The Czech Vienna School and the art of the ‘small people’

J 2020

The Czech Vienna School and the art of the ‘small people’

FILIPOVÁ, Marta

Základní údaje

Originální název

The Czech Vienna School and the art of the ‘small people’

Autoři

FILIPOVÁ, Marta

Vydání

Journal of Art Historiography, Birmingham, The University of Birmingham, 2020, 2042-4752

Další údaje

Jazyk

angličtina

Typ výsledku

Článek v odborném periodiku

Obor

60401 Arts, Art history

Stát vydavatele

Velká Británie a Severní Irsko

Utajení

není předmětem státního či obchodního tajemství

Odkazy

URL, URL

Označené pro přenos do RIV

Ano

Kód RIV

RIV/00216224:14210/20:00115748

Organizační jednotka

Filozofická fakulta

Klíčová slova anglicky

art history; interwar Czechoslovakia; Austro-Hungarian legacies; Zdeněk Wirth; Antonín Matějček; Alois Riegl; Czech art; modernity; class; folk art; Vienna School

Štítky

rivok

Příznaky

Mezinárodní význam, Recenzováno

Změněno: 7. 4. 2021 22:00, Mgr. Zuzana Matulíková

Anotace

V originále

Marta Filipová examines the discipline of art history in interwar Czechoslovakia and its Austro-Hungarian legacies, paying particular attention to questions of modernity, class, and folk art and design. The article focuses on the attitudes of the Vienna School’s followers to folk art and primarily examines the writings of the Czech art historians Zdeněk Wirth (1878-1961) and Antonín Matějček (1888-1950). Their attention to art created by ‘the small people’ of villages and the countryside had clear parallels in the theories of Alois Riegl. Both Czech art historians, however, developed Riegl’s views further. Aware of the impact of modernity and industrialisation on art production, they related folk art to a specific class and the social, economic and ethnic changes in the Czech lands in the first two decades of the twentieth century. The text therefore scrutinises their reasons for the continued concern with folk art in the light of the legacy of the Vienna School.

Návaznosti

786314, interní kód MU

Název: Continuity and Rupture in Central European Art and Architecture, 1918-1939 — CRAACE (Akronym: CRAACE)

Investor: Evropská unie, Continuity and Rupture in Central European Art and Architecture, 1918-1939 — CRAACE, ERC (Excellent Science)

Přiložené soubory

filipova.pdf

Citovat

FILIPOVÁ, Marta. The Czech Vienna School and the art of the ‘small people’. Journal of Art Historiography. Birmingham: The University of Birmingham, 2020, roč. 2020, č. 22, s. 1-16. ISSN 2042-4752.

@article{1660838,
   author = {Filipová, Marta},
   article_location = {Birmingham},
   article_number = {22},
   keywords = {art history; interwar Czechoslovakia; Austro-Hungarian legacies; Zdeněk Wirth; Antonín Matějček; Alois Riegl; Czech art; modernity; class; folk art; Vienna School},
   language = {eng},
   issn = {2042-4752},
   journal = {Journal of Art Historiography},
   title = {The Czech Vienna School and the art of the ‘small people’},
   url = {https://arthistoriography.wordpress.com/22-jun20/},
   volume = {2020},
   year = {2020}
}

TY  - JOUR
ID  - 1660838
AU  - Filipová, Marta
PY  - 2020
TI  - The Czech Vienna School and the art of the ‘small people’
JF  - Journal of Art Historiography
VL  - 2020
IS  - 22
SP  - 1-16
EP  - 1-16
PB  - The University of Birmingham
SN  - 20424752
KW  - art history
KW  - interwar Czechoslovakia
KW  - Austro-Hungarian legacies
KW  - Zdeněk Wirth
KW  - Antonín Matějček
KW  - Alois Riegl
KW  - Czech art
KW  - modernity
KW  - class
KW  - folk art
KW  - Vienna School
UR  - https://arthistoriography.wordpress.com/22-jun20/
N2  - Marta Filipová examines the discipline of art history in interwar Czechoslovakia and its Austro-Hungarian legacies, paying particular attention to questions of modernity, class, and folk art and design. The article focuses on the attitudes of the Vienna School’s followers to folk art and primarily examines the writings of the Czech art historians Zdeněk Wirth (1878-1961) and Antonín Matějček (1888-1950). Their attention to art created by ‘the small people’ of villages and the countryside had clear parallels in the theories of Alois Riegl. Both Czech art historians, however, developed Riegl’s views further. Aware of the impact of modernity and industrialisation on art production, they related folk art to a specific class and the social, economic and ethnic changes in the Czech lands in the first two decades of the twentieth century. The text therefore scrutinises their reasons for the continued concern with folk art in the light of the legacy of the Vienna School.
ER  -

FILIPOVÁ, Marta. The Czech Vienna School and the art of the ‘small people’. \textit{Journal of Art Historiography}. Birmingham: The University of Birmingham, 2020, roč.~2020, č.~22, s.~1-16. ISSN~2042-4752.

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