Belief on Display : Central European countries at interwar
world’s fairs

a 2019

Belief on Display : Central European countries at interwar world’s fairs

FILIPOVÁ, Marta

Základní údaje

Originální název

Belief on Display : Central European countries at interwar world’s fairs

Autoři

FILIPOVÁ, Marta

Vydání

Association of Slavic, Eastern European and Eurasian Studies annual conference, San Francisco, 21.-25. 11. 2019, 2019

Další údaje

Jazyk

angličtina

Typ výsledku

Konferenční abstrakt

Obor

60401 Arts, Art history

Stát vydavatele

Spojené státy

Utajení

není předmětem státního či obchodního tajemství

Odkazy

URL

Označené pro přenos do RIV

Ano

Kód RIV

RIV/00216224:14210/19:00112128

Organizační jednotka

Filozofická fakulta

Klíčová slova česky

dějiny umění; Československo; meziválečné umění; výstavy

Klíčová slova anglicky

Art history; Czechoslovakia; interwar art; exhibitions

Štítky

rivok

Příznaky

Mezinárodní význam

Změněno: 16. 4. 2020 21:28, prof. Mgr. Ondřej Jakubec, Ph.D.

Anotace

V originále

The collapse of Austria Hungary in 1918 did not only mean a creation of new states but also of their new identities. For Austria and Hungary, it was allegedly easy to re-connect with their prewar symbols and beliefs in nationhood. Other new states, especially Czechoslovakia, had to invent their identity based on a new geopolitical and ethnic composition. This paper examines the belief in the existence of national identity of these three political entities in the interwar period – Czechoslovakia, Hungary and Austria. While it was crucial to construct an image of the new nation internally, its presentation to the outside world was equally important. For this reason, participation of these new entities in world’s fairs around the world was particularly important. Where else can one create a desired image of its own history, present and future, while comparing and contrasting it with that of others? Out of the three countries, Czechoslovakia was the most active, taking part in more than fifteen international exhibitions from Rio de Janeiro to Stockholm. Yet Austria and Hungary also realised the importance of exhibiting economy, culture and ideology and made a mark in a number of fairs. The three countries met at several of them, e.g. in Philadelphia, 1926, Cologne, 1928, Barcelona, 1929 and Brussels 1935, and it is my aim to examine some these national presentations, their content, aims and strategies. What beliefs in a nation-state were put on show here and how successful were they? What were they based on and how did they compare with each other?

Návaznosti

786314, interní kód MU

Název: Continuity and Rupture in Central European Art and Architecture, 1918-1939 — CRAACE (Akronym: CRAACE)

Investor: Evropská unie, Continuity and Rupture in Central European Art and Architecture, 1918-1939 — CRAACE, ERC (Excellent Science)

Citovat

FILIPOVÁ, Marta. Belief on Display : Central European countries at interwar world’s fairs. In Association of Slavic, Eastern European and Eurasian Studies annual conference, San Francisco, 21.-25. 11. 2019. 2019.

@proceedings{1600390,
   author = {Filipová, Marta},
   booktitle = {Association of Slavic, Eastern European and Eurasian Studies annual conference, San Francisco, 21.-25. 11. 2019},
   keywords = {Art history; Czechoslovakia; interwar art; exhibitions},
   language = {eng},
   title = {Belief on Display : Central European countries at interwar world’s fairs},
   url = {https://convention2.allacademic.com/one/aseees/aseees19/index.php?cmd=Online+Program+View+Paper&selected_paper_id=1535113&PHPSESSID=pre8edi6h14usmjh8ed2b8su87},
   year = {2019}
}

TY  - CONF
ID  - 1600390
AU  - Filipová, Marta
PY  - 2019
TI  - Belief on Display : Central European countries at interwar world’s fairs
KW  - Art history
KW  - Czechoslovakia
KW  - interwar art
KW  - exhibitions
UR  - https://convention2.allacademic.com/one/aseees/aseees19/index.php?cmd=Online+Program+View+Paper&selected_paper_id=1535113&PHPSESSID=pre8edi6h14usmjh8ed2b8su87
L2  - https://convention2.allacademic.com/one/aseees/aseees19/index.php?cmd=Online+Program+View+Paper&selected_paper_id=1535113&PHPSESSID=pre8edi6h14usmjh8ed2b8su87
N2  - The collapse of Austria Hungary in 1918 did not only mean a creation of new states but also of their new identities. For Austria and Hungary, it was allegedly easy to re-connect with their prewar symbols and beliefs in nationhood. Other new states, especially Czechoslovakia, had to invent their identity based on a new geopolitical and ethnic composition. This paper examines the belief in the existence of national identity of these three political entities in the interwar period – Czechoslovakia, Hungary and Austria. While it was crucial to construct an image of the new nation internally, its presentation to the outside world was equally important. For this reason, participation of these new entities in world’s fairs around the world was particularly important. Where else can one create a desired image of its own history, present and future, while comparing and contrasting it with that of others? Out of the three countries, Czechoslovakia was the most active, taking part in more than fifteen international exhibitions from Rio de Janeiro to Stockholm. Yet Austria and Hungary also realised the importance of exhibiting economy, culture and ideology and made a mark in a number of fairs. The three countries met at several of them, e.g. in Philadelphia, 1926, Cologne, 1928, Barcelona, 1929 and Brussels 1935, and it is my aim to examine some these national presentations, their content, aims and strategies. What beliefs in a nation-state were put on show here and how successful were they? What were they based on and how did they compare with each other?
ER  -

FILIPOVÁ, Marta. Belief on Display : Central European countries at interwar world’s fairs. In \textit{Association of Slavic, Eastern European and Eurasian Studies annual conference, San Francisco, 21.-25. 11. 2019}. 2019.

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