2019
From Mucha to Poetism : Tradition and the Avant-garde in interwar Czechoslovakia
FILIPOVÁ, MartaZákladní údaje
Originální název
From Mucha to Poetism : Tradition and the Avant-garde in interwar Czechoslovakia
Autoři
Vydání
BASEES 2019 Annual Conference, 12 April – 14 April 2019, Cambridge, 2019
Další údaje
Jazyk
angličtina
Typ výsledku
Konferenční abstrakt
Obor
60401 Arts, Art history
Stát vydavatele
Velká Británie a Severní Irsko
Utajení
není předmětem státního či obchodního tajemství
Označené pro přenos do RIV
Ano
Kód RIV
RIV/00216224:14210/19:00112134
Organizační jednotka
Filozofická fakulta
Klíčová slova česky
dějiny umění; Československo; meziválečné umění; výstavy, Avantgarda
Klíčová slova anglicky
Art history; Czechoslovakia; exhibitions; interwar art; Avant-garde
Štítky
Změněno: 8. 4. 2020 19:28, Mgr. Zuzana Matulíková
Anotace
V originále
In 1928, Czechoslovakia celebrated ten years of its existence. The Exhibition of Czechoslovak Culture that was organized in Brno portrayed the young state as modern and economically and culturally thriving. The exhibition ground was designed by leading progressive architects and the art section contained works of contemporary painters and sculptures. Yet in the same year, Alfons Mucha donated to the state his series of twenty large canvases depicting the journey of the Czech nation and the Slavs through history in a language many described as traditional. This was also the year that the International Ethnographic Congress took place in Prague, as well as the year when the Poetism Manifesto was published. The paper focuses on the idea of traditions in the interwar period, their different interpretations and roles in the political environment of Czechoslovakia in the 1920s and 1930s. It is concerned with their rejection as well as creation of new traditions by artists, art critics and art historians.
Návaznosti
| 786314, interní kód MU |
|