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@inbook{1596277, author = {Flašar, Martin}, address = {New York}, booktitle = {The Oxford Handbook of Faust in Music}, editor = {Fitzsimmons, Lorna; McKnight, Charles}, keywords = {Czech music; avant-garde; Josef Berg; Doctor Faustus; opera; 19th century music; 20th century music}, howpublished = {tištěná verze "print"}, language = {eng}, location = {New York}, isbn = {978-0-19-993518-5}, pages = {407-422}, publisher = {Oxford University Press}, title = {Reflections of the Contemporary Schizophrenia in Josef Berg’s Two Versions of Johanes doktor Faust}, year = {2019} }
TY - CHAP ID - 1596277 AU - Flašar, Martin PY - 2019 TI - Reflections of the Contemporary Schizophrenia in Josef Berg’s Two Versions of Johanes doktor Faust VL - Neuveden PB - Oxford University Press CY - New York SN - 9780199935185 KW - Czech music KW - avant-garde KW - Josef Berg KW - Doctor Faustus KW - opera KW - 19th century music KW - 20th century music N2 - Czech music has a lengthy tradition of the Faustian theme settings extending back to the 19th century. Two important attempts to handle this topic were made by the composer, writer and poet Josef Berg (1927-1971). Berg’s position in the post-war music resembled in many ways the story of Doctor Faustus. It was marked by a necessity of choice between official existence provided by Czechoslovak Composers Union (as an extension of communist regime) and the life in isolated opposition. After starting his career as an optimistic supporter of communist ideas, he shifted to a critical mode supported by irony, imitation, deformation and parody. At the turn of the 1960s Berg worked on two different versions of the Faustus theme. The first one was conceived as a grand opera inspired by the poetics of folk puppet-theatre, the second one was created as a chamber opera for three persons and a small ensemble. ER -
FLAŠAR, Martin. Reflections of the Contemporary Schizophrenia in Josef Berg’s Two Versions of Johanes doktor Faust. In Fitzsimmons, Lorna; McKnight, Charles. \textit{The Oxford Handbook of Faust in Music}. New York: Oxford University Press, 2019, s.~407-422. ISBN~978-0-19-993518-5.
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