Fictional Worlds of Spiral Narrative

k 2019

Fictional Worlds of Spiral Narrative

KOKEŠ, Radomír D.

Základní údaje

Originální název

Fictional Worlds of Spiral Narrative

Autoři

KOKEŠ, Radomír D.

Vydání

XIV. Prague Interpretation Colloquium. Thinking and Speaking about Fictional Worlds, 2019

Další údaje

Jazyk

angličtina

Typ výsledku

Prezentace na konferencích

Obor

60405 Studies on Film, Radio and Television

Stát vydavatele

Česká republika

Utajení

není předmětem státního či obchodního tajemství

Odkazy

“Fictional world” was one of the most frequent terms in the discussions held within the series of Prague Interpretation Colloquia. This time we propose it as the central topic and invite the participants to discuss the variety of questions it raises.

Organizační jednotka

Filozofická fakulta

Klíčová slova anglicky

Hollywood; storytelling; spiral narrative; problem-solving; poetics of cinema; film analysis; fictional worlds

Příznaky

Mezinárodní význam

Změněno: 25. 1. 2020 07:44, Mgr. Michal Večeřa, Ph.D.

Anotace

V originále

The paper aims to explain several features of fictional worlds of so-called spiral narrative in audiovisual cinematic storytelling. The spiral narrative will be identified as a specific pattern of audiovisual storytelling with a character stuck in an iterative segment of space, time and causality. They are not only fully aware of their situation but also try to deal with it. Even though this narrative pattern is known mostly from film GROUNDHOG DAY (1993), there are many other feature films, television films, television episodes or television series. A probable explanation is that these applications of the schema are a result of filmmakers' ambitions to innovate some broadly established models of narrative development from a new perspective. However, this presentation is going to answer somewhat different questions: What kinds of fictional worlds could be designed by the limitations of the schema application? What does the schema application mean for their time, space, causality – or even for their very setting? What roles might the spiral effect play and what functions might the spiral effect fulfil within these worlds and for their inhabitants? Although the presentation will follow several "spiral narrative audiovisual works", as the primary analytical case will be the probably best known and already mentioned movie, GROUNDHOG DAY.

Návaznosti

MUNI/A/0946/2018, interní kód MU

Název: Kinematografie a mediální kultura

Investor: Masarykova univerzita, Kinematografie a mediální kultura, DO R. 2020_Kategorie A - Specifický výzkum - Studentské výzkumné projekty

Citovat

KOKEŠ, Radomír D. Fictional Worlds of Spiral Narrative. In XIV. Prague Interpretation Colloquium. Thinking and Speaking about Fictional Worlds. 2019.

@proceedings{1609361,
   author = {Kokeš, Radomír D.},
   booktitle = {XIV. Prague Interpretation Colloquium. Thinking and Speaking about Fictional Worlds},
   keywords = {Hollywood; storytelling; spiral narrative; problem-solving; poetics of cinema; film analysis; fictional worlds},
   language = {eng},
   title = {Fictional Worlds of Spiral Narrative},
   url = {http://komunikaceav21.cz/vyzkumna-temata/umeni-jako-forma-komunikace/the-xiv-prague-interpretation-colloquium-thinking-and-speaking-about-fictional-worlds/},
   year = {2019}
}

TY  - CONF
ID  - 1609361
AU  - Kokeš, Radomír D.
PY  - 2019
TI  - Fictional Worlds of Spiral Narrative
KW  - Hollywood
KW  - storytelling
KW  - spiral narrative
KW  - problem-solving
KW  - poetics of cinema
KW  - film analysis
KW  - fictional worlds
UR  - http://komunikaceav21.cz/vyzkumna-temata/umeni-jako-forma-komunikace/the-xiv-prague-interpretation-colloquium-thinking-and-speaking-about-fictional-worlds/
L2  - http://komunikaceav21.cz/vyzkumna-temata/umeni-jako-forma-komunikace/the-xiv-prague-interpretation-colloquium-thinking-and-speaking-about-fictional-worlds/
N2  - The paper aims to explain several features of fictional worlds of so-called spiral narrative in audiovisual cinematic storytelling. The spiral narrative will be identified as a specific pattern of audiovisual storytelling with a character stuck in an iterative segment of space, time and causality. They are not only fully aware of their situation but also try to deal with it. Even though this narrative pattern is known mostly from film GROUNDHOG DAY (1993), there are many other feature films, television films, television episodes or television series. A probable explanation is that these applications of the schema are a result of filmmakers' ambitions to innovate some broadly established models of narrative development from a new perspective. However, this presentation is going to answer somewhat different questions: What kinds of fictional worlds could be designed by the limitations of the schema application? What does the schema application mean for their time, space, causality – or even for their very setting? What roles might the spiral effect play and what functions might the spiral effect fulfil within these worlds and for their inhabitants? Although the presentation will follow several "spiral narrative audiovisual works", as the primary analytical case will be the probably best known and already mentioned movie, GROUNDHOG DAY.
ER  -

KOKEŠ, Radomír D. Fictional Worlds of Spiral Narrative. In \textit{XIV. Prague Interpretation Colloquium. Thinking and Speaking about Fictional Worlds}. 2019.

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