Between ‘gout grec’ and ‘diverse maniere’ : Neoclassical
Decorative Arts in Central Europe in the Second Half of the
18th Century

J 2020

Between ‘gout grec’ and ‘diverse maniere’ : Neoclassical Decorative Arts in Central Europe in the Second Half of the 18th Century

SUCHÁNEK, Pavel a Tomáš VALEŠ

Základní údaje

Originální název

Between ‘gout grec’ and ‘diverse maniere’ : Neoclassical Decorative Arts in Central Europe in the Second Half of the 18th Century

Autoři

SUCHÁNEK, Pavel (203 Česká republika, garant, domácí) a Tomáš VALEŠ (203 Česká republika, domácí)

Vydání

Studi Neoclassici Rivista Internazionale, 2020, 2420-8264

Další údaje

Jazyk

angličtina

Typ výsledku

Článek v odborném periodiku

Obor

60401 Arts, Art history

Stát vydavatele

Itálie

Utajení

není předmětem státního či obchodního tajemství

Odkazy

URL

Kód RIV

RIV/00216224:14210/20:00114350

Organizační jednotka

Filozofická fakulta

DOI

http://dx.doi.org/10.19272/202011901001

Klíčová slova anglicky

Neoclassicism; Decorative Arts; Interior Decorations; Design Work; 18th Century; Central Europe; Habsburg Monarchy; Moravia

Štítky

rivok

Příznaky

Mezinárodní význam, Recenzováno

Změněno: 11. 4. 2021 21:09, Mgr. Zuzana Matulíková

Anotace

V originále

The study explores the influence the Italian antiquarian tradition (Giovanni Battista Piranesi, Giocondo Albertolli, Carlo Antonini etc.) in the example of a group of artworks created by several artists in one province of the Habsburg Empire. The first part of the study focuses on several designs and works of decorative art that lie on the edge between painting, sculpture, and decorative art. The second part seeks to interpret the findings of the analysis in the wider context of contemporary Enlightenment reforms, the formation of modern institutions, and, generally, the transformation of the Habsburg Monarchy’s cultural policy in the period towards the end of Empress Maria Theresa’s rule (1740-1780) and the beginning of that of Emperor Joseph II (1780-1790). The article concludes by reflecting on the nature of transcultural transfers in the late 18th century, defined, on the one hand, by the Enlightenment ideal of a universal culture and, on the other, by relatively overt efforts to create a local, to some degree ‘nationalised’, interpretation of that ideal.

Návaznosti

GA20-09541S, projekt VaV

Název: Dějiny umění na Moravě: Morava v dějinách umění (Akronym: Dějiny umění na Moravě)

Investor: Grantová agentura ČR, Dějiny umění na Moravě: Morava v dějinách umění

Citovat

SUCHÁNEK, Pavel a Tomáš VALEŠ. Between ‘gout grec’ and ‘diverse maniere’ : Neoclassical Decorative Arts in Central Europe in the Second Half of the 18th Century. Studi Neoclassici Rivista Internazionale. 2020, roč. 8, č. 1, s. 9-19. ISSN 2420-8264. Dostupné z: https://dx.doi.org/10.19272/202011901001.

@article{1683668,
   author = {Suchánek, Pavel and Valeš, Tomáš},
   article_number = {1},
   doi = {http://dx.doi.org/10.19272/202011901001},
   keywords = {Neoclassicism; Decorative Arts; Interior Decorations; Design Work; 18th Century; Central Europe; Habsburg Monarchy; Moravia},
   language = {eng},
   issn = {2420-8264},
   journal = {Studi Neoclassici Rivista Internazionale},
   title = {Between ‘gout grec’ and ‘diverse maniere’ : Neoclassical Decorative Arts in Central Europe in the Second Half of the 18th Century},
   url = {http://www.libraweb.net/articoli.php?chiave=202011901&rivista=119},
   volume = {8},
   year = {2020}
}

TY  - JOUR
ID  - 1683668
AU  - Suchánek, Pavel - Valeš, Tomáš
PY  - 2020
TI  - Between ‘gout grec’ and ‘diverse maniere’ : Neoclassical Decorative Arts in Central Europe in the Second Half of the 18th Century
JF  - Studi Neoclassici Rivista Internazionale
VL  - 8
IS  - 1
SP  - 9-19
EP  - 9-19
SN  - 24208264
KW  - Neoclassicism
KW  - Decorative Arts
KW  - Interior Decorations
KW  - Design Work
KW  - 18th Century
KW  - Central Europe
KW  - Habsburg Monarchy
KW  - Moravia
UR  - http://www.libraweb.net/articoli.php?chiave=202011901&rivista=119
N2  - The study explores the influence the Italian antiquarian tradition (Giovanni Battista Piranesi, Giocondo Albertolli, Carlo Antonini etc.) in the example of a group of artworks created by several artists in one province of the Habsburg Empire. The first part of the study focuses on several designs and works of decorative art that lie on the edge between painting, sculpture, and decorative art. The second part seeks to interpret the findings of the analysis in the wider context of contemporary Enlightenment reforms, the formation of modern institutions, and, generally, the transformation of the Habsburg Monarchy’s cultural policy in the period towards the end of Empress Maria Theresa’s rule (1740-1780) and the beginning of that of Emperor Joseph II (1780-1790). The article concludes by reflecting on the nature of transcultural transfers in the late 18th century, defined, on the one hand, by the Enlightenment ideal of a universal culture and, on the other, by relatively overt efforts to create a local, to some degree ‘nationalised’, interpretation of that ideal.
ER  -

SUCHÁNEK, Pavel a Tomáš VALEŠ. Between ‘gout grec’ and ‘diverse maniere’ : Neoclassical Decorative Arts in Central Europe in the Second Half of the 18th Century. \textit{Studi Neoclassici Rivista Internazionale}. 2020, roč.~8, č.~1, s.~9-19. ISSN~2420-8264. Dostupné z: https://dx.doi.org/10.19272/202011901001.

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