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@article{1597918, author = {Bělka, Luboš}, article_number = {31}, keywords = {Shambhala; Thangka; Myth; Visual Representation; Tibetan Buddhism}, language = {eng}, issn = {2158-9674}, journal = {Cross-Currents : East Asian History and Culture Review (e-journal)}, title = {Shambhala and the Prague Thangka : The Myth’s Visual Representation}, url = {https://cross-currents.berkeley.edu/e-journal/issue-31/belka}, volume = {Neuveden}, year = {2019} }
TY - JOUR ID - 1597918 AU - Bělka, Luboš PY - 2019 TI - Shambhala and the Prague Thangka : The Myth’s Visual Representation JF - Cross-Currents : East Asian History and Culture Review (e-journal) VL - Neuveden IS - 31 SP - 257-262 EP - 257-262 SN - 21589674 KW - Shambhala KW - Thangka KW - Myth KW - Visual Representation KW - Tibetan Buddhism UR - https://cross-currents.berkeley.edu/e-journal/issue-31/belka L2 - https://cross-currents.berkeley.edu/e-journal/issue-31/belka N2 - The article addresses the visual aspects of the Shambhala myth in Inner Asia, in particular Mongolia, Amdo, and Buryatia. The last Shambhala king, Raudracakrin, is usually depicted in two basic forms: either as a quiet, Nirvanic ruler on the throne in Kalapa, the capital of Shambhala, or as an angry, wrathful, and merciless military commander in the last battle of Shambhala. ER -
BĚLKA, Luboš. Shambhala and the Prague Thangka : The Myth’s Visual Representation. \textit{Cross-Currents : East Asian History and Culture Review (e-journal)}. 2019, Neuveden, No~31, p.~257-262. ISSN~2158-9674.
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