet Josef Berg (1927-1971). Berg’s position in the post-war music resembled in many ways the story of Doctor Faustus. It was marked by a necessity of choice between official existence provided by Czechoslovak Composers Union (as an extension of communist regime) and the life in isolated opposition. After starting his career as an optimistic supporter of communist ideas, he shifted to a critical mode supported by irony, imitation, deformation and parody. At the turn of the 1960s Berg worked on two different versions of the Faustus theme. The first one was conceived as a grand opera inspired by the poetics of folk puppet-theatre, the second one was created as a chamber opera for three persons and a small ensemble.

Citovat

FLAŠAR, Martin. Reflections of the Contemporary Schizophrenia in Josef Berg’s Two Versions of Johanes doktor Faust. In Fitzsimmons, Lorna; McKnight, Charles. The Oxford Handbook of Faust in Music. New York: Oxford University Press, 2019, s. 407-422. ISBN 978-0-19-993518-5.

@inbook{1596277,
   author = {Flašar, Martin},
   address = {New York},
   booktitle = {The Oxford Handbook of Faust in Music},
   editor = {Fitzsimmons, Lorna; McKnight, Charles},
   keywords = {Czech music; avant-garde; Josef Berg; Doctor Faustus; opera; 19th century music; 20th century music},
   howpublished = {tištěná verze "print"},
   language = {eng},
   location = {New York},
   isbn = {978-0-19-993518-5},
   pages = {407-422},
   publisher = {Oxford University Press},
   title = {Reflections of the Contemporary Schizophrenia in Josef Berg’s Two Versions of Johanes doktor Faust},
   year = {2019}
}

TY  - CHAP
ID  - 1596277
AU  - Flašar, Martin
PY  - 2019
TI  - Reflections of the Contemporary Schizophrenia in Josef Berg’s Two Versions of Johanes doktor Faust
VL  - Neuveden
PB  - Oxford University Press
CY  - New York
SN  - 9780199935185
KW  - Czech music
KW  - avant-garde
KW  - Josef Berg
KW  - Doctor Faustus
KW  - opera
KW  - 19th century music
KW  - 20th century music
N2  - Czech music has a lengthy tradition of the Faustian theme settings extending back to the 19th century. Two important attempts to handle this topic were made by the composer, writer and poet Josef Berg (1927-1971). Berg’s position in the post-war music resembled in many ways the story of Doctor Faustus. It was marked by a necessity of choice between official existence provided by Czechoslovak Composers Union (as an extension of communist regime) and the life in isolated opposition. After starting his career as an optimistic supporter of communist ideas, he shifted to a critical mode supported by irony, imitation, deformation and parody. At the turn of the 1960s Berg worked on two different versions of the Faustus theme. The first one was conceived as a grand opera inspired by the poetics of folk puppet-theatre, the second one was created as a chamber opera for three persons and a small ensemble.
ER  -

FLAŠAR, Martin. Reflections of the Contemporary Schizophrenia in Josef Berg’s Two Versions of Johanes doktor Faust. In Fitzsimmons, Lorna; McKnight, Charles. \textit{The Oxford Handbook of Faust in Music}. New York: Oxford University Press, 2019, s.~407-422. ISBN~978-0-19-993518-5.

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